Abstract
Contrastive audio-language models such as CLAP enable zero-shot audio classification: a sound is labelled by matching its embedding to text prompt embeddings, with no labelled audio. This matching breaks down under acoustic noise, where accuracy and mAP fall by 12-30 percentage points at 0 dB SNR on standard benchmarks. We propose Drift Augmented Scoring (DAS), a small per-class bonus added to the cosine score. The bonus rewards a class when the noisy audio embedding drifts in the direction that the class's noise-conditioned text prompts predict. It is derived from text alone, computed once and cached, and adds a single inner product per class at inference, with no gradients and no test-time batch. On a LAION CLAP backbone, we compare DAS against the four variants of Acevedo et al.'s concurrent method on UrbanSound8K and the full FSD50K eval set, mixing each clip with urban acoustic scene noise across a range of SNRs. DAS improves the metric on every test condition: by +2.60 to +5.75 accuracy points on UrbanSound8K and +1.50 to +1.74 mAP points on FSD50K.
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Jun 15, 2026cs.SD
Contrastive language-audio pretraining (CLAP) enables zero-shot audio classification, but standard inference classifies each clip in isolation and ignores the structure of the unlabeled test set. We present the first systematic study of TransCLIP-style transductive inference for CLAP: a text-anchored spherical Gaussian-mixture EM that refines zero-shot posteriors using the audio-embedding statistics of the test batch, with no labels, no gradients, and negligible compute (about 15 ms on one CPU core for 2,000 clips). Across ESC-50, UrbanSound8K, and VocalSound, this consistently improves top-1 accuracy by +4.6 to +9.2 points over the zero-shot baseline (e.g., 89.1 -> 94.8% on ESC-50, 73.8 -> 81.8% on UrbanSound8K). We further show that the gain (i) is governed by a simple operating boundary -- roughly 2.5 test samples per class per batch are required, with diminishing returns beyond ~5; (ii) is complementary to entropy-guided prompt weighting, with the combination reaching 96.2% on ESC-50; and (iii) attenuates but remains positive under long-tailed batches (+4.9 -> +3.1 points at a 20:1 imbalance), which we report as an explicit limitation. We also document a negative result: on TUT Urban Acoustic Scenes 2018, where zero-shot CLAP is near chance, transduction has no signal to amplify.
Jingwen Zhou, Mingzhe Wang
Jun 14, 2026cs.SD
Audio-Language Models (ALMs) have shown remarkable success in zero-shot audio classification by aligning audio waveforms with text. Recent efforts to improve downstream performance focus on learning optimal text prompts. However, previous approaches focus on the text encoder, leaving the potential of learnable prompts within the audio encoder unexplored. In this paper, we propose a novel framework that introduces trainable prompts into the audio encoder to capture task-specific acoustic features. We demonstrate that integrating audio-side prompt learning with existing text-side approaches enhances few-shot adaptation. Through extensive experiments across 11 datasets show that integrating our method as a plug-and-play module alongside existing text prompt tuning generally leads to performance improvements. These findings suggest that explicitly modulating the audio representation space effectively complements text-only prompting approaches. The code is available at https://github.com/hyebin-c/aspl.
Hyebin Cho, Jaehyuk Jang, Changick Kim +1
Jun 30, 2026cs.SD
Audio-Language Models (ALMs) achieve strong zero-shot performance by aligning audio with textual class descriptions. Although prompt learning improves accuracy on base classes through few-shot supervised adaptation, we observe a critical trade-off: it often degrades performance on novel classes, sometimes falling below zero-shot accuracy. This exposes a base-to-novel generalization gap in prompt learning for ALMs. To address this issue, we propose \textbf{ZEBRA} (Zero-shot Entropy-Regularized Prompt Learning for Base-to-Novel Generalization), a plug-and-play framework that fuses zero-shot logits with prompt-learning logits, and employs self-entropy regularization to reduce overfitting to base classes. Experiments across multiple audio classification datasets show that ZEBRA consistently improves novel-class performance while maintaining strong base accuracy, significantly reducing the base-to-novel gap compared to standard prompt learning. The code is available at: https://github.com/asif-hanif/zebra.
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