Image Colorization

Event cameras capture visual brightness changes under challenging lighting conditions. However, traditional event-based image reconstruction targets grayscale intensity and produces images without scene color. Color distinguishes surfaces with similar intensity. Reconstructing color from events can reveal appearance differences that reconstructed grayscale images cannot express. Although monochrome event cameras do not directly measure color, their event-triggering patterns depend on surface reflectance, illumination, and the sensor's spectral response. These patterns may contain cues that support color reconstruction. In this paper, we present EventSeeColor, which uses event-reconstructed grayscale and aligned events to jointly guide a diffusion colorizer. Grayscale-derived semantic context supports color inference, while region-balanced chroma supervision and local RGB refinement improve color distribution, brightness, and texture. In the combined evaluation on two real event datasets, EventSeeColor achieves the best structural similarity, learned perceptual scores, and chromatic-region color difference among the external methods.

We present In-Token Learning, an image restoration framework that adapts a pretrained diffusion transformer using conditional rectified flow matching. Clean targets paired with degraded inputs supervise transport from Gaussian noise to restored images. Spatially aligned degraded-image tokens are fused with evolving latent tokens along the channel dimension, preserving the image-token count at a given resolution. Direct Low-Quality Guidance (DLG) combines frozen degraded-image embeddings with a fixed task prompt through the native conditioning pathway, without a trainable ControlNet-style branch or image captioning. We evaluate super-resolution and denoising on DIV2K, LSDIR, FFHQ, RealLQ250, and RealPhoto60, and automatic colorization on DIV2K and LSDIR. The tasks use separately trained checkpoints under the same framework. Results show competitive fidelity and perceptual quality under the evaluated protocols, with weaker generalization on RealLQ250. We report full-image QHD ($2560{\times}1440$) inference and a tiled $12$K restoration demonstration of Along the River During the Qingming Festival. Attention cost still increases with resolution. This technical report preserves the early broader study underlying Fill2SR, which subsequently developed the real-world super-resolution direction.

Image colorization is an inherently ill-posed task, since a single grayscale image may correspond to multiple plausible colorized results. Consequently, conventional full-reference image quality assessment (IQA) metrics fail to accurately reflect human perceptual preferences for colorized images. In this paper, we present MCIQA-2K, a large-scale multi-dimensional benchmark specifically designed for no-reference quality assessment of colorized images. We construct a dataset containing 2,000 colorized images generated by five representative colorization models, together with human annotations across three perceptual dimensions: color smearing, semantic color misalignment, and global naturalness. Building upon the proposed benchmark, we further introduce MCIQA, a dedicated multi-branch NR-IQA framework for colorized images. Extensive experiments demonstrate that MCIQA significantly outperforms existing full-reference and no-reference IQA methods on the proposed benchmark, while also exhibiting competitive generalization capability on several widely-used IQA datasets. The dataset and code are publicly available at https://github.com/ARBEZ-ZEBRA/MCIQA.

Most image colorization systems operate in $Lab$ space by predicting chroma ($ab$) while preserving an input-derived luminance channel ($L$). While effective on standard benchmarks, this fixed-luminance design restricts brightness changes and becomes unreliable when grayscale formation deviates from natural-image luminance, as in historical orthochromatic photography. We propose a luminance-agnostic colorization framework that formulates colorization as full-RGB image editing using a foundation image-editing model. To bridge modern panchromatic and historical orthochromatic conditions, we introduce a mixed grayscale objective that trains the model under both standard luminance grayscale and a red-insensitive grayscale formation. Experiments on COCO, ImageNet, and a multi-instance benchmark show that our method is competitive on standard grayscale inputs and substantially more robust under orthochromatic inputs, with qualitative comparisons and a human study indicating fewer visible color artifacts.

Automatic image colorization enables large-scale and low-cost reuse of grayscale media (e.g., manga panels and archival photographs), facilitating unauthorized reuse and redistribution. Once released online, grayscale content can be readily turned into unauthorized colorized derivatives using off-the-shelf models, creating a practical need for proactive, content-side protection at publication time. Building on Uncolorable Examples (UE), which add imperceptible perturbations to released grayscale images to degrade unauthorized colorization, we propose Semantic Color Naturalness Breaker (SCNB) -- a semantic-level UE framework that drives colorization outputs toward content-inconsistent colors while preserving the visual fidelity of the released grayscale media. We further introduce Content-aware Color Distributional Distance (CaCDD), a ground-truth-free, content-aware measure of color plausibility derived from semantic color priors, used both as the optimization objective of SCNB and as an evaluation metric. Experiments on ImageNet show that our method remains effective under small perturbation budgets and common post-processing, supporting practical deployment in real-world content-sharing pipelines.

Grayscale images are commonly found in historical photography restoration, medical imaging, and artistic media. However, automatically applying color to these images remains a significant challenge in computer vision because many plausible colorizations can correspond to the same grayscale input. In this work, we quantify the effect of text conditioning on pixel-level and perceptual metrics for grayscale-to-color image models. Specifically, we compare two architectures, a U-Net and Stable Diffusion 1.5, each tested with and without CLIP text conditioning while holding all other variables constant. Our results show that text conditioning improves PSNR by 5.6%, SSIM by 1.2%, and colorfulness by 36.6%, while reducing LPIPS by 7.6% in the U-Net tier. In the Stable Diffusion tier, text conditioning improves PSNR by 5.8%, SSIM by 1.5%, and colorfulness by 0.6%, while reducing LPIPS by 11.3%. These results indicate that text conditioning provides consistent, measurable improvements to colorization quality across both architecture scales.

Old photos preserve invaluable historical memories, making their restoration and colorization highly desirable. While existing restoration models can address some degradation issues like denoising and scratch removal, they often struggle with accurate colorization. This limitation arises from the unique degradation inherent in old photos, such as faded brightness and altered color hues, which are different from modern photo distributions, creating a substantial domain gap during colorization. In this paper, we propose a novel old photo colorization framework based on the generative diffusion model FLUX. Our approach introduces a structure-color decoupling strategy that separates structure preservation from color restoration, enabling accurate colorization of old photos while maintaining structural consistency. We further enhance the model with a progressive Direct Preference Optimization (Pro-DPO) strategy, which allows the model to learn subtle color preferences through coarse-to-fine transitions in color augmentation. Additionally, we address the limitations of text-based prompts by introducing visual semantic prompts, which extract fine-grained semantic information directly from old photos, helping to eliminate the color bias inherent in old photos. Experimental results on both synthetic and real datasets demonstrate that our approach outperforms existing state-of-the-art colorization methods, including closed-source commercial models, producing high-quality and vivid colorization.

Sketch colorization is a critical task for automating and assisting in the creation of animations and digital illustrations. Previous research identified the primary difficulty as the distribution shift between semantically aligned training data and highly diverse test data, and focused on mitigating the artifacts caused by the distribution shift instead of fundamentally resolving the problem. In this paper, we present a framework that directly minimizes the distribution shift, thereby achieving superior quality, resolution, and controllability of colorization. We propose a dual-branch framework to explicitly model the data distributions of the training process and inference process with a semantic-aligned branch and a semantic-misaligned branch, respectively. A Gram Regularization Loss is applied across the feature maps of both branches, effectively enforcing cross-domain distribution coherence and stability. Furthermore, we adopt an anime-specific Tagger Network to extract fine-grained attributions from reference images and modulate SDXL's conditional encoders to ensure precise control, and a plugin module to enhance texture transfer. Quantitative and qualitative comparisons, alongside user studies, confirm that our method effectively overcomes the distribution shift challenge, establishing State-of-the-Art performance across both quality and controllability metrics. Ablation study reveals the influence of each component.