Seeing the Poem: Image-Semantic Detection of AI-Generated Modern Chinese Poetry with MLLMs
Authors: Shanshan Wang, Fengying Ye, Hanjia Lyu, Caiwen Gou, Junchao Wu, Jingming Yao, Chengzhong Xu, Jiebo Luo, +1 more
Organizations: Department of Computer and Information Science, University of Macau · University of Rochester · Sichuan University · Department of Portuguese, Faculty of Arts and Humanities, University of Macau
Previous detection studies have shown that LLMs cannot be effectively used as detectors, but these studies have not addressed modern Chinese poetry. Moreover, no relevant research has explored the performance of LLMs in detecting modern Chinese poetry. This paper evaluates and enhances the performance of LLMs as detectors for modern Chinese poetry, and proposes an image-semantic guided poetry detection method. Compared with traditional detection approaches, our method innovatively incorporates images that reflect the content of the poetry. Through example-driven approaches, our method effectively integrates information such as meaning, imagery, and feeling from the image, then forms a complementary judgment with the poem text. Experimental results demonstrate that the LLM detectors based on our method outperform baseline detectors based on plain text, and even surpass the best-performing traditional detector, RoBERTa. The Gemini detector using our method achieves a Macro-F1 score of 85.65%, reaching the state-of-the-art level. The performance improvements of different LLM detectors on multiple LLMs-generated data prove the effectiveness of our method.
Traditional automatic evaluation methods have been shown to be unsuitable for modern Chinese poetry because of the distinct nature of this literary genre. Human evaluation remains reliable, but is expensive and not applicable to large-scale data. In this paper, we propose Poller (Poetry LLM Evaluator), a novel method leveraging large language models (LLMs) to evaluate the poetry understanding task. Specifically, our method requires LLMs to play the role of a poem's author with detailed information, thereby emulating human evaluation and judgment by adopting the poet's perspective. We conducted comprehensive experiments on multiple LLMs, evaluating the interpretations of poems across eight specialized dimensions. Experimental results demonstrate that our method effectively reduces the evaluation error between LLMs and humans. Especially for specific dimension evaluation, Poller-based LLMs achieve a 94.55% and 89.53% error reduction for rhetorical techniques and defamiliarization, respectively, compared to baseline methods. These performances are unattainable by conventional LLM evaluation methods. Experimental results from multiple LLMs across various dimensions validate the efficacy of our method. This work bridges the gap between automated efficiency and human expertise, establishing a foundation for automated evaluation in poetry-related tasks.
With the advancement of AI technologies, Generative AI (GenAI) and human written text have become nearly indistinguishable. Additionally, the global standardization of AI chatbots made academic malpractice more frequent. Furthermore, existing research indicates GenAI poems are the most difficult to distinguish even without any modification thus, GenAI poems are naturally deemed human-like by modern detectors. However, the objectivity of such dissertations needs to be verified against modern detection tools but the subjectivity of poetry and the black-box nature of the modern LLMs (Large Language Models) architectures made verification of such work quite complicated. Hence, the main objective of the research is to deduce the attributes of English poetry that contribute classification and misclassification of both human and AI poems and provide corroborating or contradicting evidence to the poetry distinguishability claim. For such characterizations, we propose a Zero-shot detection pipeline with a dataset consisting of both human and AI poems to verify the distinguishability of human and AI creation and extract the aforementioned crucial attributes for accurate classification. Extraction of such attributes provides benefits in two ways: firstly, it reduces the margin of training needed as only the poems based on misclassifying attributes need to be trained and fine tuned and finally provides a critical insight to the GenAI detection dilemma to strengthen the modern detection pipelines.
This paper investigates the generation and human evaluation of Japanese haiku by contemporary Large Language Models (LLMs), focusing on authorship perception and aesthetic judgment within a constrained poetic form. Using a few-shot prompting strategy, Japanese haiku were generated across a heterogeneous set of large language models, including open- and closed-source systems, medium-scale and large-scale architectures, models with native or adapted Japanese support, and multilingual proprietary models. These AI-generated haiku were combined with human-written ones and presented in a questionnaire distributed to students at Japanese universities in Tokyo. The survey assessed whether respondents could distinguish between AI-generated and human-written haiku and which cues informed their judgments. Recognition accuracy varied across models. GPT-5, Gemini 2.5, and StableLM-7B performed at approximately chance level (approx 0.50), whereas LLM-JP, Gemma-2B, and LLaMA-2 showed moderate detectability (approx 0.59-0.67). However, recognition was strongly item-dependent. Ratings of fluency, coherence, poeticness, and related aesthetic dimensions predicted perceived humanness but not correct classification, indicating an attribution bias linked to aesthetic evaluation and revealing a dissociation between aesthetic evaluation and true authorship detection. The extended analysis additionally examines generation-constraint adherence, participant-level characteristics, and exploratory LLM-based evaluations of haiku authorship. Overall, the findings suggest that as LLMs improve, surface-level creative plausibility may reduce reliable human discrimination within constrained poetic settings.