AI as a Tool for Simulation-Based Experiments in Literary Studies

LLMs stage a new form of cultural encounter that is massive, automated, and monolingual. Literary disciplines have always negotiated cultural struggles with comparative reading of literature, narratological and poetic analysis, critical theory, world literature, and translation. These tools have now become indispensable for building culturally literate AI. The essay develops a layered framework toward more nuanced textual models and pluralistic interpretations of AI, emphasizing the natural intersections of literature and AI development, connecting current debates in critical theory with structural monolingualism, and suggesting a new application of world literature approaches to address global AI textuality through macrostructure, circulation, and untranslatability.

Generative AI inverts the typical periodization of literary history: the periodizing tag Victorian can now come first and influence what is written. Generative periodization, defined and tested here, describes the use of literary-period designations in generating texts. I test this approach on 100 book-length novels produced under Victorian and Zero-Style conditions using GPT, Qwen, and Llama workflows. The Period Alignment Score (PAS), trained on nineteenth-century literature and benchmarked against human Zero-Style prose, assesses alignment using topic-reduced grammatical features. Victorian prompts produce consistent historical-direction shifts in GPT and Qwen, but not robustly in Llama. Victorian-only recalibration and harder comparison corpora preserve the GPT and Qwen effects. Cross-model transfer also shows a shared direction of grammatical change. The measurable target is the broader nineteenth century rather than the Victorian period per se.

Some professional authors are beginning to use AI tools to help produce their fiction writing. Are readers using AI to generate fiction, too? Drawing on over 500,000 anonymized, English-language ChatGPT-user conversations (arXiv:2405.01470), we find that more than one third of the conversations involve some form of fiction generation -- including original stories, roleplay, fanfiction, and erotica. This AI-generated fiction is notably dominated by power users. We identify common fiction generation patterns and profiles among these users, including what we call "infinite story demanders," who repeatedly request and revise variations of the same or similar narratives over extended periods of time. We show that users especially gravitate toward fanfiction and erotica, and that they are broadly drawn to generic forms, repetition, immediacy, and niche combinations of story elements. Our findings motivate two theoretical provocations. First, we argue that AI technologies may lead to a shift in the conventional relationship between the author and reader, potentially producing what we call a "solipsistic reader-writer," who both generates and consumes fiction within a closed conversational loop, interacting with a machine rather than a human other. Second, we note that LLMs enable interactivity, play, and permutation in ways that are seemingly pleasurable for users, raising questions about where AI will fit into contemporary storytelling and entertainment ecosystems. We situate these developments within broader transformations in literature and media, including self-publishing, fanfiction, and pornography, and suggest that AI-generated fiction shares structural affinities with on-demand, personalized, and repetitive cultural forms.