Automatic Audio Equalization with Semantic Embeddings

Conventional audio equalization is a static process that requires manual and cumbersome adjustments to adapt to changing listening contexts (e.g., mood, location, or social setting). In this paper, we introduce a Large Language Model (LLM)-based alternative that maps natural language text prompts to equalization settings. This enables a conversational approach to sound system control. By utilizing data collected from a controlled listening experiment, our models exploit in-context learning and parameter-efficient fine-tuning techniques to reliably align with population-preferred equalization settings. Our evaluation methods, which leverage distributional metrics that capture users' varied preferences, show statistically significant improvements in distributional alignment over random sampling and static preset baselines. These results indicate that LLMs could function as ``artificial equalizers," contributing to the development of more accessible, context-aware, and expert-level audio tuning methods.

Audio effects play an essential role in sound design. This research addresses the task of audio effect estimation, which aims to estimate the configuration of applied effects from a wet signal. Existing approaches to this problem can be categorized into predictive approaches, which use models pre-trained in a data-driven manner, and search-based approaches, which are based on wet signal reconstruction. In this study, we propose a novel approach that integrates these approaches: first, DNNs predict the dry signal and effect configuration, and then a search is performed based on wet signal reconstruction using these predictions. By estimating the dry signal in the prediction stage, it becomes possible to complement or improve the predictions using reconstruction similarity as an objective function. The experimental evaluation showed that methods based on the proposed approach outperformed the method solely based on the predictive approach. Furthermore, the findings suggest that the task division of predicting the effect type combination followed by the search-based estimation of order and parameters was the most effective across various metrics.

Latent representations are at the heart of the majority of modern generative models. In the audio domain they are typically produced by a neural-audio-codec autoencoder. In this work we introduce SAME (Semantically-Aligned Music autoEncoder), an autoencoder for stereo music and general audio that reaches a 4096$\times$ temporal compression ratio while maintaining reconstruction quality and downstream generative performance. We achieve this by combining a tranformer-based backbone with set of semantic regularisation approaches, phase-aware reconstruction losses and improved discriminator designs. The architecture delivers substantial computational cost benefits, through both its high compression ratio and its reliance on well-optimised transformer primitives. Two variants (a large SAME-L and a CPU-deployable SAME-S) are released in open-weights form.