Automatic Lyric Transcription (ALT) remains substantially more challenging than speech recognition due to melodic variability, rhythmic irregularity, and accompaniment interference. This is heightened in low-resource languages like Greek, where no prior benchmark for ALT exists. We present the first controlled study of Whisper adaptation for Greek ALT, investigating model scaling effects, task composition via multitask training in transcribe-translate ratios, and two-stage speech-to-singing adaptation. We also curate a segment-level aligned singing dataset based on the Greek Audio Dataset (GAD) using source separation and CTC forced alignment. Results show that scaling consistently improves performance, while multitask learning acts as a beneficial regularizer primarily for smaller-capacity models. The 2-stage adaptation in Whisper Large-v3 achieves a Word Error Rate (WER) of 27.2%, a significant improvement over zero-shot baselines, establishing the first Greek ALT benchmark.
Modern TTS systems approach human quality for high-resource languages but degrade when clean speech data is scarce. Modern Greek exemplifies this, lacking the curated corpora behind state-of-the-art synthesis. We propose a data curation recipe that transforms audiobook recordings into TTS-ready data via WhisperX alignment and filtering. Then we fine-tune Parler-TTS (880M), a prompt-based multilingual model whose pre-training encodes phonetic priors transferable to Greek. During development, we find that LLM-generated style prompts introduce speaker drift at inference. Replacing them with deterministic prompts resolves this, and a speaker-specific LoRA stage trained on 3.5 h of single-speaker data anchors identity while updating ~5% of parameters. Our system achieves WER 10.7% (2.9 above the ASR floor), MOS-I 4.00 (vs. 4.36 human speech), and near-human speaker consistency (MOS-C 4.24 vs. 4.30), showing that robust single-speaker Greek TTS is achievable with limited curated data.
Pretrained automatic speech recognition (ASR) models such as Whisper perform well but still need domain adaptation to handle unseen parlance. In many real-world settings, collecting speech data is impractical, necessitating text-only adaptation. We propose WhisTLE, a deeply supervised, text-only adaptation method for pretrained encoder-decoder ASR models. WhisTLE trains a variational autoencoder (VAE) to model encoder outputs from text and fine-tunes the decoder using the learned text-to-latent encoder, optionally combined with text-to-speech (TTS) adaptation. At inference, the original encoder is restored, incurring no extra runtime cost. Across four datasets and four ASR models, WhisTLE alone helps in 28 of 32 (88%) cases, with an average relative WER drop of 22%. Using WhisTLE alone or in combination with other adaptation approaches helps in 116 of 144 (81%) cases, with an average additional WER drop of 15%. Given all treatments that improve on baseline scores, WhisTLE helps in 45 of 55 (82%) cases, with an average additional relative WER drop of 16%. WhisTLE with TTS reduces word error rate (WER) by a relative 49% and outperforms all non-WhisTLE baselines in 100 of 112 scenarios. We also find that WhisTLE additively complements any combination of other domain adaptation approaches; we thus recommend the inclusion of WhisTLE during standard processes for adapting encoder-decoder ASR models. Our code is at https://github.com/akshat0123/WhisTLE
Existing methods for automatic music transcription are often limited to single-instrument recordings or fail on complex, real music mixes. Although previous work utilizes synthetic training data, the resulting models generalize poorly, leading to largely unusable transcription output in realistic, multi-instrument settings. In this work, we analyze the effectiveness of synthetic data for pre-training while combining it with fine-tuning on real music audio and post-training using reinforcement learning. We further introduce conditioning on instrument presence to customize transcriptions. Finally, we release MuScriptor, an open-weight multi-instrument music transcription model that works on real-world music recordings from across a diverse range of musical genres.