Flattening Fantasies: Analyzing Stereotypes in Pornographic Discourse

Research on gender-related online content is often operationalized through harm-centered tasks that collapse non-harmful gender-related and unrelated content, while existing datasets remain concentrated in high-resource languages and Global North settings. To bridge these gaps, we introduce GENDIS, a dataset of 9,600 multilingual, human-annotated YouTube comments from India, Kenya, and Nigeria (3,200 per country), annotated using a two-level framework that first identifies whether gender is referenced and then classifies gender-related content as negative, positive, or neutral. This separation provides a denominator for gender-related discourse independent of harm, enabling both prevalence estimation and characterization of its evaluative range. In the uniform random stratum, 23.8-35.0% of comments are gender-related, and among those with a resolved stance, 82% are neutral or positive. Across models, gender-reference detection is substantially easier than stance classification, especially for positive and neutral speech. Lightly supervised classifiers match frontier zero-shot large language models at substantially lower cost and outperform generic toxicity detection, while cross-country transfer remains limited. GENDIS provides a locally grounded resource for measuring when gender is invoked online and how that reference is framed.

This work examines sexualised AI-generated English-speaking voices offered by a popular commercial platform. New technologies may enable sexual empowerment and greater diversity in gender expression, yet toxic masculinity, heteronormativity, and the abuse of women and LGBTQ+ people remain pervasive online. Drawing on a Feminist HCI perspective, we examine how commercial voice AI systems reproduce and circulate particular performances of gender. We conducted a listening experiment with a diverse group of listeners, combining quantitative adjective selection, qualitative free-text responses, and acoustic analysis. Participants evaluated male- and female-coded voices presented with either sexualised scripts or neutral text. Results reveal a narrow range of gender expression, largely binary and heteronormative. Female-coded voices are more frequently described using sexualised and submissive terms, while male-coded voices are more often associated with dominance and positive traits.

AI minidramas (also known as fruit dramas) are short, algorithmically distributed generative AI video series featuring anthropomorphized characters that have recently emerged as a widespread phenomenon on social media platforms. This paper argues that despite their seemingly innocuous aesthetic, these videos reproduce deeply gendered narrative structures in which female characters are systematically associated with moral transgression, sexual betrayal, and reproductive capacity, and that several plots also encode the logic of racialization, i.e., the process by which visible bodily difference is morally loaded. Drawing on feminist film theory, critical race theory, and platform studies, it further argues that the generative AI aesthetic of these videos, characterized by softness, roundness, and visual cuteness, functions as a mechanism of aesthetic laundering, neutralizing the ideological weight of these narratives and enabling their circulation despite content moderation systems. This paper approaches these questions through personal observation and close reading, reflecting on the specific affordances of generative AI that make this phenomenon both possible and culturally consequential for the field of computational creativity.