Beyond the Mouth: Upper-Face Affective Cues in Audiovisual Sentence Recognition under Acoustic Uncertainty
Authors: Zhou Yang, Yueyi Yang
Organizations: Faculty of Education and Psychology, University of Oulu, Finland · Center for Machine Vision and Signal Analysis, University of Oulu, Finland
Abstract
Face-to-face speech comprehension is inherently multimodal, integrating acoustic signals with visible articulation, facial expression, head motion, and other socially relevant cues. While audiovisual speech systems typically focus on the mouth region as the primary visual source of linguistic information, affective facial expressions are often treated separately as emotion-recognition targets. This paper investigates whether upper-face affective information contributes to audiovisual sentence recognition beyond audio and mouth-region cues, particularly under acoustic degradation. Using the CREMA-D audiovisual emotional speech corpus, we train feature-based sentence classifiers under four cue conditions: audio only (A), audio plus mouth/lower-face features (A+M), audio plus upper-face features (A+U), and audio plus both mouth and upper-face features (A+M+U). Models are evaluated on clean audio and pink-noise conditions at +10 dB, +5 dB, and 0 dB SNR using actor-independent splits. Results show that mouth/lower-face features provide substantial robustness benefits under degraded audio. At 0 dB SNR, A+M improves accuracy over A by 0.0794, with an actor-bootstrap 95% confidence interval of [0.0296, 0.1298]. Upper-face affective cues exhibit a more nuanced effect. Although the direct accuracy gain of A+M+U over A+M is small, full-face models consistently improve calibration across SNR levels and outperform shuffled upper-face controls under noisy conditions. These findings suggest that affective facial information may support multimodal robustness and confidence estimation under acoustic uncertainty without directly encoding lexical content. More broadly, the study highlights the potential role of socially expressive facial cues in human-centered audiovisual interaction systems.
Speech-driven facial animation requires accurate correspondence between acoustic signals and facial motion, especially for articulation-related mouth movements. However, directly mapping speech audio to facial coefficients often overlooks the linguistic and phonetic structure underlying speech production. In this paper, we propose AudioFace, a language-assisted framework for speech-driven blendshape generation that treats mouth-related facial coefficient prediction as a structured generation problem guided by linguistic and articulatory information. Instead of relying solely on acoustic features, our method leverages the prior knowledge of multimodal large language models and introduces transcript- and phoneme-level cues to bridge speech signals with interpretable facial actions. Extensive experiments show that AudioFace achieves superior performance across multiple evaluation metrics, validating the effectiveness of language-assisted and multimodal-prior-guided speech-driven facial animation.
Instruction-following audio language models (ALMs) can be augmented with explicit acoustic cues, yet it remains unclear whether such cues are used in a grounded way when the raw audio is already available. We study this question in speech emotion recognition (SER) by deriving six interpretable acoustic concept tokens from the standardised eGeMAPS paralinguistic feature set. These tokens summarise energy, pitch, dynamics, brightness, formants, and voice quality, and are appended to the textual prompt while the audio input is kept unchanged. Across the widely used FAU-Aibo and IEMOCAP benchmarks, aligned tokens improve unweighted average recall (UAR), whereas shuffled, conflicting, or corrupted tokens reduce performance relative to aligned tokens and shift confusions toward neutral. Importantly, predictions do not collapse under strong token perturbations, suggesting that the models are sensitive to the symbolic cue channel but remain partly anchored to the audio signal. We argue that token-only interventions provide a practical way to probe audio-grounded cue use, robustness, and interpretability in ALM-based affective computing.
Iosif Tsangko, Andreas Triantafyllopoulos, Björn W. Schuller
As large neural models have become better at language tasks, researchers are increasingly building multi- and omnimodal models that handle more modalities of data. One example is the expansion of speech recognition models to audio-visual data for noise mitigation and multimodal subtitling. While performance and bias have been studied extensively in the single-modality regime, it is unknown how new modalities affect this, even though they produce biases in humans. We therefore propose the first bias evaluation of multimodal speech recognition, where we create videos pairing different faces with the same audio, and measure changes in speech transcription accuracy. We find large quality-of-service differences across mWhisper-Flamingo and Gemini models, with drops of up to 4.05 word error rate points, across self-declared gender, ethnicity, and their intersection. Our findings point to a priority for developers to evaluate, fix, and communicate such limitations, as providing more signals through additional modalities is not necessarily better, and may even lead to biased outcomes.