Towards Digital Preservation of Efik: TTS for a Low-Resource African Language

Recent advances in neural text-to-speech (TTS) and multilingual speech generation have substantially improved synthetic speech quality, yet these gains remain unevenly distributed across the world's languages. Existing models are still dominated by a small set of high-resource languages, while many studies of low-resource TTS are simulated on artificially downsampled high-resource corpora that do not reflect the orthographic variation and limited phonetic coverage encountered in genuinely underrepresented settings. As such, we introduce OpenBibleTTS, which is a large-scale benchmark for low-resource speech synthesis spanning 37 underrepresented languages. Moreover, a systematic comparison of various TTS architectures and large-scale speech generation models is conducted across in-domain Biblical text and out-of-domain material. Results show that no single system dominates across languages and metrics: Gemini-TTS achieves the highest listener ratings on most evaluated languages, but monolingual EveryVoice models trained on OpenBibleTTS remain strongest for intelligibility and are preferred in several African languages, while open from-scratch systems degrade sharply on out-of-domain text, revealing a persistent gap between broad multilingual coverage and reliable synthesis quality in underserved linguistic communities. We complement automatic evaluation with subjective human judgments, and open-source all processed datasets, alignments, and trained models to support future low-resource TTS research.

In Yorùbá, pitch alone separates \d{o}k\d{o} (husband, Mid), \d{o}k\d{ò} (vehicle, Low), and \d{o}k\d{ó} (hoe, High) -- the diacritics ARE the tone marks. Yet character error rate (CER), the standard automated metric for text-to-speech (TTS), is in practice computed from ASR output that drops those marks: a synthesizer can ace CER and still say vehicle for husband. We introduce DunDun -- named for the dùndún, the Yorùbá talking drum that speaks through pitch alone -- an automated, reference-free lexical-tone metric that needs no tone-labelled corpus. The gold High/Mid/Low sequence is read from the input text's diacritics (in TTS that text exists by construction, so no reference recording is needed); the prediction comes from the audio's pitch track. We validate three ways. Flattening pitch with PSOLA resynthesis collapses DunDun while CER does not move. Inverting High and Low in the answer key of 300 native recordings drives the two-class readout to 0.14, symmetrically below its 0.35 chance level -- a consistency check on the scoring path, not independent evidence. And three native listeners, over 67 blind A/B trials, pick the tone-correct clip 89.6% of the time (95% CI 80.0-94.8; p < 1e-4); whether DunDun tracks those judgements trial by trial is not resolved at this sample size. Applied to a massively multilingual zero-shot TTS model, DunDun shows what CER cannot: Yorùbá tone sits near the native anchor before any Yorùbá fine-tuning (0.567 +/- 0.02 over five decode seeds vs. 0.596; chance 0.33), despite the 21.4% CER the model's own paper reports; and a few hours of clean audio halve CER (5.6% to 2.7% by 5h, 1.7% by 15h) while tone saturates within the hour. On non-tonal Swahili, CER already captures the gains: the metric a language needs is language-dependent. We release the metric and the complete validation protocol.

Text-to-speech models for Bantu tonal languages are challenged by a tonal system that is rooted in both the lexis (i.e., the inventory of words, stems, and affixes) and the grammar (i.e., morpho-syntax). To complicate matters, the standard writing systems of these languages often omit tone markings and syllable duration information, which must be disambiguated by the reader based on context. Motivated by linguistic descriptions of Bantu language tone systems, we propose an end-to-end text-to-speech model that augments the text encoding mechanism with a morpho-syntactic prior. We replace the standard phoneme encoder in the VITS architecture with a morpheme sequence encoder and a phoneme-to-morpheme attention network. We posit that, by using this explicit morphological modeling, we can capture the information required to produce the correct tone. Experiments conducted on the Kinyarwanda language, a tonal and morphologically complex Bantu language, reveal substantial TTS improvement from this morphological modeling. Specifically, the proposed method significantly improves the naturalness, intonation, and intelligibility of the produced synthetic voices.