Graph Representation of RaagBase: A Unique Dataset for Hindustani Music

Rabindra Sangeet, the body of songs written and composed by Rabindranath Tagore, occupies a distinctive position in Indian music by combining poetic expression with melodic ideas drawn from Hindustani rags, Bengali folk traditions, tappa, kırtan, Baul music, and Western tunes. Although many Tagore songs are associated with rag labels provided by Tagore himself or preserved in authoritative notational traditions, rag identification remains challenging because the songs often reflect creative freedom rather than strict adherence to classical rag grammar. This paper formulates rag identification in Rabindra Sangeet as a supervised classification problem using symbolic music-sheet notations from Swarabitan. Since large-scale annotated audio or music datasets for Rabindra Sangeet are not readily available, this study constructs a rag-labelled symbolic dataset from notated Tagore songs. The work investigates Euclidean distance and cosine similarity for rag classification and introduces a weighted Euclidean distance measure that assigns greater importance to notes belonging to characteristic rag sequences such as arohana and avarohana. Applied within a k-nearest-neighbour framework, the proposed measure improves rag classification by better capturing rag-specific melodic identity.

Reconstructing a damaged musical fragment is an inverse problem: the observed sequence contains partial information, while a raga encodes constraints limiting allowable completions. This paper formalizes a mathematical framework for this, proposing the Artificial Rosetta Stone (ARS). We separate three claims often conflated: a symbolic sequence can be reconstructed probabilistically; a sequence can be consistent with an explicit grammar; and a historical performance can be authenticated. We only support the first two. We model a raga via a finite alphabet and constraint system, using an order-k Markov model for melodic probabilities. A symmetric Dirichlet prior yields a tractable posterior. We pose missing-note reconstruction as a constrained MAP problem. For fixed-length sequences and finite-order constraints, optimization admits an exact dynamic-programming solution with worst-case time complexity $O(TN^{k+1})$. We derive the parameter count $N^k(N - 1)$, prove a concentration bound under explicit mixing assumptions, and analyze estimation error propagation. A reproducible synthetic experiment uses six raga-inspired alphabets, orders $k \in \{1, 2, 3\}$, and masking rates up to 50%. This is a proof of concept, not historical reconstruction. A real-audio feasibility pilot evaluates 30 usable sequences from 42 Yaman clips via automated pitch extraction, segmentation, and quantization. Lacking documented provenance and relying on automated transcription, this is not expert-validated archival reconstruction. Claims are tied to stated conditions, not universal properties of Hindustani music. Code: https://github.com/mathacker23/ArtificialRosettaStone.

Symbolic music datasets with matched scores and performances are essential for many music information retrieval (MIR) tasks. Yet, existing resources often cover a narrow range of composers, lack performance variety, omit note-level alignments, or use inconsistent naming formats. This work presents PianoCoRe, a large-scale piano MIDI dataset that unifies and refines major open-source piano corpora. The dataset contains 250,046 performances of 5,625 pieces written by 483 composers, totaling 21,763 h of performed music. PianoCoRe is released in tiered subsets to support different applications: from large-scale analysis and pre-training (PianoCoRe-C and deduplicated PianoCoRe-B) to expressive performance modeling with note-level score alignment (PianoCoRe-A/A*). The note-aligned subset, PianoCoRe-A, provides the largest open-source collection of 157,207 performances aligned to 1,591 scores to date. In addition to the dataset, the contributions are: (1) a MIDI quality classifier for detecting corrupted and score-like transcriptions and (2) RAScoP, an alignment refinement pipeline that cleans temporal alignment errors and interpolates missing notes. The analysis shows that the refinement reduces temporal noise and eliminates tempo outliers. Moreover, an expressive performance rendering model trained on PianoCoRe demonstrates improved robustness to unseen pieces compared to models trained on raw or smaller datasets. PianoCoRe provides a ready-to-use foundation for the next generation of expressive piano performance research.