Authors: F. Marcos-Macias, M. P. Daza-Llin, M. Camara, J. L. Blanco
Organizations: Signal Processing Applications Group, Information Processing and Telecommunications Center, Universidad Politécnica de Madrid, Spain
Abstract
Adaptive room equalization remains challenging under time-varying acoustic conditions and complex excitation signals, such as music. In these scenarios, classical filtered-x least mean squares (Fx-LMS) methods falter due to their rigid formulation. We present a modular differentiable digital signal processing (DDSP) framework for closed-loop adaptive room equalization that recovers Fx-LMS as a special case through automatic differentiation. The framework supports interchangeable EQ structures, response estimation methods, loss functions, and optimizers. Experiments with time-varying measured room impulse responses show that frequency-domain objectives provide more stable adaptation than time-domain objectives in the considered scenarios. Relative to the non-equalized response, system distance is reduced by 70% and mel-spectral distance by 13% (worst-case scenario). We further examine how online room response estimation accuracy and frame length affect the trade-off between responsiveness and convergence stability. Overall, the framework provides a unified open-source basis for exploring synergies between classical adaptive filtering and DDSP-based optimization.
Conventional audio equalization is a static process that requires manual and cumbersome adjustments to adapt to changing listening contexts (e.g., mood, location, or social setting). In this paper, we introduce a Large Language Model (LLM)-based alternative that maps natural language text prompts to equalization settings. This enables a conversational approach to sound system control. By utilizing data collected from a controlled listening experiment, our models exploit in-context learning and parameter-efficient fine-tuning techniques to reliably align with population-preferred equalization settings. Our evaluation methods, which leverage distributional metrics that capture users' varied preferences, show statistically significant improvements in distributional alignment over random sampling and static preset baselines. These results indicate that LLMs could function as ``artificial equalizers," contributing to the development of more accessible, context-aware, and expert-level audio tuning methods.
Ioannis Stylianou, Jon Francombe, Pablo Martinez-Nuevo +2
This paper presents a data-driven approach to automatic blind equalization of audio by predicting log-mel spectral features and deriving an inverse filter. The method uses a deep neural network, where a pre-trained model provides semantic embeddings as a backbone, and only a lightweight head is trained. This design is intended to enhance training efficiency and generalization. Trained on both music and speech, the model is robust to noise and reverberation. Objective evaluations confirm its effectiveness, and subjective tests show performance comparable to that of an oracle that uses true log-mel spectral features, indicating that the model accurately estimates the desired characteristics, with remaining limitations attributed to the filtering stage. Overall, the results highlight the potential of the method for real-world audio enhancement applications.
Eloi Moliner, Vesa Välimäki, Konstantinos Drossos +1
Conventional wavelet-domain methods for room impulse response denoising rely on thresholding detail coefficients, which is unsuited for low frequencies. In this work, we introduce a wavelet-based post-processing algorithm that extends denoising to approximation coefficients by means of sparse dictionary learning with a time-varying error tolerance. The proposed method leverages an exponential decay envelope model to adapt reconstruction accuracy according to the local signal-to-noise ratio. This approach significantly improves low-frequency denoising of synthetic and measured room impulse responses compared to the baseline method, leading to more accurate estimation of acoustic parameters such as decay time.
Théophile Dupré, Romain Couderc, Miguel Moleron +3