Few-shot Class-variable Incremental Audio Classification via Prototype Adaptation and Pseudo Class-variable Training

Most existing audio classification methods suppose that each query (testing) sample belongs to a class of support (training) samples, and misrecognize samples of unseen classes as seen classes (cannot reject samples of unseen classes). In this study, we propose a method for Few-shot Open-set Audio Classification (FOAC), which can recognize query samples of seen classes after updating the model using a few support samples, and meanwhile reject query samples from unseen classes. We design a model consisting of an encoder and a classifier. The encoder is the backbone of a ResNet used for extracting embeddings. The classifier consists of prototype generators of few-shot classes and open-set classes. Prototypes of few-shot classes are obtained by fusing the class-discriminative information of support and query embeddings and by assigning larger weighting coefficient to representative part of the support embeddings. One prototype is generated for open-set classes using the proposed prototype generator. The encoder is trained with abundant samples of base classes in supervised manner, and then the prototypes of base classes are generated under the supervision of a joint loss. The classifier is trained using a few samples of few-shot classes in a meta-training way. Three public datasets (LS-100, NSynth-100, and FSC-89) are used to assess the performance of our method. Experiments show that our method has advantage over prior methods in AUROC and accuracy. This advantage has statistical significance for most prior methods. Our method has lower computational complexity than most prior methods. The code is at https://github.com/Jessytan/FOAC-AIFP.

Few-shot Open-set audio classification requires classifying query samples from known classes with a few labeled support samples while rejecting query samples from unknown classes. Transductive inference jointly observes the full unlabeled query set to improve prototype estimation, yet standard transductive updates do not distinguish known from unknown query samples, leaving prototypes vulnerable to open-set contamination. Drawing on latent-inlierness weighting and decoupled scoring for unknown-class samples, we propose a two-phase transductive method operating over a frozen audio encoder. First, each query sample is assigned a latent inlierness score that down-weights likely unknown-class samples, so that prototype refinement is driven primarily by known-class evidence. The refined prototypes are then directly optimized on a transductive loss combining support cross-entropy, inlierness-weighted conditional entropy minimization, and inlierness-weighted marginal entropy maximization, while open-set rejection uses a prior-adaptive free-energy score that adjusts its threshold with the prior proportion of unknown-class samples, decoupling detection from classification. Experiments on three audio datasets show our method achieves state-of-the-art results for few-shot open-set audio classification under multiple experimental conditions.

Few-shot classification (FSC) is widely used for learning from limited labeled data, yet most evaluations implicitly assume that target concepts are independent of contextual cues. In real-world settings, however, examples often appear within rich contexts, allowing models to exploit spurious correlations between foreground content and background signals. While such effects have been studied in few-shot image classification, their role in few-shot audio classification remains largely unexplored, and existing audio benchmarks offer limited control over contextual structure. We introduce SpurAudio, a benchmark that leverages the natural separability of foreground events and background environments in audio to enable controlled, multi-level evaluation of contextual shifts across support and query sets. Using this benchmark, we show that many state-of-the-art few-shot methods suffer severe performance degradation when background correlations are disrupted, despite achieving similar accuracy under standard evaluation protocols. Crucially, this vulnerability persists even in large pretrained audio foundation models, ruling out limited backbone capacity as an explanation. Moreover, methods that appear comparable under conventional benchmarks can exhibit markedly different sensitivity to spurious correlations, revealing systematic algorithmic strengths and vulnerabilities tied to how feature representations interact with classifier heads at inference time. These findings provide new insight into the behavior of few-shot methods in audio and highlight the need for benchmarks that explicitly probe context dependence when evaluating FSC models.