Exploring LLMs for South Asian Music Understanding and Generation
Authors: Faria Binte Kader, Mohtasim Hadi Rafi, Shah Wasif Sajjad, Santu Karmaker
Abstract
Recent advancements in Large Language Models (LLMs) have shown promising results in music understanding and generation tasks. However, existing works remain confined to Western tonal traditions, offering little insight into whether current LLMs can handle structurally distinct low-resource musical traditions. We present the first systematic evaluation of LLM competence in South Asian classical music, a tradition governed by raga, tala-based melodic constraints that impose fundamentally different structural principles from Western harmony-driven music. We ground our evaluation in Hindustani classical theory and Bengali classical forms, including Rabindra and Nazrul Sangeet -- representative low-resource traditions within South Asian classical music. For music understanding evaluation, we introduce a 504-question-answer benchmark spanning raga grammar, cultural knowledge, and symbolic notation reasoning, evaluating 33 LLMs where frontier models such as Gemini 2.5 Pro achieve 85-90% accuracy, while most open-source models remain in the 23-40% range. For music generation, we design a five-level controlled prompting framework and find that even the strongest model produces stylistically faithful outputs only 40% of the time. These results reveal that structural validity and stylistic faithfulness in music generation are distinct objectives and highlight an open challenge for culturally grounded music modeling.
Symbolic music evaluation for large language models remains fragmented across representations, datasets, and metrics. We introduce LilyBench, a LilyPond-based benchmark that jointly evaluates symbolic music generation and music understanding on the same family of open-weight LLMs. The benchmark includes a 200-prompt generation suite and ten understanding tasks adapted from ABC-Eval, covering syntax, metadata prediction, structural sequencing, and music recognition. Generation quality is evaluated using compile rate, MusPy descriptor distributions via Jensen-Shannon similarity, and LilyBERT-based Fréchet Music Distance (FMD). Experiments on four open-weight models show that executable LilyPond generation is achievable in zero-shot settings, while structural understanding tasks remain challenging despite strong performance on composer and genre recognition. Our experiments also reveal systematic disagreements between descriptor-based and embedding-based metrics, suggesting that symbolic music evaluation benefits from metric triangulation rather than single-score ranking. We release the benchmark, prompt bank, and evaluation code to support future research in symbolic music generation and understanding at https://github.com/CSCPadova/lilybench
Matteo Spanio, Mohammad Torabi, Andrea Poltronieri +1
Large Language Models (LLMs) show promise in lyric-to-melody generation, but models trained with Supervised Fine-Tuning (SFT) often produce musically implausible melodies with issues like poor rhythm and unsuitable vocal ranges, a phenomenon we term "constraint violation". To address this, we propose a novel alignment framework that instills musical knowledge without human annotation. We define rule-based musical constraints to automatically generate a preference dataset from an SFT model's outputs. The model is then aligned through a sequential process, first using Direct Preference Optimization (DPO) on paired preference data, followed by Kahneman-Tversky Optimization (KTO) on unpaired negative samples. Experimental results demonstrate that our aligned model substantially reduces rule violations and outperforms strong baselines in both objective and subjective evaluations, generating melodies with substantially improved musicality and coherence. An interactive demo with audio comparisons is available at https://arain233.github.io/AligningMelody-demo.
Generative music systems can now produce impressive audio from text prompts, but audio outputs are difficult to inspect, edit, and diagnose as musical structure. We introduce Libretto, an agent-facing framework for symbolic music generation and revision. Libretto uses an LLM-native grammar with explicit onset slots, voices, and bar-level organization, then evaluates each piece in a corpus-calibrated statistical space over rhythm, harmony, melody, texture, form, and variation. The same structural axes support retrieval, diagnosis, copy-risk control, and iterative self-revision. Across gap filling, reference-guided full-piece generation, gradual morphing, and educational music generation, Libretto turns symbolic music from a raw token sequence into a measurable and editable object for language-model agents.