In Yorùbá, pitch alone separates \d{o}k\d{o} (husband, Mid), \d{o}k\d{ò} (vehicle, Low), and \d{o}k\d{ó} (hoe, High) -- the diacritics ARE the tone marks. Yet character error rate (CER), the standard automated metric for text-to-speech (TTS), is in practice computed from ASR output that drops those marks: a synthesizer can ace CER and still say vehicle for husband. We introduce DunDun -- named for the dùndún, the Yorùbá talking drum that speaks through pitch alone -- an automated, reference-free lexical-tone metric that needs no tone-labelled corpus. The gold High/Mid/Low sequence is read from the input text's diacritics (in TTS that text exists by construction, so no reference recording is needed); the prediction comes from the audio's pitch track. We validate three ways. Flattening pitch with PSOLA resynthesis collapses DunDun while CER does not move. Inverting High and Low in the answer key of 300 native recordings drives the two-class readout to 0.14, symmetrically below its 0.35 chance level -- a consistency check on the scoring path, not independent evidence. And three native listeners, over 67 blind A/B trials, pick the tone-correct clip 89.6% of the time (95% CI 80.0-94.8; p < 1e-4); whether DunDun tracks those judgements trial by trial is not resolved at this sample size. Applied to a massively multilingual zero-shot TTS model, DunDun shows what CER cannot: Yorùbá tone sits near the native anchor before any Yorùbá fine-tuning (0.567 +/- 0.02 over five decode seeds vs. 0.596; chance 0.33), despite the 21.4% CER the model's own paper reports; and a few hours of clean audio halve CER (5.6% to 2.7% by 5h, 1.7% by 15h) while tone saturates within the hour. On non-tonal Swahili, CER already captures the gains: the metric a language needs is language-dependent. We release the metric and the complete validation protocol.
Automated Text-to-Speech (TTS) evaluation methods (Mean Opinion Score (MOS) predictors and Audio Large Language Models (Audio-LLM) judges) are expected to reflect human perception, yet it is unclear how well they capture the distinct aspects of speech that listeners actually perceive. We deconstruct "naturalness" into a linguistically grounded annotation schema spanning 10 distinct perceptual dimensions, and use it to construct the first dimension-level meta-evaluation benchmark for TTS, comprising 860 utterances annotated by trained linguist raters. Results from benchmarking four MOS predictors and four Audio-LLM judges reveal that MOS predictors collapse onto acoustic signal quality, while Audio-LLM judges show selective, prompt-dependent detection that does not generalise across all dimensions. Neither class reliably captures a breadth of linguistically structured speech errors. Our dataset, annotation schema, and evaluation code are publicly released to support more targeted and interpretable TTS evaluation.
We present TTSYoruba, a rule-based concatenative diphone speech synthesizer for Yoruba, deployed at online as part of the YorubaName.com open dictionary of Yoruba personal names. The system takes tone-marked Yoruba text as input and produces audio output by applying a hand-crafted phonological rule system to a recorded inventory of 651 diphone units spanning five tonal variants of every consonant-vowel combination in the language. We describe the phonological architecture of the system in detail, including our complete tonal file-selection logic, our treatment of the three-way nasal disambiguation problem (oral /n/, nasalized vowel, and syllabic nasal), and the derivation of contextual rising and falling tones from level-tone input. We also present, as an orthographic contribution, the adoption of the caron and circumflex, which are symbols with prior standing in Yoruba phonological transcription, as standard single-vowel contour tone markers, integrated into the TTS normalization pipeline and the WriteYoruba keyboard input tool. The system's performance was evaluated through a listener study (N=50), with detailed results on Mean Opinion Scores (MOS) presented in Section 6. Keywords: Yoruba, text-to-speech, low-resource languages, diphone synthesis, contour tones, African language NLP, rule-based synthesis
Tone languages constitute over 50-70% of the world's languages, but the vast majority are low-resource, lacking the large transcribed corpora needed for automatic tone classification. Existing datasets are typically collected at the sentence level, whereas field linguists require fine-grained syllable-level annotations. We propose ToneCL, a lightweight contrastive learning framework for few-shot syllable-level tone classification. We simulate low-resource conditions on Mandarin and Vietnamese, limiting labeled data to tens of examples per tone class. ToneCL is pretrained on unlabeled speech with augmentations that preserve tonal identity, then fine-tuned on few-shot examples. Experiments show our method consistently outperforms baselines, achieving 91.6% on six-speaker Mandarin at 10 shots. Cross-lingual transfer is also effective: pretraining on Vietnamese and fine-tuning on Mandarin reaches 91.0% accuracy at 10 shots. Ablation confirms that frequency band rejection is the most critical augmentation.