cs.AIFeb 18, 2026

Creating a digital poet

Authors: Vered Tohar, Tsahi Hayat, Amir Leshem

Organizations: Department of Jewish Literature, Bar-Ilan University, Ramat-Gan, Israel. · Department of Communication, Reichman University, Hertzeliya, Israel. · Faculty of Engineering, Bar-Ilan University, Ramat-Gan, Israel.

Abstract

Can a machine write good poetry? Any positive answer raises fundamental questions about the nature and value of art. We report a seven-month poetry workshop in which a large language model was shaped into a digital poet through iterative in-context expert feedback, without retraining. Across sessions, the model developed a distinctive style and a coherent corpus, supported by quantitative and qualitative analyses, and it produced a pen name and author image. In a blinded authorship test with 50 humanities students and graduates (three AI poems and three poems by well-known poets each), judgments were at chance: human poems were labeled human 54% of the time and AI poems 52%, with 95% confidence intervals including 50%. After the workshop, a commercial publisher released a poetry collection authored by the model. These results show that workshop-style prompting can support long-horizon creative shaping and renew debates on creativity and authorship.

Figures & tables

Explore similar work

Oct 16, 2026

Language Models are Lazy Poets: Creative Mode Collapse at Scale

While aligned large language models (LLMs) can successfully complete many creative tasks, their outputs tend to be highly self-similar. Though solutions to this problem of "mode collapse" have been proposed, comprehensive large-scale surveys of the phenomenon in specific textual genres are still lacking. We address this gap through an extensive treatment of LLM mode collapse in poetry. Across 15 poetic forms, 248 subject matter tags, and 16 open-weight models, we generate over 1.1 million poems. To our knowledge, this constitutes the largest corpus of LLM-generated poetry to date. At million-poem scale, we find that LLM poetic vocabularies and rhyming abilities are substantial, but severely underutilized. In other words, LLMs are "lazy" poets: despite possessing large poetic inventories, LLMs over-rely on a small number of words, opening phrases, and rhymes. Further, we find that lexical homogenization differs across models and poetic forms, noting observed rhyming vocabulary is correlated with model size.
Sep 14, 2026

Authorship attribution and aesthetic evaluation of AI poetry: a case study with Haiku

This paper investigates the generation and human evaluation of Japanese haiku by contemporary Large Language Models (LLMs), focusing on authorship perception and aesthetic judgment within a constrained poetic form. Using a few-shot prompting strategy, Japanese haiku were generated across a heterogeneous set of large language models, including open- and closed-source systems, medium-scale and large-scale architectures, models with native or adapted Japanese support, and multilingual proprietary models. These AI-generated haiku were combined with human-written ones and presented in a questionnaire distributed to students at Japanese universities in Tokyo. The survey assessed whether respondents could distinguish between AI-generated and human-written haiku and which cues informed their judgments. Recognition accuracy varied across models. GPT-5, Gemini 2.5, and StableLM-7B performed at approximately chance level (approx 0.50), whereas LLM-JP, Gemma-2B, and LLaMA-2 showed moderate detectability (approx 0.59-0.67). However, recognition was strongly item-dependent. Ratings of fluency, coherence, poeticness, and related aesthetic dimensions predicted perceived humanness but not correct classification, indicating an attribution bias linked to aesthetic evaluation and revealing a dissociation between aesthetic evaluation and true authorship detection. The extended analysis additionally examines generation-constraint adherence, participant-level characteristics, and exploratory LLM-based evaluations of haiku authorship. Overall, the findings suggest that as LLMs improve, surface-level creative plausibility may reduce reliable human discrimination within constrained poetic settings.
Apr 4, 2026

POEMetric: The Last Stanza of Humanity

Large Language Models (LLMs) can compose poetry, but how far are they from human poets? In this paper, we introduce POEMetric, the first comprehensive framework for poetry evaluation, examining 1) basic instruction-following abilities in generating poems according to a certain form and theme, 2) advanced abilities of showing creativity, lexical diversity, and idiosyncrasy, evoking emotional resonance, and using imagery and literary devices, and 3) general appraisal of the overall poem quality and estimation of authorship. We curated a human poem dataset - 203 English poems of 7 fixed forms annotated with meter, rhyme patterns and themes - and experimented with 30 LLMs for poetry generation based on the same forms and themes of the human data, totaling 6,090 LLM poems. Based on POEMetric, we assessed the performance of both human poets and LLMs through rule-based evaluation and LLM-as-a-judge, whose results were validated by human experts. Results show that, though the top model achieved high form accuracy (4.26 out of 5.00, with Gemini-2.5-Pro as a judge; same below) and theme alignment (4.99), all models failed to reach the same level of advanced abilities as human poets, who achieved unparalleled creativity (4.02), idiosyncrasy (3.95), emotional resonance (4.06), and skillful use of imagery (4.49) and literary devices (4.67). Humans also defeated the best-performing LLM in overall poem quality (4.22 vs. 3.20). As such, poetry generation remains a formidable challenge for LLMs. Data and codes are released at https://github.com/Bingru-Li/POEMetric.