FFMT: Frequency-Factorized Multi-Rate Tokenization for Music-to-Dance Generation

Most human motion generation methods encode motion as tokens on a uniform temporal grid, where every token spans the same fixed time window. Human motion, however, is temporally heterogeneous: slowly evolving global trajectories coexist with rapid transient events such as foot contacts and joint impulses. Forcing such multi-scale dynamics onto tokens of identical temporal resolution entangles motion frequencies, leaving slow regions redundant while smoothing out the rapid details that distinguish realistic motion. We propose FreqMo, a scale-adaptive motion representation that decomposes motion into wavelet frequency bands, separating dynamics across temporal scales while preserving temporal localization and exact reconstruction. Unified Frequency Residual Quantization (UFRQ) then encodes all bands within a single shared codebook, compressing the token sequence threefold and enabling stable single-stage generation. Experiments show FreqMo attains SOTA fidelity with substantially improved high-frequency preservation, and the same decomposition transfers to continuous diffusion backbones.

Music-to-dance generation aims to translate auditory signals into expressive human motion, with broad applications in virtual reality, choreography, and digital entertainment. Despite promising progress, the limited generation efficiency of existing methods leaves insufficient computational headroom for high-fidelity 3D rendering, thereby constraining the expressiveness of 3D characters during real-world applications. Thus, we propose FlowerDance, which not only generates refined motion with physical plausibility and artistic expressiveness, but also achieves significant generation efficiency on inference speed and memory utilization. Specifically, FlowerDance combines MeanFlow with Physical Consistency Constraints, which enables high-quality motion generation with only a few sampling steps. Moreover, FlowerDance leverages a simple but efficient model architecture with BiMamba-based backbone and Channel-Level Cross-Modal Fusion, which generates dance with efficient non-autoregressive manner. Meanwhile, FlowerDance supports motion editing, enabling users to interactively refine dance sequences. Extensive experiments on AIST++ and FineDance show that FlowerDance achieves state-of-the-art results in both motion quality and generation efficiency. Code will be released upon acceptance.

Music-to-dance generation has broad applications in virtual reality, dance education, and digital character animation. However, the limited coverage of existing 3D dance datasets confines current models to a narrow subset of music styles and choreographic patterns, resulting in poor generalization to real-world music. Consequently, generated dances often become overly simplistic and repetitive, substantially degrading expressiveness and realism. To tackle this problem, we present TokenDance, a two-stage music-to-dance generation framework that explicitly addresses this limitation through dual-modality tokenization and efficient token-level generation. In the first stage, we discretize both dance and music using Finite Scalar Quantization, where dance motions are factorized into upper and lower-body components with kinematic-dynamic constraints, and music is decomposed into semantic and acoustic features with dedicated codebooks to capture choreography-specific structures. In the second stage, we introduce a Local-Global-Local token-to-token generator built on a Bidirectional Mamba backbone, enabling coherent motion synthesis, strong music-dance alignment, and efficient non-autoregressive inference. Extensive experiments demonstrate that TokenDance achieves overall state-of-the-art (SOTA) performance in both generation quality and inference speed, highlighting its effectiveness and practical value for real-world music-to-dance applications.