Novels generated by language models show compressed formal variation
Authors: Mehdy Sedaghat Payam, Justin Quinn
Organizations: University of Maryland · University of West Bohemia · Charles University
Abstract
While large language models can generate entire novels, there is little information about the level of formal variation in their output over many generations. Rather than asking whether individual passages can be identified as AI-generated, this study asks whether repeated AI generation can produce the same range of diversity which is found across human corpora. This paper contrasts six corpora based on generation source and target style: twenty novels generated using GPT-5.5 Thinking in a nineteenth-century British realist style, twenty novels generated using Qwen3-14B in a nineteenth-century British realist style, twenty novels generated using each of these models in a contemporary zero style, 205 nineteenth-century human-written British novels, and sixty-five contemporary human-written Zero-Style novels. At the document level, the research includes MATTR-500, Shannon entropy, average sentence length, readability, and punctuation rate measurements. The most robust and reliable result is compression of sentence structure. Repeated generations produce novels that vary far less from one another in sentence structure than human novels do. Compression is also present in the measures of readability, punctuation, and sentence length variability within novels. Lexical measures tend to be similarly compressed, with the exception of Qwen Zero-Style MATTR. Despite having distinct mean stylistic profiles, GPT and Qwen lack a stable pattern of cross-measure correlation. This article therefore distinguishes between variance overclosure, which represents a limited formal range between novels, and a more specific phenomenon of correlational overclosure. This means that an individual AI-generated novel may resemble human fiction stylistically, while a collection of AI-generated novels occupies a much narrower formal range.
Generative AI inverts the typical periodization of literary history: the periodizing tag Victorian can now come first and influence what is written. Generative periodization, defined and tested here, describes the use of literary-period designations in generating texts. I test this approach on 100 book-length novels produced under Victorian and Zero-Style conditions using GPT, Qwen, and Llama workflows. The Period Alignment Score (PAS), trained on nineteenth-century literature and benchmarked against human Zero-Style prose, assesses alignment using topic-reduced grammatical features. Victorian prompts produce consistent historical-direction shifts in GPT and Qwen, but not robustly in Llama. Victorian-only recalibration and harder comparison corpora preserve the GPT and Qwen effects. Cross-model transfer also shows a shared direction of grammatical change. The measurable target is the broader nineteenth century rather than the Victorian period per se.
Large language models are optimized for instruction following and agentic tasks remain poorly aligned with the requirements of high-quality creative writing. We show that a purpose-built creative writing model can outperform both GPT-5.5 and Claude Opus 4.8 on writing quality evaluation. Fiction frequently depends on behaviors that assistant-tuned models are explicitly trained to avoid, particularly deception, moral ambiguity, and unreliable narration. As a result, generated stories often appear structurally correct while remaining stylistically generic, overly explanatory, or weakly grounded in human literary behavior. We present a dataset construction and training framework for book-scale creative writing that reframes supervised fine-tuning as a prompt-to-book generation task grounded in human-authored fiction. Starting from public-domain novels, we derive a multi-resolution Planning Scaffold by summarizing each book at progressively finer levels, from a high-level premise to chapter- and scene-level structure. We then invert this hierarchy during training: the model learns to expand a prompt into increasingly detailed plans and finally into the original human-authored book text. This formulation preserves human prose as the final supervised target while using intermediate summaries to make book-scale generation learnable. We train a long-context language model on these prompt-to-book trajectories and show that this objective shifts generation away from assistant-style prose and toward human literary writing.
Large language models produce fluent fiction, yet their creative output is widely seen as flat. We ask where this quality originates in the training and whether it affects different domains of human fiction equally. We construct a matched story-continuation paradigm across StoryStar (public-platform), TMAS (prompt-guided), and The New Yorker (professional literary)-and compare continuations from four OLMo 32B checkpoints (Base, SFT, DPO, RLVR) against matched human text. Because these checkpoints share architecture, scale, tokenizer, and pretraining, the design isolates the post-training effect. We measure each continuation along three sentence-level dimensions: thematic motion, affective prevalence, and linguistic diversity. Across all three, post-training compresses dynamic variation: thematic transitions become more uniform, high-intensity emotions give way to neutrality, and stylistic diversity across stories shrinks. We term this progressive loss narrative flattening. The effect is directionally stable across story domains but gap size depends on the human baseline: professional literary fiction is compressed most, while public-platform and prompt-guided stories show smaller gaps, consistent with their human baselines sitting closer to the model's default rhythm. Post-trained endpoints converge across domains, suggesting alignment produces a continuation regime largely insensitive to the source domain's narrative texture.