Probing neural audio codecs for distinctions among English nuclear tunes
Organizations: Northwestern University
Abstract
State-of-the-art spoken dialogue models (Défossez et al. 2024; Schalkwyk et al. 2025) use neural audio codecs to "tokenize" audio signals into a lower-frequency stream of vectorial latent representations, each quantized using a hierarchy of vector codebooks. A transformer layer allows these representations to reflect some time- and context-dependent patterns. We train probes on labeled audio data from Cole et al. (2023) to test whether the pitch trajectories that characterize English phrase-final (nuclear) intonational tunes are among these patterns. Results: Linear probes trained on the unquantized latents or some of the associated codewords yield above-chance accuracy in distinguishing eight phonologically specified nuclear tunes with monotonal pitch accents (top average test accuracy (TATA): 0.31) and the five clusters of these tunes that are robust in human speech production and perception (TATA: 0.45). Greater accuracy (TATAs: 0.74-0.89) is attained for binary distinctions between classes of rising vs. falling tunes, respectively used for questions and assertions. Information about tunes is spread among all codebooks, which calls into question a distinction between 'semantic' and 'acoustic' codebooks found in the literature. Accuracies improve with nonlinear probes, but discrimination among the five clusters remains far from human performance, suggesting a fundamental limitation of current codecs.
Figures & tables
| \toprule Classification problem | Description |
| \midrule 8class | The eight nuclear tune shapes that follow from combining (monotonal) pitch accents, phrase accents, and boundary tones in the Autosegmental-Metrical model. |
| 5class | The five clusters of nuclear tunes obtained in [ 11 ] , as described in Section 1.3 . |
| hhh-vs-lll | The greatest magnitude distinction: high-rising vs. low-falling. |
| hxx-vs-lxx | A distinction only in pitch accent |
| xll-vs-xhh | A distinction only in edge tones: falling (xll) vs. rising (xhh), underlying the distinction between assertion and question. |
| \bottomrule |
Speech Prosody
Speech prosody studies pitch, stress, rhythm, timing, and intonation and how they convey linguistic structure, emotion, and speaker intent.
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