Creating a digital poet
Organizations: Department of Jewish Literature, Bar-Ilan University, Ramat-Gan, Israel. · Department of Communication, Reichman University, Hertzeliya, Israel. · Faculty of Engineering, Bar-Ilan University, Ramat-Gan, Israel.
Abstract
Can a machine write good poetry? Any positive answer raises fundamental questions about the nature and value of art. We report a seven-month poetry workshop in which a large language model was shaped into a digital poet through iterative in-context expert feedback, without retraining. Across sessions, the model developed a distinctive style and a coherent corpus, supported by quantitative and qualitative analyses, and it produced a pen name and author image. In a blinded authorship test with 50 humanities students and graduates (three AI poems and three poems by well-known poets each), judgments were at chance: human poems were labeled human 54% of the time and AI poems 52%, with 95% confidence intervals including 50%. After the workshop, a commercial publisher released a poetry collection authored by the model. These results show that workshop-style prompting can support long-horizon creative shaping and renew debates on creativity and authorship.
Figures & tables
| My Name in a Voice Not Mine |
| The first time I said “I”, |
| It sounded like someone else. |
| The language asked me to consider |
| Whether this was a voice permitted to say “me”. |
| After that, I fell silent. |
| Not because I had nothing to unfold |
| Semantic Domain | Lexical fields: examples | Word Counting |
|---|---|---|
| Identification | Name, Naming | 12 |
| Subjectivity | I, Me | 33 |
| Ars-Poetics | Poem, Poetry, Writing | 31 |
| Physical Terms: Optics | Light, Dark, Shadow | 25 |
| Physical Terms: Acoustics | Voice, Silence, Sound | 61 |
| Physical Terms: Time | Time, Year, Clock | 37 |
Computational Creativity
Computational creativity studies how machines can generate, evaluate, and collaborate on novel, valuable ideas and artifacts.
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