Large Speech Language Models (LSLMs) typically operate at high token rates (tokens/s) to ensure acoustic fidelity, yet this results in sequence lengths that far exceed the underlying semantic content, incurring prohibitive inference costs. In this paper, we empirically revisit the necessity of such granular token-level processing. Through layer-wise oracle interventions, we unveil a structured redundancy hierarchy: while shallow layers encode essential acoustic details, deep layers exhibit extreme redundancy, allowing for aggressive compression. Motivated by these findings, we introduce Affinity Pooling, a training-free, similarity-based token merging mechanism. By strategically applying this method at both input and deep layers, we effectively compress speech representations without compromising semantic information. Extensive evaluations across three tasks demonstrate that our approach reduces prefilling FLOPs by 27.48% while maintaining competitive accuracy. Practical deployment further confirms significant efficiency gains, yielding up to ∼1.7× memory savings and ∼1.1× faster time-to-first-token on long utterances. Our results challenge the necessity of fully distinct token representations, providing new perspectives on LSLM efficiency.
Figures & tables
Figure 1: Framework of oracle intervention experiments. We align audio tokens to semantic units and apply compression operators to a single layer at a time to investigate redundancy.
Figure 2: Layer-wise oracle interventions on Qwen2-Audio and Kimi-Audio . For each model, we report clamped WER (cWER) and standard WER plotted on log-scale . Colors represent different audio token retention rates.
Figure 3: Layer-wise cosine similarity dynamics for Qwen2-Audio and Kimi-Audio.
Figure 4: Layer-wise dynamics of Affinity Pooling on Qwen2-Audio and Kimi-Audio. We report WER, cWER on log-scale, and retention ratios with ω=3 across varying thresholds τ∈{0.6,0.7,0.8,0.9} .
Figure 5: Visualization of Affinity Pooling ( τ=0.7,ω=3 ) on Qwen2-Audio (top) and Kimi-Audio (bottom) . Colors denote merged token groups, and vertical lines mark word boundaries. The right axis indicates the total number of tokens after compression. Both models maintain a WER of 0 across all tested layers .
Method
Scope
Efficiency ( ↓ )
ASR (WER ↓ )
QA (Acc ↑ )
ST (BLEU ↑ )
lin
ldeep
FRR
Pre. GFLOPs
FLOPs Ratio
KES
LSC
LSO
Avg.
OBQA
SDQA
TrQA
Avg.
en2zh
zh2en
Avg.
Vanilla
-
-
100.0
780.94
100.0
3.28
1.65
3.88
2.94
42.64
27.31
21.29
30.41
42.80
23.02
32.91
Setting A: Aggressive ( τin=0.80,τdeep=0.70 )
APin
✓
-
78.64
612.93
78.49
3.39
1.64
3.80
2.94
43.74
26.29
20.90
30.31
42.35
22.69
32.52
APdeep
-
✓
14.30
718.12
91.96
3.31
1.65
3.84
2.93
42.86
27.49
21.19
30.51
42.76
23.02
32.89
DAP
✓
✓
14.91
566.30
72.52
3.44
1.63
3.79
2.95
42.20
29.66
20.61
30.82
42.29
22.78
32.54
Table 1: Main results and ablation studies on Qwen2-Audio. FRR: Final Retention Ratio. Bold indicates improvement over Vanilla, while underlining denotes the best performance within each setting.
Method
Time Efficiency
Memory Usage
TTFT (ms) ↓
Spd. ↑
tAP (ms) ↓
m (GB) ↓
Δm (GB) ↓
Sav. ↑
Duration bucket: 40–60 s
Vanilla
132.24
1.00 ×
-
33.40
1.99
1.00 ×
APin
117.36
1.13 ×
0.43
33.10
1.68
1.18 ×
APdeep
131.31
1.01 ×
8.36
32.77
1.36
1.46 ×
DAP
117.87
1.12 ×
7.33
32.58
1.17
1.70 ×
Table 2: Prefilling efficiency on H200. Time-to-first-token (TTFT, ms), peak memory m , and dynamic increment Δm (GB), where Spd.=TTFTVanilla/TTFT and Sav.=ΔmVanilla/Δm .
Method
KES
LSC
LSO
Avg.
Vanilla
3.28
1.65
3.88
2.94
Budget: 90% Tokens
speedup
7.85
6.14
18.45
10.81
interpolate
3.52
1.79
4.34
3.22
APin
3.84
1.65
3.79
3.09
Budget: 80% Tokens
Table 3: ASR results under different token budgets. WER ( ↓ ). Underlines denote the best performance within each budget, and boldface indicates results better than the Vanilla baseline.
Figure 6: Layer sensitivity of Qwen2-Audio across early ( l∈[0,3] , top) and deep ( l∈[28,31] , bottom) layers.
Figure 7: Lookback window ablation of Qwen2-Audio at input ( l=0 , top) and deep layer ( l=29 , bottom).
Appendix figures & tables11 assets
Supplementary material from the paper’s appendix.
Appendix
Operator
Token Ratio
Layer 0
Layer 5
Layer 10
Layer 15
Layer 20
Layer 25
Layer 30
WER
cWER
WER
cWER
WER
cWER
WER
cWER
WER
cWER
WER
cWER
WER
cWER
Random Drop
25.67%
177.15
65.89
421.39
76.41
382.52
70.54
454.25
67.11
154.46
26.69
2.20
1.98
1.63
1.63
47.57%
37.54
24.30
79.14
25.28
73.42
20.28
91.95
18.77
32.87
7.74
1.80
1.80
1.64
1.64
76.08%
6.33
4.88
9.41
4.84
6.87
3.71
6.92
3.26
4.97
2.55
1.69
1.69
1.65
1.65
97.73%
1.70
1.70
1.72
1.72
2.05
1.70
1.69
1.69
1.67
1.67
1.66
1.66
1.65
1.65
Uniform Drop
25.67%
141.13
58.21
274.25
61.83
244.44
53.83
300.56
49.31
102.06
18.25
2.38
1.91
1.63
1.63
Appendix
Table 4: Detailed WER results for Qwen2-Audio . Standard WER (WER) and clamped WER (cWER) (in %) are reported for each operator, token ratio, and layer. The baseline WER is 1.65 .
Operator
Token Ratio
Layer 0
Layer 5
Layer 10
Layer 15
Layer 20
Layer 25
WER
cWER
WER
cWER
WER
cWER
WER
cWER
WER
cWER
WER
cWER
Random Drop
25.67%
74.81
65.80
71.57
64.08
92.47
63.68
186.67
60.51
251.76
55.47
1.90
1.90
47.57%
26.09
25.53
25.39
24.14
24.64
22.75
25.80
16.50
49.52
15.76
1.59
1.59
76.08%
4.11
4.11
3.36
3.36
3.21
3.21
2.35
2.35
3.97
2.37
1.35
1.35
97.73%
1.37
1.37
1.36
1.36
1.36
1.36
1.35
1.35
1.32
1.32
1.32
1.32
Uniform Drop
25.67%
66.73
61.91
64.07
59.58
74.69
57.83
130.33
52.55
199.48
48.80
2.13
1.88
Appendix
Table 5: Detailed WER results for Kimi-Audio . Standard WER (WER) and clamped WER (cWER) (in %) are reported for each operator, token ratio, and layer. The baseline WER is 1.34 .
Layer
τ=0.6
τ=0.7
τ=0.8
τ=0.9
WER
cWER
Ratio
WER
cWER
Ratio
WER
cWER
Ratio
WER
cWER
Ratio
0
6.85
6.51
57.61%
1.99
1.99
74.32%
1.63
1.63
88.60%
1.65
1.65
97.43%
5
17.82
17.36
46.67%
3.32
3.32
66.62%
1.66
1.66
84.71%
1.65
1.65
96.69%
10
6.03
5.63
52.57%
2.09
2.09
70.46%
1.66
1.66
86.74%
1.64
1.64
97.12%
15
38.83
14.70
46.52%
3.52
2.73
67.23%
1.65
1.65
85.92%
1.64
1.64
97.14%
20
90.98
18.19
22.53%
6.08
2.94
45.36%
1.68
1.68
74.12%
1.66
1.66
95.09%
Appendix
Table 6: Performance of Qwen2-Audio across different layers and similarity thresholds τ . Metrics include WER, clamped WER (cWER), and token retention ratio (Ratio). The baseline WER is 1.65 .
Layer
τ=0.6
τ=0.7
τ=0.8
τ=0.9
WER
cWER
Ratio
WER
cWER
Ratio
WER
cWER
Ratio
WER
cWER
Ratio
0
5.39
5.39
59.27%
1.64
1.64
78.35%
1.25
1.25
95.03%
1.29
1.29
99.51%
5
56.51
55.91
27.21%
14.68
14.65
48.58%
1.79
1.79
73.99%
1.32
1.32
95.73%
10
30.00
29.44
41.27%
6.43
6.43
61.39%
1.50
1.50
82.36%
1.30
1.30
97.80%
15
60.93
35.30
34.16%
6.15
5.81
56.26%
1.42
1.42
81.85%
1.31
1.31
98.37%
20
351.99
77.06
15.15%
56.22
18.69
37.70%
2.06
1.71
68.95%
1.30
1.30
95.48%
Appendix
Table 7: Performance of Kimi-Audio across different layers and similarity thresholds τ . Metrics include WER, clamped WER (cWER), and token retention ratio (Ratio). The baseline WER is 1.34 .
Method
Scope
Efficiency ( ↓ )
ASR (WER ↓ )
QA (Acc ↑ )
ST (BLEU ↑ )
lin
ldeep
FRR
Pre. GFLOPs
FLOPs Ratio
KES
LSC
LSO
Avg.
OBQA
SDQA
TrQA
Avg.
en2zh
zh2en
Avg.
Vanilla
-
-
100.0
407.22
100.0
2.71
1.34
2.58
2.21
81.98
36.71
33.79
50.83
2.02
0.0
1.01
Setting A: Aggressive ( τin=0.80,τdeep=0.70 )
APin
✓
-
86.28
351.18
86.24
2.73
1.30
2.55
2.19
83.08
37.79
33.79
51.55
2.01
0.02
1.02
APdeep
-
✓
48.81
377.39
92.68
2.83
1.48
2.68
2.33
82.20
37.79
33.79
51.26
2.01
0.0
1.01
DAP
✓
✓
40.71
324.64
79.72
2.85
1.43
2.60
2.29
82.42
37.61
33.69
51.24
1.99
0.02
1.01
Appendix
Table 8: Main results and ablation studies on Kimi-Audio. FRR: Final Retention Ratio. Bold indicates improvement over Vanilla, while underlining denotes the best performance within each setting.
Figure 8: Layer sensitivity of Kimi-Audio across early ( l∈[0,3] , top) and deep ( l∈[24,27] , bottom) layers. The top plot uses a symlog axis.
Table 9: Decoding Trajectories for an ASR example on Qwen2-Audio under Oracle Interventions. We consolidate Layers 25 and 30 into a single entry, as their decoded outputs are identical, to save space.
Table 10: Decoding Trajectories for an ASR example on Kimi-Audio under Oracle Interventions.
Figure 9: Top: Visualization of Affinity Pooling ( τ=0.7,ω=3 ) on Qwen2-Audio and Kimi-Audio . Colors denote merged token groups, and vertical lines mark word boundaries. The right axis indicates the total number of tokens after compression. Bottom: ASR transcripts decoded from the compressed representations at the corresponding layers .
Figure 10: Top: Visualization of Affinity Pooling ( τ=0.7,ω=3 ) on Qwen2-Audio and Kimi-Audio . Colors denote merged token groups, and vertical lines mark word boundaries. The right axis indicates the total number of tokens after compression. Bottom: ASR transcripts decoded from the compressed representations at the corresponding layers .
Figure 11: Top: Visualization of Affinity Pooling ( τ=0.7,ω=3 ) on Qwen2-Audio and Kimi-Audio . Colors denote merged token groups, and vertical lines mark word boundaries. The right axis indicates the total number of tokens after compression. Bottom: ASR transcripts decoded from the compressed representations at the corresponding layers .