CalliMaster: Mastering Page-level Chinese Calligraphy via Layout-guided Spatial Planning

Current Chinese calligraphy generation methods suffer from poor stroke rendering and unrealistic ink morphology, resulting in outputs with limited visual fidelity and artistic fluidity. To address this problem, we propose InkDiffuser, a diffusion-based generative framework for one-shot Chinese calligraphy synthesis. To guarantee high-fidelity rendering, we introduce two core contributions: a high-frequency enhancement mechanism and a Differentiable Ink Structure (DIS) loss that explicitly regularizes ink morphology. Inspired by the observation that high-frequency information in individual samples typically carries contour details, we enhance content extraction by explicitly fusing high-frequency representations for more accurate font structure. Furthermore, we propose a differentiable ink structure loss that integrates differentiable morphological operations into the diffusion process. By allowing the model to learn an explicit decomposition of ink-trace structures, DIS facilitates fine-grained refinement of stroke contours and delivers significantly improved visual realism in the generated calligraphy. Extensive experiments on various calligraphic styles and complex characters demonstrate that InkDiffuser can generate superior calligraphy fonts with realistic ink rendering effects from only a single reference glyph and outperform existing few-shot font generation approaches in structural consistency, detail fidelity, and visual authenticity. The code is available at the following address: https://github.com/JingVIPLab/InkDiffuser.

This paper introduces Calligraphy Writing Score Representation (CWSR) and proposes Shu Dao as a framework that interprets East Asian calligraphy as a performative art rather than a static visual artifact. Inspired by traditions such as Japanese Shodō and embodied cultural practices such as Chadao , the framework models calligraphy as a structured performance analogous to musical notation. Instead of representing characters as fixed images, the proposed approach encodes each brush stroke as an ordered and executable action, forming a calligraphy score. Characters are organized within a structured spatial grid, and strokes are annotated with attributes including stroke type, execution order, spatial coordinates, trajectory, compositional role, and dynamic properties such as brush pressure and pacing. This representation captures temporal and expressive aspects of calligraphic writing that are typically absent from image-based representations. The paper makes three main contributions. First, it introduces CWSR as a structured notation system for representing calligraphy across multiple levels, including strokes, character structures, and compositional organization (e.g., layout and zhangfa), together with their rhythmic and performative dynamics. Second, it conceptualizes Shu Dao as a score-mediated framework that models calligraphy as structured performance. Third, it establishes a computational foundation for the analysis, visualization, and executable generation of calligraphic works by AI-based calligraphic agents. Together, these contributions bridge calligraphy, musical notation, and performative cultural practices, supporting human--AI co-creation in computational calligraphy and digital humanities research.

Realistic online handwriting depends not only on individual character shapes, but also on how a writer connects, spaces, and aligns adjacent characters. Existing methods rely primarily on long-range sequence modeling and capture these inter-character behaviors only implicitly. This often produces plausible glyphs accompanied by broken cursive joins, inconsistent spacing, or writer-inconsistent transitions. We introduce BoundInk, a writer-conditioned framework that treats inter-character boundaries as explicit generation units. By jointly modeling local transitions and surrounding text context, BoundInk preserves writer-specific glyph appearance while improving connectivity and spacing across complete text lines. We further introduce a boundary-aware evaluation framework that directly assesses cursive continuity and spatial relationships between characters beyond conventional trajectory similarity. Across three benchmark-matched settings, BoundInk improves all applicable boundary-quality measures and reduces normalized dynamic time warping by 17.6--47.8%. In blind human evaluations, BoundInk outputs are preferred in 78.0--82.6% of valid criterion-wise judgments.