General audio understanding is a fundamental goal for large audio-language models, with audio captioning serving as a cornerstone task for their development. However, progress in this domain is hindered by existing datasets, which lack the scale and descriptive granularity required to train truly versatile models. To address this gap, we introduce ACAVCaps, a new large-scale, fine-grained, and multi-faceted audio captioning dataset. Derived from the ACAV100M collection, ACAVCaps is constructed using a multi-expert pipeline that analyzes audio from diverse perspectives-including speech, music, and acoustic properties-which are then synthesized into rich, detailed descriptions by a large language model. Experimental results demonstrate that models pre-trained on ACAVCaps exhibit substantially stronger generalization capabilities on various downstream tasks compared to those trained on other leading captioning datasets. The dataset is available at https://github.com/xiaomi-research/acavcaps.
Figures & tables
Figure 1: Data construction and evaluation frameowrk.
Labeling
Dataset
Duration (h)
Samples
Unique Tokens
Domain
Source
Manual
AudioCaps [ 15 ]
135
50k
5.5k
Multi-Domain ‡ , ⋄
AudioSet
Clotho [ 9 ]
24
3.8k
5.5k
Multi-Domain ‡ , ⋄
FreeSound
SongDescriber [ 17 ]
12
0.4k
2.4k
Music
MTG-Jamendo
LLM
MusicCaps [ 1 ]
7
4.6k
4.6k
Music
AudioSet
LPMusicCaps [ 8 ]
127
21.6k
5.1k
Music
Audioset, MSD
WavCaps [ 19 ]
1.8k
0.4M
23.1k
Multi-Domain ‡ , ⋄
AudioSet
Table 1: Comparison of ACAVCaps with existed caption datasets. The Unique Tokens column reports the total number of unique tokens within each dataset, as counted by the Qwen3 tokenizer. † MP-LLM: Multiple Experts Models and LLM; ‡ Multi-Domain: This includes speech, music and sound-events ( ⋄ denotes that domain were not elaborated in detail); \lx@sectionsign Extended Multi-Domain: This includes speech, music, sound-events, combinations thereof, and silence.
Training Dataset
Systematic
Content-Related
Content-Unrelated
Score
Long
Short
Speech
Music
Sound
Environment
Pure
Mixed
Pure
Mixed
Pure
Mixed
AudioSetCaps [ 3 ]
52.4
52.0
30.2
31.4
44.3
30.9
52.4
21.6
15.4
37.4
Auto-ACD [ 22 ]
47.3
50.0
29.1
31.0
26.9
21.9
49.5
18.9
11.0
32.8
WavCaps [ 19 ]
47.3
50.9
27.3
30.1
15.9
19.4
46.5
20.0
9.2
31.4
Sound-VeCaps [ 24 ]
47.0
49.7
29.1
30.3
27.2
21.9
49.8
18.7
11.4
32.8
Table 2: Performance of audio captioning models pre-trained on various datasets, evaluated on the MECAT-Caption benchmark. The final score is a weighted average of three main categories: systematic, Content-Specific, and Content-Unrelated. For all metrics, a higher score indicates better performance. Notably, a ’Pure’ sample contains only one content type (e.g., only speech), while a ’Mixed’ sample contains a combination of two or three types (i.e., speech, music, and sound events). † Combined refers to the combination of AudioSetCaps, Auto-ACD, WavCaps, and Sound-VECaps.
Training Dataset
Speech ↓
Sound ↑
Music ↑
Other ↑
AISHELL-2
LibriSpeech
Common Voice
General
Vocal
Instrument
Emotion
Android
IOS
MIC
Clean
Other
French
VGGSound
VocalSound
NSynth
IEMOCAP
AudioSetCaps
82.7
77.8
81.7
51.6
70.2
84.7
22.4
91.4
67.0
17.6
Auto-ACD
89.1
78.2
88.6
54.6
76.5
85.7
22.5
90.2
46.1
24.1
WavCaps
83.2
74.2
77.9
54.3
74.0
85.2
21.2
91.5
69.1
19.9
Sound-VECaps
87.3
79.5
87.9
51.8
70.1
85.6
22.9
90.8
45.0
20.3
Table 3: Performance on downstream tasks. A model is pretrained on each respective training dataset. Then, for each task, we freeze the model and only optimize the adapter. For all speech tasks, lower is better, while for all other tasks higher is better. † Combined refers to the combination of AudioSetCaps, Auto-ACD, WavCaps, and Sound-VECaps.
Detailed audio-video joint captioning is essential for multimodal video understanding and generation. However, prior works are constrained by three main limitations: (1) the scarcity of high-quality public datasets with fine-grained audio-visual joint captions; (2) reinforcement-learning methods that rely on coarse reward signals; and (3) the lack of a benchmark and metric for evaluating detailed audiovisual captions at the atomic level. To address these challenges, we propose: (1) AVCap-100K, a high-quality dataset of 100K temporally aligned, detail-rich audio-video captions; (2) AVCap, a model optimized via Detail-Aware GRPO (Da-GRPO) that achieves state-of-the-art performance among open-source models and matches or surpasses proprietary models on several evaluations; and (3) AVCap-Bench and AVCap-Score, a specialized benchmark and metric for evaluating atomic-level details in audiovisual captions. Our code, models, and datasets are available at https://huggingface.co/collections/Apryle/avcap.
Large Audio Language Models struggle to disentangle overlapping events in complex acoustic scenes, yielding temporally inconsistent captions and frequent hallucinations. We introduce Timestamped Audio Captioner (TAC), a model that produces temporally grounded audio descriptions at varying degrees of detail and resolution. TAC is trained with a synthetic data pipeline that constructs challenging and dynamic mixtures from real-world audio sources, enabling robust learning under realistic polyphonic conditions. Across event detection and dense captioning, TAC outperforms all competing methods, with a low hallucination rate and accurate temporal grounding. We also introduce TAC-V, an audio-visual pipeline to generate semantically rich audio-visual descriptions. We then show that TAC and TAC-V serves as a "semantic bridge" for a text-only reasoner: a simple TAC→LLM and TAC-V→LLM cascade achieves state-of-the-art scores on benchmarks for both audio (MMAU-Pro, MMSU, MMAR) and audio-visual (DailyOmni, VideoHolmes) understanding and reasoning respectively.
Sonal Kumar, Prem Seetharaman, Ke Chen +8
University of Maryland, College Park, USA · Adobe Research, USA · OpenAI, USA (work done while at Adobe).
Long-paragraph fine-grained audio captioning requires models to recover diverse acoustic facts while avoiding omissions and unsupported details. However, prevailing captioners remain passive one-shot generators: once a detail is overlooked, they cannot identify the evidence gap, query the audio for targeted information, or decide when sufficient evidence has been collected. We formulate this task as active evidence acquisition and introduce Agentic Co-Evolution for Captioning (ACE-Cap). The framework uses multi-turn interaction between a Composer and an Instruct model to form a closed evidence-acquisition loop. A Captioner first produces an initial description. Conditioned on this description and the interaction history, a text-only Composer asks targeted questions about unresolved acoustic attributes, while an audio-conditioned Instruct model provides grounded answers. The Composer then decides when to terminate and synthesizes the accumulated evidence into a final caption. ACE-Cap trains these roles through a unified gold-to-prediction reward derived from fixed, gold-grounded multiple-choice questions and a frozen caption-only judge. For credit assignment in variable-length interactions, LOOP-GRPO replaces the trajectory-wide scalar advantage with span-aligned signals: leave-one-out contributions of individual questions to the accumulated evidence, a quality-cost utility for stopping, and an evidence-preservation utility for final synthesis. Role-wise warm-up followed by alternating Composer and Instruct optimization keeps each update a well-defined single-policy problem while allowing the roles to co-evolve. ACE-Cap thus turns captioning from passive one-shot generation into an adaptive process that learns what evidence to acquire, when to stop, and how to preserve it in a long-paragraph caption.
Fengji Ma, Yan Rong, Xu Li +3
The Hong Kong University of Science and Technology (Guangzhou) · KlingAI Research