This paper introduces FRAME (Fine-grained Recognition of Art-historical Metadata and Entities), a manually annotated dataset of art-historical image descriptions for Named Entity Recognition (NER) and Relation Extraction (RE). Descriptions were collected from museum catalogs, auction listings, open-access platforms, and scholarly databases, then filtered to ensure that each text focuses on a single artwork and contains explicit statements about its material, composition, or iconography. FRAME provides stand-off annotations in three layers: a metadata layer for object-level properties, a content layer for depicted subjects and motifs, and a co-reference layer linking repeated mentions. Across layers, entity spans are labeled with 37 types and connected by typed RE links between mentions. Entity types are aligned with Wikidata to support Named Entity Linking (NEL) and downstream knowledge-graph construction. The dataset is released as UIMA XMI Common Analysis Structure (CAS) files with accompanying images and bibliographic metadata, and can be used to benchmark and fine-tune NER and RE systems, including zero- and few-shot setups with Large Language Models (LLMs).
Figures & tables
Figure 1: Each record in the dataset includes (1) the referenced artwork image, (2) basic artwork metadata, and (3) an art-historical text excerpt labeled with NER and RE annotations.
Figure 2: Our dataset creation process involves a modular, multi-stage pipeline, integrating both manual and automated components.
Name
URL
Language
Austrian Gallery Belvedere
https://www.belvedere.at/en
DE
Bavarian State Painting Collections
https://www.pinakothek.de/en
EN/DE
Berlin State Museums
https://www.smb.museum/en/
EN
Bonhams
https://www.bonhams.com/
EN
Hamburger Kunsthalle
https://hamburger-kunsthalle.de/en
DE
Hampel Fine Art Auctions
https://www.hampel-auctions.com/
DE
Table 1: We collected over 250,000 art-historical image descriptions from 13 German and English sources. Each description contains at at least one sentence that directly addresses the object or its creation, including references to materials, techniques, its composition, or iconography.
Property
Property Label
Frequency
Include
P31
instance of
7.82 %
yes
P195
collection
5.75 %
no
P18
image
5.57 %
no
P276
location
5.55 %
no
P217
inventory number
5.20 %
no
P170
creator
4.71 %
yes
Table 2: The Wikidata properties most frequently associated with art-historical objects are shown with their relative frequency and an indicator of whether each property was included in the tagset.
Layer
Entity Name
Description
Wikidata Item
Metadata
Art Genre
form of art in terms of a medium, format, or theme
Q1792379
Art Material
substance, raw ingredient, or tool that is utilized by an artist […]
Q15303351
Art Movement
tendency or style in art with a specific common philosophy […]
Q968159
Artistic Technique
method by which art is produced
Q11177771
Type of Work of Art
type of art work based on shared characteristics, functions, […]
Q116474095
Work of Art
aesthetic item or artistic creation
Q838948
Table 3: The tagset comprises 37 entity types distributed across two annotation layers—the metadata layer and the content layer —with an additional co-reference layer used to link mentions of the same entity. For each type, we provide a brief definition and, where applicable, the corresponding Wikidata item. Types that occur in both layers are annotated independently for each layer.
Figure 3: Four-step annotation procedure. (a) First, the text is read in full to obtain an overview, without creating annotations. (b) Second, expressions belonging to the metadata layer are annotated. (c) Third, expressions in the content layer are annotated. (d) Fourth and finally, co-references are annotated.
Large Vision-Language Models (LVLMs) achieve strong performance on image-grounded text generation and visual question answering. However, it remains difficult for them to comprehensively and accurately describe the factual relations among the entities and concepts associated with the objects depicted in an image. In this work, we propose a framework that efficiently exploits factual information from a knowledge graph via retrieval-augmented generation (RAG), with the goal of enabling LVLMs to generate detailed and accurate image explanations. Specifically, our method alternates between answer generation and knowledge-graph retrieval, and controls the search using a correctness judgment, thereby acquiring the necessary and sufficient factual information efficiently. We also construct a knowledge graph for the artwork domain (ExpArt-KG), in which the correspondence between images and entities is unambiguous. Applying the proposed method to this knowledge graph, we show experimentally that it improves the level of detail of artwork explanations and reduces the retrieval cost of external knowledge while maintaining generation quality comparable to that of iterating a fixed number of times.
Yuta Kato, Shintaro Ozaki, Kazuki Hayashi +4
The University of Tokyo · Nara Institute of Science and Technology (NAIST)
Analyzing digitized artworks requires both visual interpretation and deep artistic, contextual, and historical knowledge. We introduce ArtSeek, a multimodal framework for art analysis that combines multimodal large language models with retrieval-augmented generation. Unlike prior work, our pipeline relies only on image input, so it applies to artworks without links to Wikidata or Wikipedia, common in most digitized collections. ArtSeek integrates three components: a late-interaction multimodal retrieval module, a contrastive multitask network predicting artist, genre, style, media, and tags, and an agentic reasoning strategy enabled through in-context examples. Central to this approach is WikiFragments, a dataset of image-text fragments extracted from the entire English Wikipedia to support knowledge-grounded multimodal reasoning. Our multimodal query encoding raises retrieval NDCG@5 from 33.9 to 44.9 over encoding the full image-text query, and fixed-budget token pooling keeps late-interaction search practical over millions of fragments at under 7% of the cost of full multi-vector retrieval. ArtSeek sets a new state of the art in artwork attribute classification, with +8.4% F1 in style classification over GraphCLIP, and gains +7.1 BLEU@1 on ArtPedia captioning. On five knowledge-grounded question answering benchmarks graded by an LLM judge from a different model family, retrieval helps where the answer is documented in our index or lies inside the classifier's label space (+0.19 mean correctness on two of them) and is neutral where it is not; what separates the two regimes is how much of a benchmark our knowledge base covers. The gain transfers to two non-Qwen backbones (+0.22 to +0.28). A blind human study and a qualitative analysis of successes and failures corroborate this picture and expose where retrieval still misleads. Data and code: https://cilab.di.uniba.it/artseek/
Discovering and disambiguating entities from multimodal and heterogeneous data is a key challenge in discovery science, where relevant knowledge is often implicit and distributed across modalities. We present KARAMEL, a framework for multimodal entity linking (MEL) - the task of aligning visual and textual mentions to entities in a knowledge base - in the cultural heritage domain. Unlike prior vision-language models that primarily rely on surface-level multimodal alignment, our approach incorporates sociohistorical and contextual knowledge through a knowledge-aware architecture that fuses a vision-language encoder with a heterogeneous graph neural network. This design enables contextual reasoning over complex relational structures and supports robust entity disambiguation under ambiguous or underspecified evidence. To benchmark multimodal discovery in this setting, we introduce WikiMuSA (Wikidata-based Multimodal Semantic data for Art), a new dataset that links artworks to Wikidata entities via images, textual descriptions, and structured contextual knowledge. Experimental results show that KARAMEL surpasses strong baselines, particularly on implicit or abstract mentions, while ablation studies highlight the critical role of domain-specific, structured context in learning expressive representations. While instantiated in the cultural heritage domain, KARAMEL addresses a general knowledge discovery problem and applies to other scientific settings involving multimodal observations and heterogeneous background knowledge. Both the dataset and source code are made publicly available.
Department of Computer Science, University of Bari Aldo Moro, Italy · Hasso Plattner Institute, University of Potsdam, Germany · ZBW - Leibniz Information Centre for Economics, University of Kiel, Germany