Towards Unified Song Generation and Singing Voice Conversion with Accompaniment Co-Generation

Text-to-speech (TTS) and singing voice synthesis (SVS) both aim to generate human vocal audio from symbolic inputs, but they impose different requirements on the generation process. Speech generation relies on flexible, language-driven prosody, whereas singing generation requires explicit melody control and accurate rhythmic alignment. This mismatch makes it challenging to train a single model that can generate both natural speech and controllable singing, since melody-related conditions should strongly constrain singing but should not restrict speech prosody. We present UniVoice, a unified speech and singing voice generation framework based on conditional flow matching. Instead of using a single undifferentiated conditioning representation, UniVoice factorizes the condition into content, melody, and timbre, which are encoded by modality-appropriate encoders and consumed by a shared Diffusion Transformer (DiT) backbone. For singing, the melody condition is represented by MIDI note sequences; for speech, it is replaced with a learned null melody token, allowing the model to infer prosody from linguistic and acoustic context. This design preserves explicit melody control for singing while avoiding the need to impose melody constraints on speech. We further analyze the null melody token as an approximation to melody marginalization in the conditional flow. Trained on 30k hours of speech and 35k hours of singing data, UniVoice achieves a speech PER of 5.26%, comparable to dedicated TTS systems such as F5-TTS (5.21%) and CosyVoice3 (5.30%). On singing generation, UniVoice achieves a PER of 16.22%, outperforming the unified baseline Vevo1.5 (24.72%).

Recent diffusion-based generative models have achieved strong results in domain-specific audio generation tasks such as speech, singing, and instrumental music synthesis. However, these models are typically specialized and do not generalize well to mixed or intermediate audio types. In this work, we adapt a diffusion-based model originally designed for multi-instrument music synthesis to voice conversion, covering both speech and singing within a unified framework. Specifically, we extend musical note-based conditioning to include phonetic posteriorgrams (PPGs) and pitch contours, and reinterpret timbre conditioning as speaker or singer identity via feature-wise linear modulation. Experiments show that the adapted model matches or surpasses a dedicated voice conversion system in terms of naturalness and performer similarity, while maintaining accurate pitch control across speech and singing. At the same time, we observe limitations in phonetic fidelity and a degradation in vocal quality when incorporating instrumental training data. Furthermore, we demonstrate that off-the-shelf feature extractors provide effective conditioning signals, enabling large-scale self-supervised training without manual annotations. These results highlight the potential of cross-domain model transfer towards unified audio generation systems capable of handling speech, singing, and music. Qualitative samples can be found on our project page: https://benadar293.github.io/voice-conversion

We propose UniVocal, a unified framework that implicitly infers vocal modes from text context to pioneer Speech-Singing Code-Switching (SCS) Synthesis - a task where transitions are autonomously driven by textual semantics, akin to seamless human language blending. Unlike single-mode generation or systems relying on switching-control tags, our proposed UniVocal implicitly infers vocal modes solely from text context. To achieve this, we employ a data-efficient two-stage curriculum learning strategy that progressively trains a competitive TTS system to acquire the desired SCS capability. Addressing data scarcity, we introduce a scalable pipeline to synthesize diverse code-switching data that is both semantically and acoustically natural, alongside a new multi-scenario benchmark, SCSBench. To address limitations of semantic tokenizers in capturing acoustic details, we also introduce refined cent token and Chain-of-Thought (CoT) generation for planning prosody before content generation, effectively enhancing empathetic speech generation and singing melody. Experimental results demonstrate that UniVocal achieves state-of-the-art performance on SCSBench while maintaining competitive performance on regular speech and singing tasks. Audio samples are available at https://project-univocal-demo.github.io/demo/. The code and dataset are released at https://github.com/FunAudioLLM/FunResearch/tree/main/UniVocal.