VITA-QinYu: Expressive Spoken Language Model for Role-Playing and Singing
Authors: Jiacheng Xu, Heting Gao, Liufei Xie, Zhenchuan Yang, Lijiang Li, Yiting Chen, Bin Zhang, Meng Chen, +3 more
Abstract
Human speech conveys expressiveness beyond linguistic content, including personality, mood, or performance elements, such as a comforting tone or humming a song, which we formalize as role-playing and singing. We present VITA-QinYu, the first expressive end-to-end (E2E) spoken language model (SLM) that goes beyond natural conversation to support both role-playing and singing generation. VITA-QinYu adopts a hybrid speech-text paradigm that extends interleaved text-audio modeling with multi-codebook audio tokens, a design enabling richer paralinguistic representation while preserving a clear separation between modalities to avoid interference. We further develop a comprehensive data generation pipeline to synthesize a total of 15.8K hours of natural conversation, role-playing, and singing data for training. VITA-QinYu demonstrates superior expressiveness, outperforming peer SLMs by 7 percentage points on objective role-playing benchmarks, and surpassing peer models by 0.13 points on a 5-point MOS scale for singing. Simultaneously, it achieves state-of-the-art conversational accuracy and fluency, exceeding prior SLMs by 1.38 and 4.98 percentage points on the C3 and URO benchmarks, respectively. We open-source our code and models and provide an easy-to-use demo with full-stack support for streaming and full-duplex interaction.
We propose UniVocal, a unified framework that implicitly infers vocal modes from text context to pioneer Speech-Singing Code-Switching (SCS) Synthesis - a task where transitions are autonomously driven by textual semantics, akin to seamless human language blending. Unlike single-mode generation or systems relying on switching-control tags, our proposed UniVocal implicitly infers vocal modes solely from text context. To achieve this, we employ a data-efficient two-stage curriculum learning strategy that progressively trains a competitive TTS system to acquire the desired SCS capability. Addressing data scarcity, we introduce a scalable pipeline to synthesize diverse code-switching data that is both semantically and acoustically natural, alongside a new multi-scenario benchmark, SCSBench. To address limitations of semantic tokenizers in capturing acoustic details, we also introduce refined cent token and Chain-of-Thought (CoT) generation for planning prosody before content generation, effectively enhancing empathetic speech generation and singing melody. Experimental results demonstrate that UniVocal achieves state-of-the-art performance on SCSBench while maintaining competitive performance on regular speech and singing tasks. Audio samples are available at https://project-univocal-demo.github.io/demo/. The code and dataset are released at https://github.com/FunAudioLLM/FunResearch/tree/main/UniVocal.
Existing singing voice synthesis systems often require predefined durations, explicit duration prediction, or time-aligned acoustic guidance, which limits their compatibility with practical composition workflows. We propose VocalRender, a score-native system that directly synthesizes singing from lyrics, pitches, symbolic note values, and tempo. It uses an interleaved lyric--note representation and an autoregressive diffusion model to generate continuous acoustic latents while predicting the output length, eliminating the need for explicit duration prediction. Trained on a 2,300-hour singing dataset, VocalRender achieves strong intelligibility, strong melody control, and high speaker similarity across both in-domain and out-of-domain benchmarks. Notably, it outperforms the strongest baseline by 0.42 points in naturalness CMOS, demonstrating the effectiveness of our proposed score-native architecture.
Text-to-speech (TTS) and singing voice synthesis (SVS) both aim to generate human vocal audio from symbolic inputs, but they impose different requirements on the generation process. Speech generation relies on flexible, language-driven prosody, whereas singing generation requires explicit melody control and accurate rhythmic alignment. This mismatch makes it challenging to train a single model that can generate both natural speech and controllable singing, since melody-related conditions should strongly constrain singing but should not restrict speech prosody. We present UniVoice, a unified speech and singing voice generation framework based on conditional flow matching. Instead of using a single undifferentiated conditioning representation, UniVoice factorizes the condition into content, melody, and timbre, which are encoded by modality-appropriate encoders and consumed by a shared Diffusion Transformer (DiT) backbone. For singing, the melody condition is represented by MIDI note sequences; for speech, it is replaced with a learned null melody token, allowing the model to infer prosody from linguistic and acoustic context. This design preserves explicit melody control for singing while avoiding the need to impose melody constraints on speech. We further analyze the null melody token as an approximation to melody marginalization in the conditional flow. Trained on 30k hours of speech and 35k hours of singing data, UniVoice achieves a speech PER of 5.26%, comparable to dedicated TTS systems such as F5-TTS (5.21%) and CosyVoice3 (5.30%). On singing generation, UniVoice achieves a PER of 16.22%, outperforming the unified baseline Vevo1.5 (24.72%).