RealDESED: A Real-World Domestic Sound Event Detection Benchmark
Authors: Florian Schmid, Paul Primus, Alexander Fichtinger, Tara Jadidi, Tobias Morocutti, Gerhard Widmer
Organizations: Institute of Computational Perception, Johannes Kepler University Linz, Austria · LIT Artificial Intelligence Lab, Linz, Austria
Abstract
This paper presents RealDESED, a real-world domestic sound event detection (SED) benchmark comprising 5,710 audio recordings collected by 652 participants in their homes. Each recording is between 15 and 35 seconds long and contains temporally precise annotations for 15 common domestic sound classes. In contrast to existing SED datasets, which typically rely on simulated soundscapes or broad web-crawled audio, RealDESED consists exclusively of recordings captured in natural domestic environments, reflecting realistic variability in recording devices, device placement, acoustic conditions, background sounds, and naturally occurring event co-occurrences. A distinguishing characteristic of the dataset is its multi-annotator labeling scheme, where each recording is independently annotated by multiple annotators, while the validation and test sets undergo an additional review process to ensure high annotation quality and reliable benchmarking. Furthermore, the dataset provides rich metadata, including recording device, device placement, environment labels, and textual scene descriptions. We establish a strong transformer-based baseline and investigate annotation aggregation strategies, post-processing methods, long-form inference, and the impact of recording metadata on model performance. Our baseline achieves a macro-averaged PSDS1 score of 0.731 on the test set. We believe RealDESED provides a valuable benchmark for developing and evaluating robust SED systems under realistic domestic conditions, helping to bridge the gap between current research benchmarks and real-world deployment.
This paper introduces the Event-Shifted Acoustic Scene (ESAS) dataset, a novel benchmark for evaluating the robustness of Acoustic Scene Classification (ASC) systems against unknown sound events. Existing ASC datasets typically contain recordings of clean and consistent audio, while real-world environments often include diverse and unexpected sound events. To bridge this gap, ESAS simulates real-world acoustic variability by injecting foreground sound events into background scenes with the assistance of large language models. In this work, we present the construction methodology, dataset statistics, and evaluation protocols. Furthermore, a comprehensive evaluation of state-of-the-art ASC systems is conducted using the ESAS benchmark. Experimental results reveal that existing ASC models suffer significant performance degradation when facing the event-shift challenge. The introduction of the ESAS dataset aims to drive future research toward event-robust ASC.
In this paper, we propose a deep-learning framework for Environmental Sound Deepfake Detection (ESDD) - the task of identifying whether the sound scene and sound event in an input audio recording is fake or real. To this end, we first conduct extensive experiments to explore how individual spectrograms, a wide range of network architectures, and pre-trained models affect the performance of an ESDD model. The experimental results on the benchmark datasets of EnvSDD indicate that detecting deepfake audio of sound scenes and detecting deepfake audio of sound events should be considered as individual tasks. We also show that fine-tuning a pre-trained model is more effective than training a model from scratch for ESDD. Ultimately, our best model, which fine-tunes the pre-trained BEATs model using the proposed two-phase training strategy, achieves an Accuracy of 0.98, F1 score of 0.95, and AUC score of 0.99 on the Test subset of the EnvSDD dataset. Our best model also achieves an Accuracy of 0.86, F1 score of 0.80, and AUC of 0.93 when evaluated cross-dataset on the ESD-Challenge-TestSet dataset.
Large Audio-Language Models (LALMs) reason fluently about sound yet struggle to localize precisely when events occur, while classical Sound Event Detection attains frame-level precision only over a closed label set. At the intersection of these paradigms lies the task of Open-Vocabulary Audio Event Grounding: predicting all time intervals of a target sound event described by an arbitrary natural language query. While this task is crucial for real-world audio understanding and LALM adaptation, it is bottlenecked by data scarcity. Few large-scale resources provide open-vocabulary onset/offset supervision, and manual temporal annotation is prohibitively expensive. To address this, we introduce Auto-AEG, a scalable pipeline that constructs such supervision by automatic data construction and model fine-tuning. It pairs programmatically synthesized clips, which carry exact ground-truth intervals for supervised cold-start, with multi-model pseudo-labels on real-world audio that supply the reward signal for reinforcement learning. Training with this pipeline yields promising performance gains on both the DESED SED benchmark and AEGBench, an independent difficulty-stratified benchmark we release. Our results show that automatically constructed data, coupled with interval-aware reward function design, is an effective data-side route to expanding the temporal localization capability of LALMs.