Seeking Universal Shot Language Understanding Solutions

Cinematography, the craft of visual storytelling through framing, lighting, and camera operation, fundamentally shapes how audiences perceive and emotionally engage with video content. While Large Vision Language Models (LVLMs) have made remarkable progress in video question answering, existing benchmarks primarily focus on identifying low-level techniques rather than understanding their storytelling impact. To address this, we introduce CinematicVQA, the first-of-its-kind benchmark for cinematic video understanding that goes beyond technique recognition to evaluate film-grammar reasoning, utilizing our introduced Cinematic Scene Graph (CSG), a structured representation that links filming techniques to their perceptual effects and narrative functions. Through comprehensive evaluation of state-of-the-art LVLMs, we reveal a striking semantic gap: models consistently perform higher on describing visual presentations than on identifying the underlying techniques. Surprisingly, Chain-of-Thought prompting fails to provide consistent gains and degrades performance for most models, suggesting that current LVLMs lack sufficient cinematic domain knowledge to benefit from step-by-step reasoning. Fine-tuning on CinematicVQA-train yields consistent improvements, particularly for narrative function and multi-hop reasoning. Overall, CinematicVQA serves both as a rigorous benchmark for cinematic evaluation in LVLMs and as a practical dataset for training more film-aware video models.

Vision-language models (VLMs) can increasingly handle extended contexts and answer questions about long videos--but can they understand the narrative structure of movies as humans do? To investigate this question, we introduce MF$^2$ (Movie Facts and Fibs), a fully manually curated benchmark designed to evaluate whether models can identify, recall, and comprehend information central to the movie's storyline, using both the visual and textual modalities. MF$^2$ includes over 50 open-licensed movies, each paired with manually constructed sets of claim pairs: one true claim (fact) and one plausible but false (fib), totaling over 850 pairs. Our analysis across 20 open-source and 2 proprietary models reveals a substantial gap relative to human performance. While subtitles provide a strong signal for narrative understanding, other textual sources (e.g., synopses) are less informative. In contrast, when visual information is distributed across the entire movie and jointly embedded with subtitles, models struggle to identify and effectively use the relevant content. However, when the visual input is restricted to claim-relevant visual content, models improve significantly, indicating substantial room for improvement in processing large multimodal contexts and distinguishing relevant from irrelevant information. Overall, our findings highlight persistent challenges in multimodal narrative understanding for current VLMs. We release our data and code to support further research in this direction.

Understanding camera movement in natural language is critical for training and evaluating video generation models, among other applications. However, we demonstrate that existing vision-language models (VLMs) fail this task in surprising ways, frequently confusing translation with rotation, left with right, and object movement with camera movement. To address these limitations, we establish natural language camera movement understanding as a standalone research task. We introduce a two-level cinematographic taxonomy and an extensive, atomic benchmark featuring both real and synthetic videos. Furthermore, we curate a large-scale, multi-source training set enhanced by targeted camera movement augmentation. Our fine-tuned VLM-8B outperforms Gemini 3.1 Pro by 10% and 11% on our benchmark's real and synthetic videos, respectively. Despite these gains, a significant gap remains relative to human performance, underscoring the need to promote and facilitate future research on natural language camera movement understanding.