Temporal Contrastive Decoding: A Training-Free Method for Large Audio-Language Models

Large audio-language models (LALMs) frequently hallucinate by overriding acoustic evidence with language priors. While contrastive decoding (CD) offers training-free mitigation, existing methods rely on blunt perturbations like masking or noise, leaving structured audio transformations unexplored. We explore this design space by evaluating a diverse library of targeted audio perturbations and adaptively selecting the optimal negative branch for each task and example. First, we improve upon earlier prompt engineering by showing that a simple binary yes/no constraint reduces the model's tendency to falsely confirm absent audio features. Second, evaluating our library across temporal, spectral, frequency, and amplitude domains reveals that optimal transformations are highly task-dependent; for instance, reversing the audio array disrupts temporal coherence, raising accuracy on the temporal order task from 74.7% to 81.4%. Finally, we trained a light-weight perturbation selector on model hidden states to dynamically route negative branches, yielding an additional +4.3% gain on the existence task.

Large audio-language models (LALMs) can hallucinate audio objects, answering "yes" to absent sound events, thus undermining reliability in audio question answering. We propose Token-Adaptive Decoding (TAD), a training-free strategy for hallucination mitigation that grounds the initial yes/no decision by contrasting logits under real audio with a matched silent reference. TAD introduces a token-adaptive, confidence-guided gate that is decision-critical at the first decoding step and class-conditional on affirmative tokens, using the audio-silent margin to avoid overcorrection when evidence is weak or already sufficient. Experiments on AudioCaps-Hallucination show that, relative to Audio-Aware Decoding (AAD), a contrastive baseline with fixed contrast strength, TAD improves F1 for Qwen2 by 0.059 to 0.117 across Popular, Adversarial, and Random splits, and for Gemma by 0.025 to 0.064, while on Clotho-AQA it raises F1 from 0.810 to 0.816 on Qwen2 and remains comparable to AAD on Gemma.

Large audio-language models (LALMs) describe audio at the clip level but cannot assign timestamps to the events, speakers, or sounds they identify. Despite being essential for downstream tasks like speech recognition and dense audio captioning, timestamping remains a key limitation of most LALMs. We present TEMPO (Temporally-grounded Multi-task Post-training), the first unified model to handle audio, speech, and music timestamping tasks. Our core contribution is a supervised fine-tuning (SFT) stage built on three innovations: atomic timestamp tokens, a time-aware projector that injects sinusoidal wall-clock encodings into audio frame embeddings, and a distance-aware Gaussian loss. Our training is based on a synthetic-to-real curriculum. We further introduce, to our knowledge, the first application of reinforcement learning to unified audio timestamping, using GRPO with verifiable temporal rewards that directly optimize the evaluation objectives. Rather than serving as the primary source of performance gains, GRPO acts as a refinement stage on top of the SFT checkpoint, providing modest additional improvements. To support this work, we build a training dataset containing 119K samples and an evaluation benchmark containing 10K samples, drawn from established corpora across five tasks. On this benchmark, TEMPO outperforms Audio Flamingo Next and Qwen3-Omni, two state-of-the-art LALMs explicitly trained on timestamped data. Experiments confirm that SFT delivers most of these gains, with GRPO providing consistent but moderate refinements.