Overview

Audio editing changes particular qualities or events in recordings—such as words, speaker style, instruments, sound effects, or spatial placement—while aiming to keep unrelated content intact. Common approaches use diffusion or flow models for text-guided editing and inpainting, speech models for precise vocal changes, and latent audio tokens or signal-processing methods for localized control. Unified instruction-following systems increasingly combine audio understanding with generation, often using dialogue, reference audio, or visual context to guide edits. A central challenge is balancing the requested change with preservation of timing, identity, musical structure, and background, while benchmarks assess these goals separately and show that complex, compositional edits remain difficult.

Latest papers

CardsList

55 papers10 papers in the last four weeks, up 43% on the four weeks before. 0.1% of all new papers.

  1. Partially Edited Audio: Generation, Defense, and Open Problems

    Oct 27, 2026Lin Zhang, You Zhang, Nicholas Evans +7Audio EditingAudio Deepfake Detection

  2. SMEBENCH: Benchmarking Neural Music Editing with Synthetized MIDI Edits

    Oct 27, 2026Matthieu Cervera, Francesco Paissan, Micael Antunes +3Audio EditingSynthetic Benchmark Generation

  3. Spatial Audio Generation and Editing with Executable Plans and Self-Distilling Transfusion

    Oct 25, 2026Kam Man Wu, Yu Zhang, Pengjun Fang +4Spatial AudioAudio Editing

  4. MixJudge: Learning a Language-Queryable Critic for Vocal Mixing

    Oct 22, 2026Kuan-Hsun Ho, Yuan-Chiao Cheng, Yen-Tung Yeh +1Audio-Language ModelsAudio Editing

  5. Agentic Music Post-Production

    Oct 21, 2026Jaywon Koo, Junghyun Koo, Marco A. Martinez-Ramirez +5Audio Editing

  6. AnyEdit: A Unified Framework for Speech and Singing Voice Editing with Real-World Environmental Consistency

    Oct 11, 2026Yunjia Zhang, Junan Zhang, Jing Yang +3Audio EditingSpeech Editing

  7. Smorph: Playable Sound Morphing with Diffusion Models

    Oct 5, 2026Annie Chu, Hugo Flores García, Johannes Imort +5Diffusion Model GuidanceAudio Editing

  8. End-to-End Historical Music Restoration in Latent Space

    Sep 30, 2026Steven Cho, Junghyun Koo, Raphael Lafargue +3Audio Editing

  9. Game Sound-Effect Completion with Event-Level Transformation Hints

    Sep 30, 2026Xinrui Jiang, Heng YuAudio EditingAudio Diffusion Models

  10. AVIO: Learning to Add and Remove Sounding Objects in Audiovisual Scenes

    Sep 29, 2026Weihan Xu, Kan Jen Cheng, Koichi Saito +8Audio-Video GenerationAudio Editing

  11. Spot, Separate, and Enhance: Fully Generative Approach for Audio Mixing

    Sep 24, 2026Ilpo Viertola, Giulio Cengarle, Gouthaman KV +2Audio EditingAudio Source Separation

  12. SRF-SVB: Style-Consistent Singing Voice Beautifying via Rectified Flow

    Sep 22, 2026Wenhui Li, Biao Dong, Liwei Hu +2Singing Voice SynthesisAudio Editing

  13. Synthesis and editing of multi-instrument audio mixtures using scalar-quantised latents with MIDI Span conditioning

    Sep 22, 2026Sungkyun Chang, Keshav Bhandari, Simon Dixon +1Audio EditingControllable Music Generation

  14. Signal-Informed Temporal Routing for Vinyl Defect Regime Detection

    Sep 19, 2026Yi-Hung Kan, Homayoon BeigiFault DetectionAudio Editing

  15. AURA: Unified Multimodal Framework for Conversational Music Editing

    Sep 13, 2026Quoc-Huy Trinh, Minh-Van Nguyen, Debesh JhaAudio EditingControllable Music Generation

  16. One-Stage Multi-Task Instruction-Guided 3D Spatial Audio Editing

    Sep 4, 2026Ke Lei, Chenyuhao Wen, Yu Zhang +9Audio EditingSpatial Audio

  17. Vibrato Matching for Modulation Control and Blending in Sound Mixtures

    Aug 22, 2026Jeremy HyrkasAudio Editing

  18. CookVoice: Unified Framework for Style Controllable Multi-Modal Human Voice Generation

    Aug 12, 2026Haowei Lou, Hye-Young Paik, Dai Jia +2Singing Voice SynthesisTTS Synthesis

  19. Dramarrator: Object-Based Audio Editing for Audio Drama Production from Books

    Aug 8, 2026Karim Benharrak, Oriol Nieto, Bryan Wang +2Audio Editing

  20. CLASVS: Continuous-Latent Autoregression for Melody-Preserving Lyric Editing in Singing Voice Synthesis

    Aug 4, 2026Yizhong Geng, Tian-Hao Zhang, Chunfeng Wang +7Singing Voice SynthesisAudio Editing

  21. P-MUSE: Prompt-MIDI-Optional Model for Unified Instrumental Music Synthesis and Editing

    Aug 3, 2026Chong Jing, Junan Zhang, Jing Yang +3Audio EditingControllable Music Generation

  22. TORUS: A Unified Closed-Loop Benchmark for Unified Audio Models

    Jul 30, 2026Aryan Vijay Bhosale, Harshit Rajgarhia, Abhishek Mukherji +1Audio-Language Model EvaluationAudio Editing

  23. Automatic Audio Equalization with Semantic Embeddings

    Jul 26, 2026Eloi Moliner, Vesa Välimäki, Konstantinos Drossos +1Audio Editing

  24. Dense-Sparse Dynamic Time Warping for Customizing Piano Concerto Accompaniments

    Jul 20, 2026TJ Tsai, Kavi Dey, Yigitcan Ozer +1Dynamic Time WarpingAudio Editing

  25. Neural Morphing: Sequence-Optimized Token-Level Morphing in Neural Audio Codecs

    Jul 14, 2026Emmanouil KarystinaiosAudio Editing