ViBe: Ultra-High-Resolution Video Synthesis Born from Pure Images
Organizations: School of Artificial Intelligence, Shanghai Jiao Tong University · Xi’an Jiaotong-Liverpool University · Jilin University
Abstract
Transformer-based video diffusion models rely on 3D attention over spatial and temporal tokens, which incurs quadratic time and memory complexity and makes end-to-end training for ultra-high-resolution videos prohibitively expensive. To overcome this bottleneck, we propose a pure image adaptation framework that upgrades a video Diffusion Transformer pre-trained at its native scale to synthesize higher-resolution videos. Unfortunately, naively fine-tuning with high-resolution images alone often introduces noticeable noise due to the image-video modality gap. To address this, we decouple the learning objective to separately handle modality alignment and spatial extrapolation. At the core of our approach is Relay LoRA, a two-stage adaptation strategy. In the first stage, the video diffusion model is adapted to the image domain using low-resolution images to bridge the modality gap. In the second stage, the model is further adapted with high-resolution images to acquire spatial extrapolation capability. During inference, only the high-resolution adaptation is retained to preserve the video generation modality while enabling high-resolution video synthesis. To enhance fine-grained detail synthesis, we further propose a High-Frequency-Awareness-Training-Objective, which explicitly encourages the model to recover high-frequency components from degraded latent representations via a dedicated reconstruction loss. Extensive experiments demonstrate that our method produces ultra-high-resolution videos with rich visual details without requiring any video training data, even outperforming previous state-of-the-art models trained on high-resolution videos by 0.8 on the VBench benchmark. Code will be available at https://github.com/WillWu111/ViBe.
Figures & tables
| Resolution (W H) | Model | Subject Consistency | Background Consistency | Motion Smoothness | Aesthetic Quality | Imaging Quality | Overall Consistency | Overall Score |
| 1920 1088 | Wan2.2 [ 39 ] | 94.9% | 95.4% | 98.5% | 59.1% | 64.0% | 23.3% | 72.5% |
| ESRGAN [ 40 ] | 95.3% | 93.8% | 96.9% | 60.4% | 63.6% | 25.7% | 72.6% | |
| UAV [ 45 ] | 95.2% | 93.2% | 96.8% | 58.7% | 62.5% | 25.2% | 71.9% | |
| I-Max [ 8 ] | 95.7% | 95.3% | 97.7% | 60.2% | 62.0% | 24.0% | 72.5% | |
| HiFlow [ 3 ] | 95.5% | 95.6% | 97.4% | 60.1% | 59.6% | 25.4% | 72.3% | |
| CineScale [ 32 ] | 93.9% | 96.8% | 97.4% | 59.1% | 60.7% | 23.5% | 71.9% |
| Methods | Subject Consistency | Background Consistency | Motion Smoothness | Aesthetic Quality | Imaging Quality | Overall Consistency | Overall Score |
| w/o Relay LoRA | 94.6% | 97.9% | 98.3% | 46.7% | 37.4% | 21.1% | 66.0% |
| w/o GCLFA | 94.9% | 95.4% | 99.0% | 52.2% | 49.0% | 24.3% | 69.1% |
| w/o HFATO | 95.0% | 94.2% | 99.1% | 53.7% | 59.0% | 24.0% | 70.8% |
| w/o Loss | 96.3% | 95.3% | 99.2% | 57.3% | 59.2% | 26.7% | 72.3% |
| Ours (DR = 1/2) | 95.2% | 97.1% | 99.2% | 61.4% | 66.1% | 27.1% | 74.4% |
| Ours (DR = 1/4) | 95.0% | 97.2% | 99.3% | 61.3% | 65.6% | 26.5% | 74.2% |