AesCanvas: A Large-Scale Dataset and Benchmark for Aesthetic Critique and Contextual Suitability

Open-ended aesthetic critique is a challenge for multimodal large language models (MLLMs): it has no single correct answer, and most aesthetic evaluation measures models against numeric scores rather than the written critiques people actually give. We ask whether MLLM critiques are close to human ones, scoring eight open-weight MLLMs from $7$B to $397$B, plus GPT-5.5, against multiple ranked human critiques for each of $1{,}227$ r/photocritique posts under eight prompt conditions. Reference-based similarity gives a misleading picture. In absolute terms the stricter lexical and learned metrics align only weakly with human critiques while a coarse embedding cosine reports broad topical overlap, yet requesting shorter critiques raises those scores and withholding the image barely changes them: the similarity reflects length, the post text, and a stable critiquing style more than image-specific observation. An LLM judge sharpens the question rather than settling it: in the primary condition all four judges prefer the frontier models' critiques to the human ones, but on the $7$--$8$B models they diverge wildly, from $9\%$ to $81\%$ preference on identical pairs. Asked instead how similar each pair is in substance, those judges and two human annotators agree, rating every model between $1.81$ and $2.59$ on a $1$--$5$ scale, close to ``mostly different''. Behaviorally, the models diverge in ways the scores do not surface: they cover nearly every aesthetic aspect where humans are selective and repeat themselves across critiques of one photo, even when prompted to write at human length. We argue that reference-based similarity rewards a fluent, comprehensive critique style rather than the selectivity and specificity of human critique.

Multimodal large language models (MLLMs) are now routinely deployed for visual understanding, generation, and curation. A substantial fraction of these applications require an explicit aesthetic judgment. Most existing solutions reduce this judgment to predicting a scalar score for a single image. We first ask whether such scores faithfully capture comparative preference: in a controlled study with eight expert annotators, score-derived rankings align poorly with the same annotators' direct comparisons, while direct ranking yields substantially higher inter-annotator agreement on best- and worst-image labels. Motivated by this finding, we introduce the Visual Aesthetic Benchmark (VAB), which casts aesthetic evaluation as comparative selection over candidate sets with matched subject matter. VAB contains 400 tasks and 1,195 images across fine art, photography, and illustration, with labels derived from the consensus of 10 independent expert judges per task. Evaluating 20 frontier MLLMs and six dedicated visual-quality reward models, we find that the strongest system identifies both the best and the worst image correctly across three random permutations of the candidate order in only 26.5% of tasks, far below the 68.9% achieved by human experts. Fine-tuning a 35B-parameter model on 2,000 expert examples brings its accuracy close to that of a 397B-parameter open-weight model, suggesting that the comparative signal in VAB is transferable. Together, these results expose a clear and measurable gap between current multimodal models and expert aesthetic judgment, and VAB provides the first set-based, expert-grounded testbed on which that gap can be tracked and closed.

Portrait aesthetic assessment assigns comparable scores according to how effectively human-centered images fulfill their photographic intent. These scores support data filtering, candidate selection, and preference modeling in image-generation pipelines. Existing methods typically predict a single aesthetic score or use general-purpose MLLMs without conditioning on photographic intent. This omission matters because the same blur, pose, lighting, or framing choice may serve one photographic intent but undermine another. These models thus learn context-agnostic aesthetic priors and yield inconsistent, inaccurate, misleading judgments for portraits with distinct photographic objectives. We introduce PortraitAes-Bench, an 11K-scale benchmark that decomposes this task into intent-conditioned subjudgments. Expert-authored rubrics define nine photographic intents, six first-level dimensions, and 22 secondary criteria. They support a structured pipeline for intent routing, specialist assessment, verification, and score fusion. Following this structure, we train PortraitAes with multi-task supervision. We then improve score comparability through Gaussian score calibration and within-dimension cross-image ranking. On the standard benchmark, PortraitAes achieves a Pearson correlation of 0.924 and a Spearman rank correlation of 0.934. On the hard-case set, its Pearson correlation is 0.829 and its Spearman rank correlation is 0.795. Across both sets, PortraitAes outperforms the evaluated general-purpose MLLMs and specialized aesthetic baselines.