Anchor-Conditioned Compositional Control for Landscape Image Generation
Authors: Gadha Lekshmi P, Govind Arun, Rohith Syam, Ahmed Elgammal
Abstract
Image generative models, though widely used as creative tools, offer limited support for the kind of compositional control that photographers and visual artists routinely exercise. This paper presents early results on an anchor conditioned finetuning framework for landscape image generation, in which a four dimensional compositional anchor vector is extracted from training images and injected into a diffusion model via a decoupled cross attention mechanism with Fourier encoding and three way classifier free guidance dropout. Quantitative evaluation against a baseline and three ablation variants shows that the proposed architecture achieves the highest horizon detection rate of 0.850 and the highest rule of thirds alignment of 0.817. A category specific ablation further demonstrates that training on compositionally homogeneous scene subsets reduces horizon deviation by up to 40 percent compared to mixed training. This establishes that compositional control precision is category dependent.
Composition is a high-level visual intent that governs where subjects are placed and how a scene is organized, yet current unified multimodal models remain unreliable at fine-grained composition recognition and struggle to turn such intent into controllable generation. We present COMPASS, the first unified multimodal framework that grounds composition-intent control in a single system spanning both composition perception and composition-guided generation, with a shared expert token τc as the central intent anchor. On the perception side, COMPASS injects composition expertise into an MoE backbone in a minimally invasive manner and distills the inferred intent into τc. On the generation side, COMPASS reuses τc as a global conditioning signal that steers the denoising trajectory, effectively converting passive composition analysis into explicit layout control. To support systematic instruction-following composition learning and evaluation at scale, we construct Comp-11, a large-scale dataset with an 11-class taxonomy and reasoning-augmented annotations. Extensive experiments show that COMPASS substantially improves category-level composition understanding and delivers more composition-consistent, prompt-faithful generation than strong baselines.
Text-to-Image (T2I) diffusion models have made rapid progress on semantic alignment (generating what is described in the prompt), yet users still lack reliable control over aesthetic composition (how visual elements are put together). Prior work often treats aesthetics as a single, preference-driven notion (e.g., "high quality", "detailed", "breathtaking"), which does not map cleanly to compositional intent. We propose Aesthetic Alignment: aligning generated images to explicit, user-specified compositional constraints. We operationalize these constraints using the Principles of Art (PoA)-e.g., Balance, Rhythm, and Emphasis-commonly used in art education to describe composition. To support this task, we introduce CompArt, a dataset of 80,032 WikiArt images augmented with captions and PoA analyses produced by a multimodal LLM under structured prompting. We further propose ArtDapter, a lightweight and disentangled adapter that enables steering a pretrained T2I model along 10 PoA dimensions while retaining the base model's semantic capability. Experiments on CompArt show improved adherence to PoA controls over strong baselines under a dual evaluation protocol.
Text-to-image diffusion models can generate individual concepts well, but they often omit or merge concepts incorrectly with multiple concepts. We trace these failures to an early coordination bottleneck: before denoising begins, prompt-conditioned attention may allocate different concepts to strongly overlapping spatial support, which can keep their attention coupled as denoising proceeds. This observation motivates treating compositional generation as a boundary-condition problem rather than repeatedly controlling the evolving trajectory. To this end, we propose Rectify-then-Diffuse (RTD), a training-free framework that rectifies the initial allocation once before standard denoising. Firstly, we propose Soft-Overlap Disentanglement (SOD), which converts normalized overlap between pilot concept maps into a differentiable and layout-agnostic separation objective. Secondly, we introduce Isotropic Gradient Rectification (IGR), which normalizes the SOD gradient and applies a bounded latent displacement with a consistent scale across prompts and initializations. Extensive experiments show that RTD achieves state-of-the-art compositional fidelity and robust gains. On the AE-Bench object pair subset, RTD improves BLIP-VQA by 45.8% and ImageReward by 19.6% over CO3 while running 2.3× faster. Code will be released at https://github.com/Z-yiwei/rectify-then-diffuse