Jiuge-Tuiqiao: An Interpretable Human-AI System for Classical Chinese Poetry Refinement

The rapid development of large language models (LLMs) has extended text generation tasks into the literary domain. However, AI-generated literary creations has raised increasingly prominent issues of creative authenticity and ethics in literary world, making the detection of LLM-generated literary texts essential and urgent. While previous works have made significant progress in detecting AI-generated text, it has yet to address classical Chinese poetry. Due to the unique linguistic features of classical Chinese poetry, such as strict metrical regularity, a shared system of poetic imagery, and flexible syntax, distinguishing whether a poem is authored by AI presents a substantial challenge. To address these issues, we introduce ChangAn, a benchmark for detecting LLM-generated classical Chinese poetry that containing total 30,664 poems, 10,276 are human-written poems and 20,388 poems are generated by four popular LLMs. Based on ChangAn, we conducted a systematic evaluation of 12 AI detectors, investigating their performance variations across different text granularities and generation strategies. Our findings highlight the limitations of current Chinese text detectors, which fail to serve as reliable tools for detecting LLM-generated classical Chinese poetry. These results validate the effectiveness and necessity of our proposed ChangAn benchmark. Our dataset and code are available at https://github.com/VelikayaScarlet/ChangAn.

Can a machine write good poetry? Any positive answer raises fundamental questions about the nature and value of art. We report a seven-month poetry workshop in which a large language model was shaped into a digital poet through iterative in-context expert feedback, without retraining. Across sessions, the model developed a distinctive style and a coherent corpus, supported by quantitative and qualitative analyses, and it produced a pen name and author image. In a blinded authorship test with 50 humanities students and graduates (three AI poems and three poems by well-known poets each), judgments were at chance: human poems were labeled human 54% of the time and AI poems 52%, with 95% confidence intervals including 50%. After the workshop, a commercial publisher released a poetry collection authored by the model. These results show that workshop-style prompting can support long-horizon creative shaping and renew debates on creativity and authorship.

Traditional automatic evaluation methods have been shown to be unsuitable for modern Chinese poetry because of the distinct nature of this literary genre. Human evaluation remains reliable, but is expensive and not applicable to large-scale data. In this paper, we propose Poller (Poetry LLM Evaluator), a novel method leveraging large language models (LLMs) to evaluate the poetry understanding task. Specifically, our method requires LLMs to play the role of a poem's author with detailed information, thereby emulating human evaluation and judgment by adopting the poet's perspective. We conducted comprehensive experiments on multiple LLMs, evaluating the interpretations of poems across eight specialized dimensions. Experimental results demonstrate that our method effectively reduces the evaluation error between LLMs and humans. Especially for specific dimension evaluation, Poller-based LLMs achieve a 94.55% and 89.53% error reduction for rhetorical techniques and defamiliarization, respectively, compared to baseline methods. These performances are unattainable by conventional LLM evaluation methods. Experimental results from multiple LLMs across various dimensions validate the efficacy of our method. This work bridges the gap between automated efficiency and human expertise, establishing a foundation for automated evaluation in poetry-related tasks.