FAM-gate: field-aware metadata attention with prior-constrained vector gating for audio classification

This technical report describes our system for Task 1 of the DCASE 2026 Challenge, which aims to classify heterogeneous audio recordings according to the Broad Sound Taxonomy (BST). The task requires both accurate second-level prediction and consistency with the top-level taxonomy. Our system is built on CLAP-based audio-text representations and is improved along three strategies: expanding the training set with a filtered subset of BSD35k, enhancing acoustic modeling with feature-specific branches, and refining predictions using hierarchy-aware classifiers and KNN-based post-processing. Among the acoustic features considered, the log-STFT branch provides the strongest single-model performance. With KNN-based post-processing, our best single system achieves a hierarchical F1 score (Hier. F1) of 80.84% on the BSD10k-v1.2 set under the same evaluation protocol as the baseline. We further construct ensemble systems by combining models with complementary acoustic features and classification heads, achieving Hier. F1 scores of 81.25% and 81.18%, respectively.

Dominant audio classification pipelines rely either on compact handcrafted summaries or on fixed time-frequency frontends such as log-mel representations prior to deep modeling. While highly successful, these representations do not explicitly expose the physical dynamics of the underlying sound-generating event. We introduce MADS (Multi-view Acoustic Descriptor Set), a compact 19-dimensional physics-informed descriptor set de- signed to capture complementary spectral, temporal, mechanical, and stochastic structure in audio signals. Rather than treating sound only as a spectral pattern, MADS encodes properties related to excitation, damping, periodicity, impulsiveness, and structural consistency within a unified multi-view representation. We evaluate MADS using standard classical machine learning models on ESC-10, ESC-50, and MSoS, and compare it against two conventional handcrafted baselines: a compact 26D MFCC- based baseline and an expanded 38D spectral-summary baseline. Across ESC-10 and ESC-50, MADS achieves the strongest peak results overall, reaching 81.00% and 52.78%, respectively, while using roughly half the dimensionality of the 38D baseline. On MSoS, MADS again delivers the strongest top-end performance, reaching 67.48%. These results establish MADS not merely as a competitive standalone descriptor set, but as the foundational descriptor layer of a broader acoustically grounded representation program for future frame-level and deep-learning-compatible audio modeling.

Current audio pre-training seeks to learn unified representations for broad audio understanding tasks, but it remains fragmented and is fundamentally bottlenecked by its reliance on weak, noisy, and scale-limited labels. Drawing lessons from vision's foundational pre-training blueprint, we argue that the audio field must first establish its own large-scale, strong supervision framework. We introduce a new data-centric pipeline that leverages a high-fidelity captioner to create SOTA-quality captions and the first Unified Tag System (UTS) that bridges speech, music, and environmental sounds. We then conduct a systematic comparative study of different pre-training objectives on these strong source data. Our experiments suggest that data quality and coverage are the primary drivers of performance, while the choice of objective dictates downstream task specialization.