No Pixel Left Behind: Filling Gaps in Anime Colorization

In animation production, paint-bucket colourisation for hand-drawn animation is a labour-intensive procedure that assigns each enclosed region in line sketches a colour from reference design sheets. Recent automatic paint-bucket colourisation pipelines mirror this workflow via region correspondence, but correspondences can be brittle when regions are ambiguous fragments without proper context. In this paper, we propose Palette Context Assisted (PeCA), a new training-free, plug-and-play framework for animation video colourisation that aims to close this gap at test-time via reasoning over spatial and temporal contexts. Extensive experiments on existing benchmarks and a newly introduced long-video test case show consistent performance boosts.

Automatic image colorization enables large-scale and low-cost reuse of grayscale media (e.g., manga panels and archival photographs), facilitating unauthorized reuse and redistribution. Once released online, grayscale content can be readily turned into unauthorized colorized derivatives using off-the-shelf models, creating a practical need for proactive, content-side protection at publication time. Building on Uncolorable Examples (UE), which add imperceptible perturbations to released grayscale images to degrade unauthorized colorization, we propose Semantic Color Naturalness Breaker (SCNB) -- a semantic-level UE framework that drives colorization outputs toward content-inconsistent colors while preserving the visual fidelity of the released grayscale media. We further introduce Content-aware Color Distributional Distance (CaCDD), a ground-truth-free, content-aware measure of color plausibility derived from semantic color priors, used both as the optimization objective of SCNB and as an evaluation metric. Experiments on ImageNet show that our method remains effective under small perturbation budgets and common post-processing, supporting practical deployment in real-world content-sharing pipelines.

Most image colorization systems operate in $Lab$ space by predicting chroma ($ab$) while preserving an input-derived luminance channel ($L$). While effective on standard benchmarks, this fixed-luminance design restricts brightness changes and becomes unreliable when grayscale formation deviates from natural-image luminance, as in historical orthochromatic photography. We propose a luminance-agnostic colorization framework that formulates colorization as full-RGB image editing using a foundation image-editing model. To bridge modern panchromatic and historical orthochromatic conditions, we introduce a mixed grayscale objective that trains the model under both standard luminance grayscale and a red-insensitive grayscale formation. Experiments on COCO, ImageNet, and a multi-instance benchmark show that our method is competitive on standard grayscale inputs and substantially more robust under orthochromatic inputs, with qualitative comparisons and a human study indicating fewer visible color artifacts.