Beyond Vision-Language Models: Visual-Semantic Affect Graphs for Emotion Recognition in Artworks

Multimodal large language models (MLLMs) can produce fluent artwork emotion explanations, but they often suffer from attribute flooding: they enumerate many visible formal attributes without identifying which cues actually support the affective judgment. We therefore formulate artwork emotion understanding as Attribute-Grounded Selective Reasoning (AGSR), where predefined formal attributes serve as evidence units and only emotionally operative attributes should enter the final interpretation. To make this problem measurable, we extend EmoArt, originally introduced at ACM MM 2025 as a 132,664-artwork resource with content, formal-attribute, valence-arousal, and emotion annotations, by adding a 1,400-artwork human salience extension annotated by 15 art-trained annotators. This extension provides instance-level supervision for distinguishing attributes that are merely present from those that are emotionally salient. We further propose FAB-G (Formal-Attribute Bottleneck-Guided reasoning), a supervised multi-agent framework that first predicts attribute-level salience and then constrains downstream emotional analysis to the retained cues. Experiments show that FAB-G yields consistent gains in emotion, arousal, and valence prediction, achieves stronger agreement with human-marked salient attributes under Dice and Tversky metrics, and produces substantially more compact final explanations than prompting-based baselines. Cross-dataset evaluation further suggests that attribute-grounded salience selection transfers beyond the source distribution of EmoArt, while also revealing attribute-specific boundary cases. The dataset and project page are available at https://zhiliangzhang.github.io/EmoArt-130k/

Interpreting the emotional responses triggered by images is central to achieving emotional intelligence. Compared with natural images, visual art is intentionally created to elicit emotional responses from its viewers through abstract concepts and visual metaphors, making affective interpretation particularly challenging. However, most existing methods rely on general-purpose visual embeddings (e.g., CLIP), failing to capture the nuanced cues underlying artistic emotion. To address this gap, we propose ProFocus, a novel framework that models affective experience in artistic images via progressive visual focusing. The key idea is to model visual representation learning inspired by a hierarchical cognitive theory of human aesthetic appreciation. Technically, ProFocus contains two core components: a Hierarchical Art Critic (HAC) and a Progressive Hint Fusion (PHF) module. HAC leverages multimodal large language models to generate structured linguistic priors at three cognitive levels--atmospheric style, narrative subjects, and concrete details--thereby translating artistic perception into coherent semantic guidance. Building upon these priors, PHF departs from conventional cross-modal fusion by sequentially injecting the hierarchical hints into visual features, enabling a progressive focusing process that mirrors human perception. This design allows the model to capture subtle affective cues and produce more faithful explanations. Extensive experiments on the ArtEmis v1.0 and v2.0 datasets demonstrate that ProFocus consistently outperforms state-of-the-art methods in both emotion recognition and affective explanation. Project page: https://github.com/Zhang-Zhiyan/ProFocus.

The AffectiveArt Multidimensional Art Emotion Understanding task asks to jointly predict an artwork's fine-grained emotion (12 classes, 1549:1 head-to-tail ratio), binary valence/arousal, and five attribute-grounded descriptions -- sub-tasks that exhibit strong empirical trade-offs, so the single-model solutions we tried do not jointly optimize all of them well. We present ArtSociety, a multi-agent framework that assembles heterogeneous multimodal experts -- a DINOv2-Giant vision agent (A1), a scene-grounded CoT fine-tuned MLLM (A2), and three closed-source reasoning agents (A3-A5) -- and coordinates them with two training-free controllers: (i) a rare-class-aware voting arbiter that lowers the agreement threshold for tail emotions, exploiting decorrelated error patterns across agent families; and (ii) a description-first reasoning agent whose DESCRIBE-then-CLASSIFY chain of thought forces visual evidence before label commitment, yielding near-perfect grounded descriptions. A task-routing policy directs the hard emotion task to the full five-agent ensemble while assigning the near-saturated valence/arousal and generative description tasks to the single strongest reasoning agent. On the official test set (1,000 artworks), ArtSociety achieves an Overall Score of 0.8870 (Classification 0.7789, Description 0.9952). An eleven-variant ablation study reveals that, once method and scale saturate at around 0.76, the decisive gains come from agent collaboration and data-side supervision -- a 30B MoE model trained on older data does not outperform an 8B model trained on better data. Code is available at https://github.com/swordlidev/ArtSociety