Neural Morphing: Sequence-Optimized Token-Level Morphing in Neural Audio Codecs

Neural audio codecs with residual vector quantization (RVQ) normally treat all frequencies uniformly, so their codebooks become spectrally entangled. Truncating stages then removes an unpredictable mix of frequencies. Parallel band decomposition addresses this by splitting audio into independent bands, but fragments the latent space and loses cross-frequency coherence. We introduce HARP (Harmonic-Aware Residual Partitioning), a training strategy that partitions RVQ stages into frequency-ordered groups where each group refines its target band while the decoder retains access to all lower frequencies. Overtones are reconstructed in the context of their fundamentals, preserving coherence that parallel methods lose. HARP requires no architectural changes; it only modifies the training loss, leaving inference identical to standard RVQ. On speech, music, and general audio, HARP outperforms both standard RVQ and parallel decomposition. MUSHRA listening tests also show perceptual improvements.

Neural audio codecs provide compact discrete representations for speech generation and manipulation. However, most codecs organize tokens as frame-level sequences, making it difficult to study or intervene on global factors of variation. In this work, we propose the Latent Audio Tokenizer for Token-space Editing (LATTE) that appends a fixed set of learnable latent tokens to the audio feature sequence and retains only these tokens for quantization and decoding. This design produces a compact, non-temporally aligned bottleneck in which each token can aggregate global information across the full utterance. We show that the resulting tokenizer preserves competitive reconstruction quality in low-bitrate speech coding settings while enabling simple token-space interventions. In particular, we find that swapping selected latent token positions between utterances can modify global attributes, such as speaker identity and background noise, and we evaluate these interventions on voice conversion and denoising tasks. Our results suggest that compact latent audio tokenizers can support controllable audio manipulation without supervision in task-specific editing models.

Discrete tokens obtained from neural audio codecs (NACs) have been used as compact representations in audio generation and understanding models. In such token-based systems, token temporal resolution (TTR), defined as the time interval between adjacent token frames, is important because it controls the trade-off between representing rapid acoustic events and reducing token-sequence length. However, most NACs are trained at a single TTR and require separate training for each TTR. This paper proposes a mechanism that enables a single NAC to operate at multiple TTRs using sampling-frequency-independent convolutional layers. The mechanism regards TTR as the sampling period of the token sequence and generates TTR-dependent convolutional kernels from a shared parameter set, while adjusting the kernel size and stride for each TTR. We incorporate the mechanism into Descript Audio Codec, leaving the quantizer unchanged. Experiments on environmental sound reconstruction show that the proposed model outperforms a single-model baseline that switches TTR-specific layers for each TTR.