Automatic Contextual Audio Denoising

Audio deepfakes pose a significant security threat, yet current state-of-the-art (SOTA) detection systems do not generalize well to realistic in-the-wild deepfakes. We introduce a novel \textbf{I}n-\textbf{C}ontext \textbf{L}earning paradigm with comparison-guidance for \textbf{A}udio \textbf{D}eepfake detection (\textbf{ICLAD}). The framework enables the use of audio language models (ALMs) for training-free generalization to unseen deepfakes and provides textual rationales on the detection outcome. At the core of ICLAD is a pairwise comparative reasoning strategy that guides the ALM to discover and filter hallucinations and deepfake-irrelevant acoustic attributes. The ALM works alongside a specialized deepfake detector, whereby a routing mechanism feeds out-of-distribution samples to the ALM. On in-the-wild datasets, ICLAD improves macro F1 over the specialized detector, with up to $2\times$ relative improvement. Further analysis demonstrates the flexibility of ICLAD and its potential for deployment on recent open-source ALMs.

Contrastive audio-language models such as CLAP enable zero-shot audio classification: a sound is labelled by matching its embedding to text prompt embeddings, with no labelled audio. This matching breaks down under acoustic noise, where accuracy and mAP fall by 12-30 percentage points at 0 dB SNR on standard benchmarks. We propose Drift Augmented Scoring (DAS), a small per-class bonus added to the cosine score. The bonus rewards a class when the noisy audio embedding drifts in the direction that the class's noise-conditioned text prompts predict. It is derived from text alone, computed once and cached, and adds a single inner product per class at inference, with no gradients and no test-time batch. On a LAION CLAP backbone, we compare DAS against the four variants of Acevedo et al.'s concurrent method on UrbanSound8K and the full FSD50K eval set, mixing each clip with urban acoustic scene noise across a range of SNRs. DAS improves the metric on every test condition: by +2.60 to +5.75 accuracy points on UrbanSound8K and +1.50 to +1.74 mAP points on FSD50K.

Recent Large Audio Language Models (LALMs) have achieved remarkable progress in audio perceptual tasks across individual acoustic layers, including speech, sound, and music. However, existing benchmarks predominantly evaluate these layers in isolation, overlooking the complex contextual relationships that arise when multiple acoustic sources co-occur in real-world auditory scenes. Real-world auditory interpretation requires Context-Aware Auditory Scene Understanding (CASU): the ability to comprehend the holistic scene by integrating sound layers. To evaluate this capability, we introduce the CASU benchmark, which assesses whether Audio LLMs can interpret auditory scenes composed of speech, acoustic events (e.g., announcements), and background environments (e.g., traffic), and reason about the logical relationships between these layers. We propose a scalable pipeline for constructing time-accurate, semi-synthetic audio streams by composing real-world scene sounds with synthetic speech. Building on this data, we design four tasks that probe scene understanding: contextual question answering, entity extraction from the scene, speaker role inference, and counterfactual reasoning where scene is manipulated. Experiments across multiple LALMs demonstrate that effective auditory scene understanding requires integration over all auditory layers, rather than reliance on speech or sound alone, underscoring the necessity of CASU for advancing complex audio understanding in LALMs.