SceneTTS-Bench: A Benchmark for Scene-Level TTS in Drama Dubbing

Recent advances in neural text-to-speech (TTS) systems have substantially improved speech naturalness and intelligibility across many languages. However, comprehensive evaluation methodologies that jointly assess perceptual quality, speaker similarity, and acoustic fidelity across diverse speech domains remain limited, particularly for low-resource and underrepresented languages. This paper presents a reproducible, multi-metric benchmarking framework for systematic evaluation of modern TTS systems through domain-specific analysis. The proposed framework integrates complementary subjective and objective evaluation protocols and is demonstrated through a comprehensive case study on a representative low-resource language spanning four speech domains: Formal, Conversational, Literary/Storytelling, and Emotional. Four state-of-the-art TTS systems -- Indic-Parler-TTS, MMS-TTS, Microsoft Edge TTS, and Google Gemini TTS -- are evaluated using MUSHRA listening tests, ABX discrimination tests, speaker similarity scoring with Resemblyzer, and acoustic analyses based on mel-cepstral distortion (MCD) and F0 RMSE over 960 audio pairs. Results reveal substantial variation in TTS performance across speech domains, with emotional speech consistently presenting the greatest synthesis challenge (mean MCD 12.03 dB; mean F0 RMSE 889 cents), while conversational speech achieves the highest overall acoustic fidelity. Beyond the empirical findings, this work provides a reproducible evaluation framework, publicly releasing evaluation scripts, result tables, and executable Colab notebooks to support standardized benchmarking and future research on TTS evaluation for low-resource languages.

We present DuplexDrama, the first synthesized spoken dialogue dataset that simultaneously covers four dimensions: (i) complete persona and scenario settings; (ii) three full-duplex behaviors (interruption, backchannel, incomplete); (iii) expressive speech with persona-aligned emotion labels; and (iv) script-aware sound events. DuplexDrama is built via a 4-stage pipeline; quality validation on both scripts and synthesized audio confirms its quality. We have produced more than 2,000 hours audio data with a 64-voice timbre pool spanning 13 personas and 5 age buckets; 3.8% of all turns carry at least one full-duplex behavior. This data has been validated through internal full-duplex model training. We will release a curated subset of 6,400 bilingual dialogues (800 h, Chinese ~500 h + English ~300 h) to advance full-duplex spoken dialogue model research. Data samples are available at our demo page and LLM-judge evaluation prompts will be released with the dataset.

We present Alignment-Free Text-Audiobox (Text-AB), a unified framework for high-quality voice dubbing and full-duplex dialogue synthesis. Building on a Diffusion Transformer trained with a flow-matching objective, Text-AB departs from the Audiobox system along three dimensions. First, it operates in a latent diffusion framework using DAC-VAE features that encode 48 kHz waveforms into a 25 Hz latent sequence, giving over 10x higher compression than previous EnCodec representations while improving resynthesis quality. Second, Text-AB is alignment-free: it consumes raw text via an off-the-shelf text encoder and learns text-speech alignment through cross-attention, removing the need for forced alignment and explicit duration prediction. Third, we scale model and data substantially, pretraining a 3B-parameter model on 480k hours of monolingual speech, followed by supervised fine-tuning on three downstream tasks: cross-lingual voice dubbing, full-duplex dialogue synthesis, and emotional full-duplex dialogue synthesis. At inference, Text-AB supports one-shot generation for up to ~1 min of speech and arbitrarily long-form generation via a multi-diffusion scheme, plus a multi-stage reranking strategy that enhances quality based on automated metrics. On a real-world dubbing benchmark, Text-AB delivers a step-change improvement over the latest internal dubbing system, with large gains in prosody similarity, voice similarity, naturalness, and shareability. For full-duplex dialogue synthesis, it approaches human recordings on short-form conversations and substantially outperforms the latest internal model on long-form human-likeness and expressivity, while natively modeling turn-taking, back-channeling, and emotional dynamics. For emotional dialogue synthesis, emotion conditioning significantly improves emotion alignment and emotional interaction quality over the unconditioned baseline.