PitchIn: Natural-Language Vocal Coaching from Unstructured Community Feedback

Recent audio-language models are increasingly evaluated on recognizing, describing, and reasoning about audio, but expert-facing applications require a different capability: producing feedback that identifies problems and suggests corrective actions grounded in the input. We introduce VocalCoachBench, a benchmark for evaluating audio-language models on expert vocal coaching feedback for singing. VocalCoachBench contains 515 recordings annotated by 18 professional vocal trainers, yielding 1,056 expert submissions and 12,051 atomic coaching claims. It comprises a same-song subset for controlled comparison and a diverse-song subset for segment-grounded feedback across varied songs and recording conditions. To accommodate the open-ended nature of expert feedback, VocalCoachBench sep- arates deterministic structured targets from claim-based assessment of free-form diagnosis and corrective guidance. Human annotation analysis shows that expert agreement varies strongly with label granularity, motivating hierarchical structured metrics and claim-based evaluation of open-ended feedback. Experiments with 12 recent audio-language models reveal a consistent gap: while models can compare performances and identify broad issue domains in free-form feedback, Top-3 fine-grained issue-label identification remains below label-prior baselines and strict diagnosis alignment stays below 7%. To our knowledge, VocalCoachBench pro- vides the first public testbed for evaluating audio-grounded expert feedback for singing, moving audio-language evaluation beyond description toward analytic feedback.

Mixing requires not only applying processing but also assessing the resulting mix. Audio-language models can provide conversa- tional mixing advice, but existing evaluations do not separately test whether they can judge specific mixing issues. Since professional supervision for such judgments is scarce, we construct a curriculum of 11 vocal-mix issues at multiple severity levels and use it to train MixJudge, a language-queryable audio critic. MixJudge shows its ability to retrieve mixing issues, distinguish opposite issues, and order the severity of an issue. Moreover, its judgments transfer to menu selection: given a set of processing candidates, MixJudge often favors versions acoustically closer to a held-out professional version, demonstrating how explicit mixing judgment can support comparison and downstream mixing decisions.

Existing singing voice synthesis systems often require predefined durations, explicit duration prediction, or time-aligned acoustic guidance, which limits their compatibility with practical composition workflows. We propose VocalRender, a score-native system that directly synthesizes singing from lyrics, pitches, symbolic note values, and tempo. It uses an interleaved lyric--note representation and an autoregressive diffusion model to generate continuous acoustic latents while predicting the output length, eliminating the need for explicit duration prediction. Trained on a 2,300-hour singing dataset, VocalRender achieves strong intelligibility, strong melody control, and high speaker similarity across both in-domain and out-of-domain benchmarks. Notably, it outperforms the strongest baseline by $0.42$ points in naturalness CMOS, demonstrating the effectiveness of our proposed score-native architecture.