Rag Classification of Tagore Songs using Symbolic Music Notation and Novel Weighted Distance Measures

Raag classification is a fundamental MIR task for Hindustani Music, with applications in recommendation, education, archiving, and intelligent search. However, raag clustering remains underexplored, as most existing approaches rely on annotated audio or labeled datasets. While annotated melodic phrases capture characteristic patterns, complete note sequences preserve temporal structure and contextual dependencies, making them more suitable for data-driven modeling. In this work, we introduce RaagBase, a notation-based text dataset consisting of note sequences from compositions by Pt. Bhatkhande. Furthermore we propose a novel graph-based representation of raag structures by modeling the dominance and absence of notes in compositions. Each composition is represented as a node, and the edges between two compositions corresponds the similarities between them based on the note frequency distribution. Further, we apply established graph clustering techniques to identify groups of similar raag compositions. Experimental results demonstrate highly coherent clusters with strong agreement to ground-truth raag labels, thereby validating both the dataset and the proposed representation. The dataset is publicly available at https://anonymous.4open.science/r/RaagBase-5427.

Reconstructing a damaged musical fragment is an inverse problem: the observed sequence contains partial information, while a raga encodes constraints limiting allowable completions. This paper formalizes a mathematical framework for this, proposing the Artificial Rosetta Stone (ARS). We separate three claims often conflated: a symbolic sequence can be reconstructed probabilistically; a sequence can be consistent with an explicit grammar; and a historical performance can be authenticated. We only support the first two. We model a raga via a finite alphabet and constraint system, using an order-k Markov model for melodic probabilities. A symmetric Dirichlet prior yields a tractable posterior. We pose missing-note reconstruction as a constrained MAP problem. For fixed-length sequences and finite-order constraints, optimization admits an exact dynamic-programming solution with worst-case time complexity $O(TN^{k+1})$. We derive the parameter count $N^k(N - 1)$, prove a concentration bound under explicit mixing assumptions, and analyze estimation error propagation. A reproducible synthetic experiment uses six raga-inspired alphabets, orders $k \in \{1, 2, 3\}$, and masking rates up to 50%. This is a proof of concept, not historical reconstruction. A real-audio feasibility pilot evaluates 30 usable sequences from 42 Yaman clips via automated pitch extraction, segmentation, and quantization. Lacking documented provenance and relying on automated transcription, this is not expert-validated archival reconstruction. Claims are tied to stated conditions, not universal properties of Hindustani music. Code: https://github.com/mathacker23/ArtificialRosettaStone.

Recent advancements in Large Language Models (LLMs) have shown promising results in music understanding and generation tasks. However, existing works remain confined to Western tonal traditions, offering little insight into whether current LLMs can handle structurally distinct low-resource musical traditions. We present the first systematic evaluation of LLM competence in South Asian classical music, a tradition governed by raga, tala-based melodic constraints that impose fundamentally different structural principles from Western harmony-driven music. We ground our evaluation in Hindustani classical theory and Bengali classical forms, including Rabindra and Nazrul Sangeet -- representative low-resource traditions within South Asian classical music. For music understanding evaluation, we introduce a 504-question-answer benchmark spanning raga grammar, cultural knowledge, and symbolic notation reasoning, evaluating 33 LLMs where frontier models such as Gemini 2.5 Pro achieve 85-90% accuracy, while most open-source models remain in the 23-40% range. For music generation, we design a five-level controlled prompting framework and find that even the strongest model produces stylistically faithful outputs only 40% of the time. These results reveal that structural validity and stylistic faithfulness in music generation are distinct objectives and highlight an open challenge for culturally grounded music modeling.