Harnessing Self-Supervised Features for Art Classification

Instance-level artwork recognition requires matching a handheld visitor photograph to a specific work in a large museum collection. This is challenging because painting datasets typically provide clean catalog images for training, while test queries are captured under oblique viewpoints, gallery lighting, reflections, frames, and other scene-level variations. We present SynGallery, a synthetic gallery dataset for artwork retrieval that addresses this gap without collecting additional real photographs. Starting from catalog images of real paintings, we place each artwork into a procedurally generated 3D gallery scene and render it from multiple viewpoints under varied geometric and appearance conditions, while preserving the exact identity of the original work. The resulting dataset contains 24,490 rendered views of 4,898 paintings from the Met benchmark. We show that these synthetic views provide a stronger training signal than the corresponding studio photographs. At the same number of training data points, training only on SynGallery improves art painting recognition from 67.18 to 73.47 GAP$^-$. When added to the full Met training set, SynGallery improves the published benchmark protocol from 35.97 to 38.48 GAP. Ablation experiments show that the gain comes primarily from geometric viewpoint variation rather than photographic realism: blur, sensor noise, and image compression consistently reduce performance.

Attributing an artwork to an artist has traditionally relied on detailed visual observations and descriptions, known as stylistic analysis in art history. By contrast, current artificial intelligence (AI) models used in the field offer only unexplained probabilistic classifications. To bridge this methodological gap, we present an AI framework that automates stylistic analysis of paintings, providing a foundation for enhancing evidence collection, discovery, and verification. By training a vision transformer (ViT) on a large corpus of paintings with metadata, our system encodes this art history-specific data as embeddings. These representations are factorized via sparse dictionary learning into a shared set of features that recur across the training set. A large language model (LLM) then interprets each feature by retrieving associated artworks and their accompanying curator-written texts, and synthesizes them into descriptions that reflect their stylistic attributes. Finally, an autonomous coordinator LLM applies a reasoning-and-action (ReAct) framework to weight, test, and refine these features into cohesive descriptions of an artwork, or comparisons of artworks. This approach converts detailed visual features into descriptive terms, addressing a key challenge in art history. It thus connects the use of images as data with the semantic concerns of humanists, establishing vision-based computational art history as an area for future growth.

Verifying the authenticity of AI-generated images presents a growing challenge on social media platforms these days. While vision-language models (VLMs) like CLIP outdo in multimodal representation, their capacity for AI-generated image classification is underexplored due to the absence of such labels during the pre-training process. This work investigates whether CLIP embeddings inherently contain information indicative of AI generation. A proposed pipeline extracts visual embeddings using a frozen CLIP model, feeds its embeddings to lightweight networks, and fine-tunes only the final classifier. Experiments on the public CIFAKE benchmark show the performance reaches 95% accuracy without language reasoning. Few-shot adaptation to curated custom with 20% of the data results in performance to 85%. A closed-source baseline (Gemini-2.0) has the best zero-shot accuracy yet fails on specific styles. Notably, some specific image types, such as wide-angle photographs and oil paintings, pose significant challenges to classification. These results indicate previously unexplored difficulties in classifying certain types of AI-generated images, revealing new and more specific questions in this domain that are worth further investigation.