Measuring neural audio synthesizers' performance is now routinely conducted using distribution based metrics such as the Fréchet Audio Distance (FAD). Although this metric can be correlated with human perception, it offers limited interpretability beyond ranking different approaches. In this paper, we introduce a deep neural timbre trait predictor composed of a pretrained audio neural embedding (CLAP), and a shallow learnable component. The latter is trained using the RWC musical instrument database and human judgments of 20 timbre descriptions (e.g., woody, percussive, rumbling, etc.) for 31 instruments. The resulting model shows strong correlation with average human ratings (r = 0.66, p < 0.001). We then demonstrate the benefit of this predictor for evaluating the performance of TokenSynth, a neural sound synthesizer. First, the Mean Absolute Error (MAE) computed over the set of generated sounds under different conditioning modalities of the model provides the same ranking as a FAD computed with the RWC database as a reference, suggesting that the proposed predictors are able to provide equivalent information on a distributional basis. Second, because the model is able to qualitatively analyze isolated sounds, we can determine which generated sounds could be improved and identify specific timbral dimensions that need adjustment.
Recent advances in machine learning and the availability of articulatory datasets allow vocal tract synthesis to be conditioned on phonetic sequences, a primary task of articulatory speech synthesis. However, quality assessment needs a better definition. Generally, ranking generative models is tricky due to subjectivity. However, articulatory synthesis has the additional difficulty of requiring specialized knowledge in vocal tract anatomy and acoustics. To address this problem, this paper proposes to evaluate speech articulation synthesis using phoneme recognition as a proxy. Our hypothesis is that phoneme recognition using articulatory features better captures nuances in phoneme production, such as correct places of articulation, which traditional metrics (e.g., point-wise distance metrics) do not. We train a neural network with acoustic and articulatory features extracted from a single-speaker RT-MRI dataset. Then, we compare the recognition performance when testing the model with different synthetic articulatory features. Our results show that our articulatory feature set is phonetically rich and helps exploring additional dimensions on speech articulation synthesis.
Objective evaluation of expressive MIDI piano performances typically relies on attribute statistics such as timing, velocity, and duration of individual notes. However, these methods often disregard dependencies between notes, which poses a potential limitation in assessing the similarity between two sets of performances. In generative applications, the wide variety of expressive attributes makes it difficult to aggregate them into a single scalar metric for model selection. In this work, we reexamine attribute-scoped metrics and explore the perceptual properties of contextual embeddings from self-supervised symbolic music models, Aria and CLaMP3. Results from our listening study indicate that these models can be used as perceptual proxies, showing agreement with per-sample human ratings on par with traditional metrics. To measure conditional distributional similarity, we adapt Kernel Audio Distance to the symbolic music domain. Unlike Pearson correlation and reconstruction error, kernel-based methods on contextual embeddings do not require note alignment and are sensitive to contextual perturbations. To facilitate reproducibility, we release Pereval, an open-source library that integrates performance evaluation utilities, including both attribute-scoped and deep feature metrics.
This paper addresses timbral ambiguity in instrument timbre transfer under fine-grained structural conditions. We argue this issue stems from instrument-specific expressive details in these conditions, which conflict with the target timbral properties. For example, imposing a violin's pitch-dominant vibrato contours onto a flute, which naturally exhibits loudness-dominant vibrato, impairs timbral fidelity. We propose AdaTT, a target-adaptive system that ensures high timbral fidelity across diverse timbre transfer scenarios within the ControlNet scheme. It selectively scales the frame-wise influence of pitch and loudness controls via text prompts to match the target instrument's identity. We also present a semi-automatic data construction pipeline to teach the model which expressive details to transform or preserve. Results show AdaTT achieves superior timbral fidelity and naturalness while retaining score-level content. Audio samples are available at https://dabinkim0.github.io/adatt/.