CPR: Combining global composing, local performing and full-sequence refining in piano rendering with continuous autoregressive modelling

Expressive performance rendering (EPR) aims to generate realistic performances constrained on sequences of notes. However, flow matching audio editing models manipulate only synchronized music samples of the same duration, limiting their understanding of expressive timing. We introduce PianoKontext, a flow matching rendering model for classical piano music that generates variable-length performances in the latent space of a pretrained Music2Latent model. We synthesize MIDI scores into deadpan audio and employ Dynamic Time Warping (DTW) in the latent space to construct paired data for training. The aligned embeddings are concatenated in DiT blocks, allowing for a simple and effective learning of the dependencies between the score and performances. Audio samples are available at our demo page: https://realfolkcode.github.io/pianokontext_demo/.

Existing methods for expressive music performance rendering, a conditional generation task that aims to generate a human-like performance from a symbolic score, rely on supervised learning over small labeled datasets, which limits scaling of both data volume and model size, despite the availability of vast unlabeled music, as in vision and language. To address this gap, we introduce Pianist Transformer, with three key contributions: 1) introducing large-scale self-supervised learning into expressive piano performance rendering through a unified Musical Instrument Digital Interface (MIDI) representation, enabling pre-training on 10B tokens of unlabeled MIDI data; 2) an efficient asymmetric Transformer with note-level compression, substantially improving training efficiency, memory usage, and inference speed for long-context music modeling; 3) a state-of-the-art rendering model with an editable workflow, achieving strong objective and subjective results and enabling integration into real-world music production workflows. Overall, Pianist Transformer outlines a scalable path toward human-like performance synthesis in the music domain. Code, audio samples, and model checkpoints are available on our project page: https://yhj137.github.io/pianist-transformer-demo/.

We study generative modeling of Bach-style symbolic piano music using a shared MIDI corpus and three model families: autoregressive LSTMs with attention, latent-variable models including recurrent VAEs and vector-quantized VAEs, and generative adversarial networks. We compare their ability to model polyphonic note sequences, learn useful latent representations, and generate stylistically coherent compositions. Our experiments show that the autoregressive LSTM with attention produces the most musically coherent samples, while vector quantization helps mitigate posterior collapse and yields more structured outputs than conventional recurrent VAEs. The adversarial approach captures local pitch patterns but remains difficult to train and generalizes less reliably to Bach's style. These results highlight the relative strengths and failure modes of autoregressive, latent-variable, and adversarial approaches for symbolic music generation.