On Semiotic-Grounded Interpretive Evaluation of Generative Art

The rapid progress of generative artificial intelligence has exposed fundamental limitations in existing evaluation methodologies, particularly for open-ended, creative, and human-facing tasks. Traditional automatic metrics rely on surface-level statistical similarity and often fail to reflect human perceptions of quality, while purely human evaluation, although reliable, is costly, subjective, and difficult to scale. Recent approaches using large language models as evaluators offer improved scalability but frequently lack explicit grounding in human-defined evaluation principles, leading to bias and inconsistency. In this paper, we introduce Quantifying Qualitative Judgment (QQJ), a scalable and human-centric evaluation framework that explicitly bridges the gap between human judgment and automated assessment. QQJ separates the definition of quality from its execution by anchoring evaluation in expert-designed, multi-dimensional rubrics and calibrating large language model evaluators to align with expert reasoning using a small, high-quality annotation set. This design enables consistent, interpretable, and scalable evaluation across diverse generative tasks and modalities. Extensive experiments on text and image generation demonstrate that QQJ achieves substantially stronger alignment with human judgment than traditional automatic metrics and unconstrained LLM-based evaluators. Moreover, QQJ exhibits improved stability across repeated evaluations and superior diagnostic capability in identifying critical failure modes such as hallucination and intent mismatch. These results indicate that structured qualitative judgment can be operationalized at scale without sacrificing interpretability or human alignment, positioning QQJ as a practical foundation for reliable evaluation of modern generative AI systems.

Generative AI is becoming an important medium for artistic creation, yet existing interactions often assume that creators can specify intentions in advance and accurately communicate them through text prompts. Artistic intentions, however, may be vague, latent, or recognizable only after seeing concrete visual possibilities. We propose a human-AI co-creation paradigm beyond explicit intent expression. By expanding model exploration, we expose artists to diverse visual possibilities, allowing them to identify previously unarticulated preferences through observation, comparison, and selection. We then integrate artists' curatorial judgments into reinforcement learning, assigning different learning strengths based on preferences over generation trajectories, so recognized directions are more strongly reinforced and the model gradually adapts to individual aesthetics. This creates a continuous "explore-identify-shape-re-explore" loop in which artistic intent is progressively discovered, externalized, and shaped. Through three user studies, we examine latent-preference discovery, personalized preference alignment, and the externalization of vague, difficult-to-express creative intentions.

Generative text-to-image models are typically trained on large-scale web-scraped datasets that include diverse visual content such as copyrighted and stylistically distinctive artworks, raising concerns about ownership, attribution, and the unintended reuse of protected visual expressions. A key issue is that models can learn stylistic patterns from this data and reproduce them in generated outputs without any explicit reference in the prompt. We refer to this phenomenon as The Silent Brush, where such learned styles reappear even when they are not requested. Existing evaluation methods mainly focus on near-duplicate retrieval or membership inference and do not account for this form of unintended stylistic resurfacing across prompts. To address these gaps, we first formulate guiding principles for evaluation of The Silent Brush. We then introduce Art Arena, an evaluation protocol that measures how strongly artworks are encoded, how they interact, and how frequently their stylistic traits reappear in generated outputs without explicit mention in prompts. We evaluate Art Arena on widely used text-to-image diffusion models, including Stable Diffusion v1.5, Stable Diffusion XL (SDXL), and SANA-1.5, and design it to generalize across text-to-image generative systems. Our results show that The Silent Brush arises from differences in representational strength and interaction dynamics between artworks, leading to asymmetric blending in model generations. Code and evaluation resources are available at: https://anonymous.4open.science/r/ArtArena-EBE4.