ICDAR 2026 Competition on Writer Identification and Pen Classification from Hand-Drawn Circles

Handwritten Arabic manuscripts preserve the Arab world's intellectual and cultural heritage, and writer identification supports provenance, authenticity verification, and historical analysis. Using the Muharaf dataset of historical Arabic manuscripts, we evaluate writer identification from individual line images and, to the best of our knowledge, provide the first baselines reported under both line-level and page-disjoint evaluation protocols. Since the dataset is only partially labeled for writer identification, we manually verified and expanded writer labels in the public portion from 6,858 (28.00%) to 21,249 lines (86.75%) out of 24,495 line images, correcting inconsistencies and removing non-handwritten text. After further filtering, we retained 18,987 lines (77.51%). We propose a Convolutional Neural Network (CNN)-based model with attention mechanisms for closed-set writer identification, including rare two-writer lines modeled as composite writer-pair classes. We benchmark fourteen configurations and conduct ablations across different feature extractors and training regimes. To assess generalization to unseen pages, the page-disjoint protocol assigns all lines from each page to a single split. Under the line-level protocol, a fine-tuned DenseNet201 with attention achieves 99.05% Top-1 accuracy, 99.73% Top-5 accuracy, and 97.44% F1-score. Under the more challenging page-disjoint protocol, the best observed results are 78.61% Top-1 accuracy, 87.79% Top-5 accuracy, and 66.55% F1-score, thus quantifying the impact of page-level cues. By expanding the Muharaf dataset's labeled subset and reporting both protocols, we provide a clearer benchmark and a practical resource for historians and linguists engaged with culturally and historically significant documents. The code and implementation details are available on GitHub.

As digital drawings are increasingly shared online, reliable authorship verification has become important for protecting artists and resolving disputes. Yet when authorship is questioned, verification may have to rely only on the disputed drawing and reference drawings known to be created by the claimed artist. This setting is challenging for two reasons. First, artist-specific drawing behavior, such as pen pressure and movement speed, is informative but is not available from a completed drawing. Second, similarities in the depicted object or scene can obscure similarities arising from the artist. We propose IDraw, a framework that learns from drawings paired with tablet-pen sensor signals collected from separate training artists. This allows IDraw to infer drawing behavior from completed images during a later authorship dispute, without requiring sensor data from the artist being verified. IDraw also reduces the influence of drawing content by identifying information shared by drawings of the same object across different artists and suppressing it before comparing drawings. To support this approach, we construct the first multimodal dataset for digital drawing authorship verification, containing 1,110 drawings from 37 artists and 14 types of tablet-pen sensor signals. Evaluated on previously unseen artists across nine image-encoder backbones, IDraw consistently outperforms standard image-based verification and reduces verification error by up to 40%. These results demonstrate that inferring drawing behavior from completed images and suppressing drawing content improve digital drawing authorship verification.

Automatic writer identification systems have progressed remarkably in recent years, yet their deployment in archival paleography remains limited by the scarcity of labeled training data, open scribe sets, and degraded image quality. We present TextileNet, a fully convolutional multi-task network trained exclusively on synthetic data to produce dense pixel-level texture embeddings, which we transfer zeroshot to historical manuscript analysis. As an original contribution to evaluation methodology, we designed a paleographic visual quiz of 80 pair and triplet questions and administered it to a range from lay participants to senior paleographers under strict anonymity, establishing to our knowledge for the first time a human baseline for script-style discrimination on late medieval text. We employ TextileNet embeddings to perform zero-shot retrieval on sub-word granularity for hand and gender identification. Our experimental results help in building the credibility of TextileNet in the paleographic domain, but more than that demonstrate in experimental terms that the question of gender in handwriting needs to be treated with caution.