Finetuning Strategies for Querying Sounds by Vocal Imitation

Audio-text retrieval systems based on Contrastive Language-Audio Pretraining (CLAP) achieve strong performance on traditional benchmarks; however, these benchmarks rely on caption-style queries that differ substantially from real-world search behavior, limiting their assessment of practical retrieval robustness. We present Omni-Embed-Audio (OEA), a retrieval-oriented encoder leveraging multimodal LLMs with native audio understanding. To systematically evaluate robustness beyond caption-style queries, we introduce User-Intent Queries (UIQs) - five formulations reflecting natural search behaviors: questions, commands, keyword tags, paraphrases, and exclusion-based negative queries. For negative queries, we develop a hard negative mining pipeline and propose discrimination metrics (HNSR, TFR) assessing models' ability to suppress acoustically similar distractors. Experiments on AudioCaps, Clotho, and MECAT show that OEA achieves comparable text-to-audio retrieval performance to state-of-the-art M2D-CLAP, while demonstrating clear advantages in two critical areas: (1) dominant text-to-text retrieval (+22% relative improvement), and (2) substantially superior hard negative discrimination (+4.3%p HNSR@10, +34.7% relative TFR@10), revealing that LLM backbones provide superior semantic understanding of complex queries.

Large audio-language models (LALMs) frequently hallucinate by overriding acoustic evidence with language priors. While contrastive decoding (CD) offers training-free mitigation, existing methods rely on blunt perturbations like masking or noise, leaving structured audio transformations unexplored. We explore this design space by evaluating a diverse library of targeted audio perturbations and adaptively selecting the optimal negative branch for each task and example. First, we improve upon earlier prompt engineering by showing that a simple binary yes/no constraint reduces the model's tendency to falsely confirm absent audio features. Second, evaluating our library across temporal, spectral, frequency, and amplitude domains reveals that optimal transformations are highly task-dependent; for instance, reversing the audio array disrupts temporal coherence, raising accuracy on the temporal order task from 74.7% to 81.4%. Finally, we trained a light-weight perturbation selector on model hidden states to dynamically route negative branches, yielding an additional +4.3% gain on the existence task.

Audio-native large language models (audio-LLMs) commonly use Whisper as their audio encoder. However, Whisper was trained exclusively on speech data, producing weak representations for music and environmental sound. This forces downstream audio-LLMs to compensate through extensive training on large-scale non-speech data. We present Whisper-AuT, a domain-adapted audio encoder obtained by fine-tuning Whisper-large-v3 on a curated mixture of speech (80%), environmental sound (10%), and music (10%) totaling approximately 20M samples. The full encoder-decoder is trained end-to-end with a seq2seq captioning objective; the decoder is then discarded and only the encoder is retained. Linear probe evaluations show that Whisper-AuT achieves +23.0% on ESC-50 (environmental sound), +5.0% on GTZAN (music genre), and +0.7% on Speech Commands (keyword spotting) compared to the original Whisperlarge-v3 encoder. Whisper-AuT is designed as a drop-in replacement for Whisper in audio-LLM architectures, with the goal of reducing downstream training cost by providing stronger initial audio representations for non-speech domains.