Creativity Bias: How Machine Evaluation Struggles with Creativity in Literary Translations

Large language models (LLMs) are increasingly used for creative tasks such as literary translation. Yet translational creativity remains underexplored and is rarely evaluated at scale, while source-text comprehension is typically studied in isolation, despite the fact that, in professional translation, comprehension and creativity are tightly intertwined. We address these gaps with a paired-task framework applied to literary excerpts from 11 books. Task 1 assesses source-text comprehension, and Task 2 evaluates translational creativity through Units of Creative Potential (UCPs), such as metaphors and wordplay. Using a scalable evaluation setup that combines expert human annotations with UCP-based automatic scoring, we benchmark 23 models and four creativity-oriented prompts. Our findings show that strong comprehension does not translate into human-level creativity: models often produce literal or contextually inappropriate renderings, with particularly large gaps for the more distant English-Chinese language pair. Creativity-oriented prompts yield only modest gains, and only one model, Mistral-Large, comes close to human-level creativity (0.167 vs. 0.246). Across all model-prompt combinations, only three exceed a creativity score of 0.1, while the rest remain at or near zero.

AI translation of literary works is increasingly common. While the content may be rendered adequately, we do not know enough about how readers experience it in terms of immersiveness and literary effect-aspects poorly captured by automatic metrics or human evaluation targeting fluency and adequacy. We ask 15 avid readers to compare recently published human translations (HT) to machine translations (MT) generated with an agentic language model-based pipeline, for 15 recent novels in French, Polish, and Japanese translated into English. Readers evaluated approximately 8K-word excerpts in two conditions: immersive reading of the whole excerpt (30 comparisons) and close reading of 386 aligned HT-MT chunk pairs (772 comparisons), with two readers per book. Overall, readers find MT "fine", but prefer HT (descriptively at the excerpt level, 19/30, and significantly at the chunk level, 522/772) for its ease, clarity, and immersive nature. Readers' highlights show that MT's quality varies more within one book than HT's does. Crucially, readers cannot reliably tell the two apart (17/30 guess correctly) and tend to prefer the version they believe to be human. Automatic metrics, including LLM-as-a-judge approaches, fail to recover reader preferences and favor MT. We release LAIT (Literary AI Translation), a reader-centered evaluation dataset with 1K reader comments, 2K judgments and preference ratings, and 7.2K span-level annotations, along with our evaluation protocol and supporting interface.

Literary translation requires balancing target-language fluency with faithfulness to the source. Recent large language models (LLMs) often produce fluent translations, but it remains unclear whether fluency corresponds to semantic preservation in literary text. We examine this relationship using 130,486 translated paragraphs from 106 novels in 16 source languages, including human, Google Translate, and TranslateGemma translations. Fluency is measured as original-likeness with a translationese classifier trained on paragraph part-of-speech n-grams, and faithfulness with the automatic translation evaluation metric COMET-KIWI. We control for paragraph length and find a consistent negative correlation between fluency and faithfulness. The pattern appears for both human and Google Translate, but is weaker and often non-significant for TranslateGemma. These results show that segment length matters for automatic evaluation and suggest a tradeoff between fluency and faithfulness in literary translation.