Audio-Visual Segmentation via Depth-Guided Collaborative Modeling
Authors: Zhaojin Fu, Yuyang Hong, Qi Yang, Zili Wang, Kun Ding, Shiming Xiang, Bin Fan
Organizations: School of Intelligent Science and Technology, University of Science and Technology Beijing, Beijing 100083, China · Institute of Automation, Chinese Academy of Sciences, Beijing 100190, China
Audio-Visual Segmentation (AVS) is a fundamental task in multimodal perception that performs pixel-level segmentation of sounding objects in videos by leveraging both visual and audio cues. It has broad applications in video understanding, human-computer interaction, and autonomous driving. However, most existing AVS methods do not explicitly model geometric cues such as relative distance and occlusion, thereby limiting the robustness of cross-modal alignment. In human perception, spatial structure is naturally integrated with audio-visual evidence to accurately localize sounding objects. Motivated by this, we incorporate estimated depth as a spatial structural cue for AVS and propose DGCM-AVS, a tri-modal framework that jointly models audio, visual, and depth information. Specifically, we design a Depth-Aware Dynamic Modulator to improve the separation of adjacent objects while preserving intra-object feature consistency. Furthermore, we propose Depth-Guided Progressive Fusion, which uses depth as an intermediate bridge to progressively align audio cues with visual features. Compared to state-of-the-art methods, DGCM-AVS achieves relative improvements of 10.2 percent in M_J and 8.7 percent in M_F on the AVSS dataset. We believe our study highlights depth as a promising yet underexplored modality for AVS and may encourage further research in this direction.
Figures & tables
Fig. 1: (a) Representative AVS methods that align audio and visual features. (b) Illustrates that humans exploit depth cues together with audio evidence to disambiguate sounding objects. (c) Presents our core idea, which aims to perform the AVS task in a human-like way.
Fig. 2: Overview of the proposed DGCM-AVS. (a) DADM extracts different frequency components from image and depth features to improve intra-object consistency and enhance inter-object distinction. (b) DGPF uses depth information as a bridge to progressively complete the Audio Depth Symbiotic stage (A-D Symbiotic) and Target Search stages, achieving cross-modal feature alignment. (c) Feature Calibrator further strengthens the target-related feature responses.
Fig. 3: Frequency-domain comparison of RGB and depth. The figure shows log power spectra, zoomed views of low/high-frequency regions, and edge responses reconstructed from the mid-to-high frequency band.
Fig. 4: Visualization of Intermediate Features in DADM. We visualize the intermediate features from the low-frequency branch Fv′ , the high-frequency branch Fd−Fd′ , and the final fused feature Fo . We also show the model predictions on the MS3 and AVSS benchmarks, together with the corresponding GT.
Fig. 5: Depth Bridge for DGPF. Serving as a structural cue, depth embeds features in A–D symbiosis and facilitates audio–visual alignment during Target Search.
S4
MS3
AVSS
Method
Backbone
MJ
MF
MJ
MF
MJ
MF
AVSBench [ 4 ]
ResNet-50
72.8
84.8
47.9
57.8
20.2
25.2
AVS-BiGen [ 38 ]
ResNet-50
74.1
85.4
45.0
56.8
-
-
BAVS [ 39 ]
ResNet-50
78.0
85.3
50.2
62.4
24.7
29.6
AVSegFormer [ 5 ]
ResNet-50
76.4
86.7
53.8
65.6
26.6
31.5
SelM [ 13 ]
ResNet-50
76.6
86.2
54.5
65.6
31.9
37.2
TABLE I: Quantitative results on the Single Sound Source Segmentation (S4) and Multiple Sound Source Segmentation (MS3), and AVSBench-Semantic (AVSS). Bold indicates the best result, and underline indicates the second best.
Fig. 6: Qualitative comparisons on S4. (a) audio, (b) frames, (c) AVSBench [ 4 ] , (d) AVSegFormer [ 5 ] , (e) COMBO [ 7 ] , (f) DGCM-AVS (Ours), (g) GT. The green denotes missed regions and red indicates over-segmented areas relative to GT.
Fig. 7: Qualitative comparisons on MS3. (a) audio, (b) frames, (c) AVSBench [ 4 ] , (d) AVSegFormer [ 5 ] , (e) COMBO [ 7 ] , (f) DGCM-AVS (Ours), (g) GT. The green denotes missed regions and red indicates over-segmented areas relative to GT.
Fig. 8: Qualitative comparisons on AVSS. We provide a full visualization of the semantic segmentation performed on 10-frame sequences. The letter labels represent, in order: (a) audio, (b) frames, (c) AVSBench [ 4 ] , (d) AVSegFormer [ 5 ] , (e) COMBO [ 7 ] , (f) DGCM-AVS (Ours), (g) GT.
Method
Audio Backbone
Backbone
MJ (S4)
MF (S4)
Params
FLOPs
Inference Time
AVSBench [ 4 ]
VGGish
ResNet-50
72.8
84.8
90.7M
166.6G
17.7ms
AVSegFormer [ 5 ]
VGGish
ResNet-50
76.4
86.7
150.9M
210.1G
176.5ms
DGCM-AVS (Ours)
VGGish
ResNet-50
83.3
91.3
224.3M
183.4G
60.7ms
TABLE II: Efficiency and Performance Comparison on S4. Bold indicates the best result.
Fig. 9: Failure cases of DGCM-AVS on S4, MS3, and AVSS (left to right). For each example, we show (a) audio, (b) frames, (c) DGCM-AVS (ours), and (d) GT.
Fig. 10: Visualization of the ablation study to show the efficacy of each proposed component.
Method
S4
AVSS
MJ
MF
MJ
MF
shared encoder
82.9
91.0
39.4
43.3
w/o depth
81.1
90.0
37.0
40.9
w/o DADM
83.2
90.9
38.7
42.4
DGCM-AVS
83.3
91.3
39.6
43.5
TABLE III: Validation of DADM and Weights on ResNet-50.
Method
S4
AVSS
MJ
MF
MJ
MF
DADMkl=7,kh=5
83.1
91.1
39.2
43.1
DADMkl=7,kh=3
82.7
90.8
38.9
42.6
DADMkl=5,kh=3
83.3
91.3
39.6
43.5
TABLE IV: Validation the kh and kl window size of DADM.
Method
S4
AVSS
MJ
MF
MJ
MF
only AV
82.9
90.9
38.7
42.4
w/o audio
82.4
91.1
38.0
41.8
w/o FC
82.9
91.2
39.2
43.0
DGCM-AVS
83.3
91.3
39.6
43.5
TABLE V: Validation of DGPF structures on ResNet-50.
Method
S4
AVSS
MJ
MF
MJ
MF
+ DP
82.0
90.5
37.7
41.7
+ DA
83.2
90.9
37.6
41.7
+ DA-V2
83.3
91.3
39.6
43.5
TABLE VI: The impact of different depth information.
Fig. 11: The impact of depth information. (a) frames, (b) DP results, (c) AVS results based on DP , (d) DA-V2 results, (e) AVS results based on DA-V2.
Audio-Visual Segmentation (AVS) aims to localize sound-producing objects at the pixel level by integrating auditory and visual cues. However, existing methods often struggle with multi-source entanglement and audio-visual misalignment, leading to a dominance bias toward acoustically or visually salient objects (i.e., louder or larger ones) at the expense of subtler or co-occurring sources. To address these challenges, we propose DDAVS: Delayed Bidirectional Alignment via Disentangled Audio Semantics for Audio-Visual Segmentation. To mitigate multi-source entanglement, DDAVS employs learnable queries to extract audio semantics and anchor them within a structured semantic space derived from an audio prototype memory bank. This process is further optimized through contrastive learning to enhance discriminability and robustness. To alleviate audio-visual misalignment, DDAVS introduces dual cross attention with delayed modality interaction, improving the robustness of multimodal alignment. Extensive experiments on the AVS-Objects and VPO benchmarks demonstrate that DDAVS achieves state-of-the-art performance across single-source, multi-source, and multi-class multi-instance scenarios. These results validate the effectiveness and generalization ability of our framework under challenging real-world audio-visual segmentation conditions. Project page: https://trilarflagz.github.io/DDAVS-page/
Jingqi Tian, Yiheng Du, Haoji Zhang +6
Tsinghua Shenzhen International Graduate School, Tsinghua University, China · Peking University, China
Audio-visual segmentation (AVS) plays a critical role in multimodal machine learning by effectively integrating audio and visual cues to precisely segment objects or regions within visual scenes. Recent AVS methods have demonstrated significant improvements. However, they overlook the inherent frequency-domain contradictions between audio and visual modalities--the substantial noise often present in audio high-frequency signals vs. the structurally rich details in visual high-frequency signals. Ignoring these differences can result in suboptimal performance. In this paper, we rethink the AVS task from a deeper perspective by reformulating AVS task as a frequency-domain decomposition and recomposition problem. To this end, we introduce a novel Frequency-Aware Audio-Visual Segmentation (FAVS) framework consisting of two key modules: Frequency-Domain Enhanced Decomposer (FDED) module and Synergistic Cross-Modal Consistency (SCMC) module. FDED module employs a residual-based iterative frequency decomposition to discriminate modality-specific semantics and structural features, and SCMC module leverages a mixture-of-experts architecture to reinforce semantic consistency and modality-specific feature preservation through dynamic expert routing. Extensive experiments demonstrate that our FAVS framework achieves state-of-the-art performance on three benchmark datasets, and abundant qualitative visualizations further verify the effectiveness of the proposed FDED and SCMC modules. The project repository is available at https://github.com/happylife-pk/FAVS.
Kai Peng, Yunzhe Shen, Miao Zhang +6
Dalian University of Technology, Dalian 116024, China · the School of Medicine, Yale University, New Haven, CT 06520 USA · the Department of Electrical and Computer Engineering, University of Alberta, Edmonton, AB T5V 1A4, Canada
Audio-Visual Segmentation (AVS) requires predicting pixel-wise masks of sounding objects by grounding acoustic signals in visual space. In multi-source scenes, concurrent sound sources often remain entangled within shared visual representations, leading to merged masks or unstable specialization when using standard alignment-focused transformer architectures. To address this, we present SlotAVS, an object-centric framework driven by competitive bi-modal slot attention. While robust foundation models provide rich semantic priors, SlotAVS shifts the paradigm from global cross-modal fusion to explicit competitive binding. By initializing discrete object slots from temporal audio sequences and enforcing strict slot-wise competition over spatial visual tokens, our method structurally mitigates the blending of distinct acoustic entities. Further, to stabilize instance-level learning, we introduce a Hungarian matching strategy that optimally aligns slots with ground-truth objects using spatial and boundary overlap. Coupled with a numerically stable, confidence-aware mask fusion mechanism, SlotAVS robustly aggregates multi-source predictions. Extensive experiments on the AVSBench dataset demonstrate the efficacy of our approach, achieving 88.6% mIoU on the Single-Source (S4) split and 71.7% mIoU on the Multi-Source (MS3) split. These results show that explicit competitive binding is critical for complex audio-visual scene understanding and effectively leveraging foundation-model priors without relying solely on their capacity.
Arnav Sharma, Anand Mishra, Renu Rameshan
Indian Institute of Technology Jodhpur · Vehant Technologies Pvt Ltd