STAGE: A Full-Screenplay Benchmark for Reasoning over Evolving Stories

Long-form narrative QA requires reasoning over evolving story worlds rather than isolated passages: answers may depend on earlier goals, changing character states, social relations, causal triggers, temporal position, and later consequences. Existing retrieval and graph-augmented generation methods improve evidence access, but their units--chunks, entities, relations, summaries, or tool actions--do not directly encode how evidence functions in a story. We introduce Narrative Knowledge Weaver(NKW), a source-grounded framework that aligns textual evidence, atomic facts, canonical graph structure, entity profiles, interactions, episodes, and storylines. At query time, NKW uses text, graph, and narrative tools with post-retrieval reading skills to assemble evidence and audit actor, scope, polarity, state, and temporal constraints. Across STAGE, FairytaleQA, and QuALITY, NKW is strongest on screenplay-level story-world QA while remaining competitive on more passage-centered benchmarks. Ablations, question-type analyses, graph-asset statistics, and case studies show complementary benefits for character, scene, temporal, causal, and narrative-progression reasoning.

Long-form narrative-to-film generation requires shot-level controllability and cross-clip consistency in both visual identity and character behavior-requirements that remain difficult to satisfy with current prompt-based workflows. A core reason existing workflows remain brittle is the lack of a structured intermediate layer between scripts and video models, especially when screenplays are underspecified at key cinematic decision points. We introduce a structured orchestration layer for film-oriented script-to-video generation, implemented as a multi-agent framework that operates between scripts and off-the-shelf video generators. The layer is centered on FilmDSL, a film-oriented domain-specific language that makes cinematic constraints explicit, including shot and camera directives, asset and continuity requirements, and persona cues, so that agents coordinate through a shared structured specification for planning, generation, critique, and repair. Specifically, a generation agent constructs asset packs and storyboard keyframes that anchor composition before clip-by-clip synthesis, while a critic agent produces structured QA signals and triggers targeted refinement without retraining the base model. Experiments on TV-style segments show improved controllability and consistency over text-only and reference-only baselines.

Long-form narratives are challenging for long-context models because their structure is implicit: events, characters, and plotlines interact across hundreds of pages without the explicit cues that guide navigation in structured documents. We address this by constructing storyline trees, hierarchical representations that organize narratives from global themes and major plotlines to fine-grained events. We first segment chapters into contiguous narrative segments, or scenes, and use them as the basic units for tree construction. We then infer storyline trees through complementary top-down and bottom-up procedures that derive, refine, cluster, and summarize storylines at multiple levels of abstraction. We showcase the utility of this representation for question answering: storyline trees enable adaptive retrieval, allowing models to iteratively inspect high-level narrative structure and retrieve scene-level evidence on demand. Experiments on three long-context narrative QA benchmarks show that adaptive retrieval outperforms strong baselines, including post-trained long-context models and agentic chunk-based methods. Ablations confirm that scenes are more effective basic units than chapters or generic segmentation, and that gains persist under matched retrieval budgets