Multi-Backbone Self-Supervised Ensembles for Audio Deepfake Detection and a Cross-Track Analysis of Generation-Detection Asymmetry
Authors: Seunghyun Kim, Junghyun Kim, Jiyoung Woo
Organizations: Soonchunhyang University, Department of AI and Big Data Engineering, Asan, Republic of Korea
Abstract
This paper describes the participation of team "Go-To-Germany" in the ImageCLEF 2026 Audio Deepfake Detection and Generation task. Our detection system, built on a four-backbone self-supervised learning (SSL) ensemble combining WavLM-Large, Wav2Vec2-XLS-R-300M, ECAPA-TDNN, and x-vector representations, achieved a final score of 0.9522 on the official ImageCLEF 2026 evaluation, with perfect accuracy (1.0000) on participant-generated deepfakes and 0.8875 on the held-out organizer ground-truth real data. For the Generation sub-task, our official team submission, an F5-TTS v1 baseline processed with a uniform reverberation pass and submitted as a deliberate anti-forensic probe, ranked first with a final score of 0.4304 (word error rate (WER) 4.99%, character error rate (CER) 2.07%); details of our four-model program (GLM-TTS, F5-TTS, XTTS v2, CosyVoice3), from which the official entry was drawn, appear in the paper. We present a cross-track analysis revealing a pronounced asymmetry: our detection system identifies 100% of participant-generated deepfakes, while our official generation entry, despite ranking first in the Audio Generation sub-task and evading 61.4% and 56.2% of participant and organizer detectors, attains a Final Score of 0.4304 against 0.9522 on the Detection side. We further report falsification-based ablation experiments (LOSO 56-speaker cross-validation, three-region backbone geometry, bootstrap confidence intervals, and PCA analysis) that motivate our architectural-insurance hypothesis for multi-backbone SSL ensembling. We complement these results with five cross-track insights and five pre-registered falsification experiments connecting generation-side evasion to detection-side design decisions, and we openly report an 11.25% false-positive gap on held-out organizer real recordings as the principal open challenge for deployment.
Audio deepfake detection systems often fail to generalize across domains because they rely on features tied to specific attacks or recording conditions. Self-supervised speech models offer rich multi-layer representations, yet existing approaches either use a single layer or fuse all layers indiscriminately, and only reveal layer importance after training. We propose a model-agnostic, two-stage methodology that identifies informative depth zones before any task-specific model is trained. In the first stage, lightweight XGBoost probes evaluate each transformer layer's cross-domain discriminative power, producing a layer ranking. In the second stage, a compact neural classifier fuses only the selected layers through per-layer attention pooling and a shared bottleneck projection, while the backbone remains frozen. Applied across three backbones, the probing reveals two key findings. First, informative layers cluster in depth zones rather than at uniquely optimal positions: within-zone substitutions fall within multi-seed noise, while zone violations degrade performance by up to 5x. Second, the probing produces backbone-specific selections rather than a fixed layer recipe. On XLS-R-300M, four probing-selected layers with 1.34M trainable parameters achieve 4.94 +/- 0.32% equal error rate on In-The-Wild and 5.07% cross-domain average over four shared datasets, a 28% relative improvement over the best prior frozen-backbone result (Xiao and Vu, 2025) using all 25 layers with identical training data.
The proliferation of AI-generated audio (so-called "deepfake" audio) poses significant threats to information integrity, from voice cloning fraud to synthetic music copyright disputes. We present a temporal coherence analysis framework built upon Contrastive Language-Audio Pretraining (CLAP) embeddings that spans speech, instrumental music, and music with vocals. By computing pairwise cosine similarities between audio segment embeddings and extracting statistical features from the resulting distributions, we train lightweight ensemble classifiers that reliably distinguish authentic from synthetic audio. Our work provides an interpretable, computationally efficient alternative to common deep learning methods while still achieving competitive performance across speech and music domains. Further, we reveal two notable empirical findings about audio deepfakes: (1) a feature-label inversion phenomenon in which 21 of 29 statistical features reverse their discriminative direction between training and in-the-wild deployment, and (2) a speech--music direction reversal in which entropy discriminates in opposite directions for speech and music deepfakes.
We introduce Echoes, a new dataset for music deepfake detection designed for training and benchmarking detectors under realistic and provider-diverse conditions. Echoes comprises 4,468 tracks (131 hours of audio) spanning multiple genres (pop, rock, electronic), and includes content generated by ten popular AI music generation systems. To prevent shortcut learning and promote robust generalization, the dataset is deliberately constructed to be challenging, enforcing semantic-level alignment between spoofed audio and bona fide references. This alignment is achieved by conditioning generated audio samples directly on bona-fide waveforms or song descriptors. We evaluate Echoes in a cross-dataset setting against three existing AI-generated music datasets using state-of-the-art Wav2Vec2 XLS-R 2B representations. Results show that (i) Echoes is the hardest in-domain dataset; (ii) detectors trained on existing datasets transfer poorly to Echoes; (iii) training on Echoes yields the strongest generalization performance. These findings suggest that provider diversity and semantic alignment help learn more transferable detection cues.